Vintage Pulp Nov 15 2014
HANG UP YOUR TROUBLES
A silk sash, a tight knot, and gravity equal suicide. Or do they equal murder?

Above you see the cover of British author James Hadley Chase’s 1953 revenge thriller I’ll Bury My Dead. It has what we consider unusually downbeat art, but with the body count in the story being so high maybe that’s to be expected. Basically, a shady P.I. dies of an apparent gun suicide, but his brother is convinced it’s murder and decides to investigate. He ends up uncovering a blackmail racket, getting on the wrong side of the police, and being connected to more corpses, including that of his brother’s wife, depicted in George Erickson’s cover art. Were these murders or suicides? This book was savagely reviewed for the most part but was reprinted as recently as 2009, which goes to show that pulp is critic proof. 

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Hollywoodland Nov 15 2014
CATCH A RISING STAR
Ralph, this wasn’t what I meant when I said I needed a little pick-me up.

Ralph Meeker and Vera Miles joke around on the Hollywood set of the television series Alfred Hitchcock Presents. The episode they starred in was the series debut “Revenge,” and is considered by many to be the pinnacle of the show’s seven-year run. Meeker would appear in three more episodes of the series and many movies, while Miles would co-star memorably in Hitchcock’s Psycho. The photo dates from 1955.

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Vintage Pulp Nov 14 2014
MAN AND SUPERMAN
Up in the sky, look! It’s a bird! It’s a plane! No, it’s superhunk!

Serving as something of a flipside to yesterday’s post, today we have some excellent examples of the beefcake art of George Quaintance. As we mentioned before, Quaintance’s work seems to be growing more popular all the time, and these examples were going for $150.00 and up. That makes us appreciate even more the Quaintance we got for five dollars during our U.S. trip in 2012. Your Physique was launched by bodybuilder Joe Weider when he was fourteen, which makes any plans we have for the future seem pretty unambitious by comparison. These issues date from 1946 and 1947, which were the only years Quaintance did covers for the magazine. Typically, he illustrated actual bodybuilders, and you can see their names on the covers. You may also notice an interesting juxtaposition of the Empire State Building in panel seven. Quaintance's love of the male form emanates quite strongly from these masterworks, not just because of their technical brilliance, but because of the dominant scenarios some of the figures are placed within—for example, flying above or striding across the planet. The top cover was in pretty bad shape, necessitating some restoration work in Photoshop, but the others are untouched.

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Vintage Pulp Nov 13 2014
JUNGLE HEAT
Documentary double feature takes Japanese viewers on a tour of Western vice.

This Japanese poster promotes a double feature of the English language productions West End Jungle and World of Flesh. Both are fake documentaries, the first set in London’s Soho district, the second in Hollywood. They take viewers on a trip through the underworld of burlesque shows, prostitution, clip joints, orgiastic private parties, and general illegal or barely legal tomfoolery, with stentorian voiceover and an air of dire warning. But only World of Flesh has Baby Bubbles, and this is an important fact. Bubbles, aka Corky Dunbar, aka Elaine Jones, can’t possibly be done justice by a photo, but if one can come close it’s the shot below showing her in the midst of her trademark gag—spinning her tasseled breasts in opposite directions. Bubbles danced before we were born, but World of Flesh has made us fans. Even our girlfriends loved her (although we must admit, they’d never seen the boob spinning trick before and it made them burst into hysterical laughter, which means maybe they loved the absurdity of the act more than its artistic merits). Anyway, Bubbles appears for an amazing three or four minutes early in World of Flesh, aka Hollywood’s World of Flesh, and she is a must for fans of mid-century burlesque. But if time is too precious to locate the movie, most of her segment is available on YouTube right here. And now we’ll stop, because after seeing her, you won’t care what we have to say.

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Politique Diabolique Nov 12 2014
HOOVER DAMNED
Just when you thought you’d heard the worst about J. Edgar Hoover.


Yale University historian Beverly Gage has found an uncensored version of a threatening letter sent to civil rights activist Martin Luther King, Jr. that FBI director J. Edgar Hoover personally engineered. The letter, which she found as part of research into an upcoming Hoover biography and which has been confirmed as his handiwork, features a fake disgruntled supporter taunting and chastising King, and later urging him to commit suicide. The suicide part is unspoken, but the letter states:

King there is only one thing left for you to do. You know what it is. [snip] You are done. There is but one way out for you. You better take it before your filthy, abnormal self is bared to the nation.
 
Hoover’s brainstorm was that King would be so afraid of having his marital infidelity exposed that he’d rather die than see his reputation ruined. When King publicly declared that the FBI and Hoover were after him, the cackles of laughter from the mainstream press and general masses reached the mountaintops. And yet, as so often happens in history, it turns out the government had, in fact, acted far beyond its legal mandate, or even everyday sanity. We now know that under Hoover the FBI harassed not only King, but other political figures, various activist groups, and even harmless Hollywood performers. But this letter represents an incredible new low. More tidbits:
 
King, like all frauds your end is approaching.
 
Your “honorary” degrees, your Nobel Prize (what a grim farce) and other awards will not save you.
 
Satan could not do more. What incredible evilness.
 
There’s more, but you get the gist. The word “evil” is used six times in the one page screed. To imagine the FBI reduced to such an act of impotent cowardice astonishes, but desperate times call for desperate measures—as one of only a few official apartheid nations left in the world at that time, the U.S. was taking a beating in international circles. Scenes of unarmed protesters attacked by German shepherds had played on television sets around the planet. A change had begun that some of the most powerful entities in America wanted stopped. But no smears, no threats, and not even the murder of numerous civil rights activists, including King, could stem the tide.
 
That swell reached a high water mark. But unhealed wounds, social polarization, regressive lunacy, and political opportunism eventually rolled it back. Today, pundits tell credulous audiences numbering in the tens of millions that the bestowing of equal rights to African Americans wasa mistake. Worse, in just the few minutes we spent looking around the internet for a bit of material to write this post we ran into so many defenses of Hoover’s actions that it made us wonder if it was 1965 again. J. Edgar would have liked that. But what he wouldn’t have liked is that his enemy is a global icon while he's a historical embarrassment.
 
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Femmes Fatales Nov 12 2014
I DOUBLE DARRIEUX
This is great! Heh heh. Un petit problème. How do I get down?

French actress Danielle Darrieux fools around on a trapeze crossbar in this unique 1936 publicity shot made for her role in Jacques Deval’s Club de femmes. Darrieux began her film career in 1931 and was onscreen as recently as 2010.

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Vintage Pulp Nov 11 2014
MO BETTER BLUES
For a lonely boy he sure has plenty of company.

Awesome cover art here for Alan Kapelner’s proto-beat novel Lonely Boy Blues, originally published in 1944 and dealing with a cast of NYC oddballs during the 1930s and leading into World War II. By proto-beat we mean it was a precursor to Kerouac and the like—verbally experimental, trying to capture with its prose the rhythm of jazz and bop. It was panned in its day but seems to be enjoying a bit of a revival. The person responsible for this masterpiece of a cover for Lion Books' 1956 re-issue is Arthur Sussman. 

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Intl. Notebook Nov 11 2014
INTERNET SILENCE
At least they mean well.

Above you see Helmut, Thorbjorn and Uwe, three technicians from our server company, toiling in bitter sub-zero temperatures keeping Pulp Intl. live. In the last few months we’ve experienced periodic outages, but only because sometimes these guys’ hats slip down over their eyes. If you visit here a lot, you’ve noticed the outages. And if you don’t visit a lot, you got a page with a cryptic message and never came back. We apologize for the troubles, thank you for your patronage, and ask you to remember that if Pulp Intl. isn’t here when you visit, don’t worry—we’re away for only a few hours at most. We still have way too much to share, and plenty of time on our hands. When we retire this website it’ll be on our terms, not because our techs would rather ice-fish than maintain service. 

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Vintage Pulp Nov 10 2014
LOVE'S LABOR LOST
This is a mean old world, baby, to live in all by yourself.

Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.

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Vintage Pulp Nov 10 2014
TOP HAT, WHITE TIE, AND TAIL
Under the circumstances you’d be singing too.

Maurice Dekobra’s Bedroom Eyes was originally published in 1932 as La biche aux yeux cernés (which means “doe eyes identified”), and this retitled Novel Library paperback appeared in 1949 with excellent Peter Driben cover art of a nightgown-clad temptress. We can’t see her companion, but he’s left a top hat, cane and gloves in view. We think it’s Fred Astaire. Like his song from that era goes, “I just got an invitation through the mails: Your presence requested this evening. It’s formal—a top hat, a white tie, and tail…” Or, er, tails.

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History Rewind
The headlines that mattered yesteryear.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.

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