Slow down, tiger—that isn’t the opening I had you in mind for.
This is a very successful cover. In pulp and sleaze fiction, it’s the male boss who typically attacks his female assistant, but here, by using subtleties of facial expression and briefcase style, the artist makes clear that the woman is the boss in this situation, stuck with fending off the advances of her subordinate. These days he’d probably be fired, possibly arrested, and maybe even sued. But in 1954, when Nine to Five was first published, you don’t even have to guess what happens—he gets fully up in the boss’s panties and she loves it! But that’s why it’s fiction. This edition comes from 1960 via Berkley Books, the artist is Julian Paul, and it’s unrelated to the movie starring Fonda, Tomlin, and Parton.
This trip sucks! Next time let’s just pay extra for first class!
The Mercenaries, aka Dark of the Sun isn’t a movie many remember, but we’re going to remember it, because this is a great pre-CGI action film—not perfect, but well above average. Based on Wilbur Smith’s novel Train from Katanga, and starring Rod Taylor, Jim Brown, Peter Carsten, and Yvette Mimieux, it tells the story of two mercenaries in the civil war-torn Congo hired to ride a military train upcountry, rescue a group of stranded people, and retrieve $50 million in uncut diamonds languishing in a time-locked safe. They have to do it within three days, which means making rushed preparations—notably, enlisting the aid of a dodgy ex-Nazi who commands the Congolese mercs needed to round out the mission. This Nazi is a really bad human, so it’s no surprise he gets into a chainsaw fight with the protagonist shortly after they meet. You’d think the hero would expect the unexpected from the guy after that—but no. The Japanese poster above, while not perfectly descriptive of the action, gets the mood of The Mercenaries across effectively, and it opened in Japan today in 1968.
, Train From Katanga
, The Mercenaries
, Dark of the Sun
, Rod Taylor
, Jim Brown
, Yvette Mimieux
, Wilbur Smith
, Peter Carsten
, poster art
, movie review
An equitable exchange of services.
Are you old enough to have experienced the swinging craze? We aren’t, and we wouldn’t have taken part anyway (are you reading this, Pulp Intl. girlfriends?), but it does look kind of fun on vintage paperbacks (you aren't reading this are you, Pulp Intl. girlfriends?). We’ve shared a few covers in the past dealing with the subject of swapping, and you can see a few here, here, and here. For today we decided it was finally time to do what every pulp site must—put together a large, swap-themed collection of sleaze paperback covers. So above and below is a vast assortment for your enjoyment. The trick with these was to make sure they weren’t all from Greenleaf Classics, which is a company that through its imprints Companion, Candid, Adult, Nightstand, et al, published hundreds of swapping novels. That means we had to look far afield to avoid having the entire collection come from that publisher. We think we’ve done a good job (though we will put together a Greenleaf-only swapping collection later—it’s mandatory). Want to see even more swapping books? Try the excellent sleaze fiction website triplexbooks.com. Greenleaf Classics
, Paragon Books
, Softcover Library
, Saber Books
, Phantom Books
, Donna Powell
, Frank Harris
, R.B. Weller
, Lana Preston
, Mark Loring
, Lynda Parker
, Alan Marshall
, Drew Palmer
, Steve Yardley. Don Bellmore
, Bonnie Golightly
, Bud Conway
, Max Collier
, Duncan Fox
, Dallas Mayo
, Curt Aldrich
, Curt Donovan
, Aaron Thomas
, O.R. Bassett
, Lana Preston
, Alex Carter
, Arthur Adlon
, J.X. Williams
, Charles Beck
, Dean McCoy
, Brian Black
, Don James
, Wayne Wallace
, Arnold Marmor
, Sheila Faye
, James Layne
, Manly X. Morgan
, Herb Roberts
, G.A. Graeme
, Gavin Hayward
, Jon Balt
, cover art
A perfect reflection of 1930s Hollywood.
This issue of the American film magazine Movie Mirror was published today in 1935 with Grace Moore on the cover, who was promoting her role in the film Love Me Forever, and later died in a plane crash with Prince Gustaf Adolf of Sweden. You may also notice the unusual sight of editor Ruth Waterbury giving herself standalone credit at upper left. We’ve never seen that before. Waterbury isn’t well remembered today, but she was a player in her time, one of America’s famous journalistic figures, and a staple in tabloids and gossip columns.
Movie Mirror billed itself as “Filmland’s most beautiful magazine,” and indeed its painted covers by the likes of John Ralston Clarke were among the most striking to be found on newsstands. In the late 1930s the magazine began moving away from painted covers to photo-illustrated fronts designed to evoke the same mood. In 1941 it merged with Photoplay and ceased to exist as a distinct publication. Below you see nine more covers, all from the 1930s, with Irene Dunne, Bette Davis, Claudette Colbert, Snow White, and others.
, Movie Mirror
, Love Me Forever
, Snow White and the Seven Dwarves
, Grace Moore
, Carole Lombard
, Greta Garbo
, Marion Davies
, Irene Dunne
, Bette Davis
, Claudette Colbert
, Prince Gustaf Adolf
, John Ralston Clarke
They say money talks. It also writes.
Where would we be without leaked documents in this day and age? There’s an interesting story hitting the wires today about how the Mexican government pressured Sony Pictures and MGM to change the script of the upcoming James Bond film Spectre in exchange for $14 million dollars. The money took the form of tax incentives, but in the real world it’s no different than bagloads of cash. The information comes from hacked e-mails provided by an unknown North Korean person or group. According to the e-mails, the Mexican government wanted an assassin’s identity changed from Mexican to some other nationality, an assassination target likewise changed from Mexican to other, and insisted upon the casting of a Mexican Bond girl. The last demand was met with the hiring of Sonora-born Stephanie Sigman.
All of this is pretty much business as usual in moviemaking—hardly even a story, really. But we always write about Bond here, so this item seemed worth sharing. The last aspect of the e-mails that interested us was a demand that the film include aerial shots of Mexico City’s skyline, with an emphasis on the modern buildings. Tens of millions of travelers from every part of the globe visit Mexico each year because of its native ruins, beautiful Spanish colonial architecture, indigenous food, historically authentic festivals, thousands of miles of beaches, and warmwaters, yet Mexican officials wanted its few glass skyscrapers to appear onscreen to emphasize to shallow businessmen that, yes, we too can offer the type of cookie-cutter modernity you love. It’s fascinating to us. The world won’t know how much of the Mexican government’s wish list was granted until Spectre’s November 2015 release, but if we had to guess we’d say all of it.
Just a woman and her will to survive.
This cover for The Passionate Tigress by John Saxon, aka James Noble Gifford, has art signed “Border.” We’ve never heard of him or her before, and as you can imagine, we can’t possibly hope to isolate a person with a name like that using internet searches. The people at the Greenleaf Classics website think this could be Ernest Chiriacka, and we agree the resemblance is uncanny, but absent confirmation this illustrator goes in the mystery category. 1959 on this.
Actually, I like wearing it—except I have to run for shelter whenever lightning is in the area.
French actress Maria Latour had a relatively minor career, appearing in four films in 1967 and several television shows between 1965 and 1973, but there’s nothing minor about this shot of her rocking a metal bra. It’s doubtless uncomfortable, but it’s also great in a low rent sci-fi way. The shot is from 1968.
Nobody’s Faut but her own.
Above is a great piece of Jef de Wulf art of an amorous sailor and an interested woman for Jacques Marlène’s Faut que tu y passes, cheri!. The book appeared in 1952 from Lutécia Editions à Lyon as part of their Pour lire la nuit collection. We gather the novel was censored in France in 1955. The title Faut que tu y passes, cheri! translates to something like “You have to pass it, darling.” Here again we have a French phrase that doesn’t quite translate into English. Usually we get e-mailed about these, but our e-mailer is down, and we’re well aware of it. We’ll get to fixing that soonish, along with the pulp uploader. In the meantime, you can still contact us at email@example.com if you care to explain this title more fully.
Update: So we got several reponses to this question.
From the blog oncle-archibald.blogspot.com we learned that the title translates roughly to, "I will have my wicked way with you, darling!" This is in reference to the French expression "
passer a la casserole," which has a sexual interpretation and translates, "to have his wicked way with you."
From our friend Jo B. we get a similar interpretation. He says it's a way of saying, "You’ve got to make love with me, you’ve got no way to escape this... (faut que tu y passes). He explains further: In French, they also say, “Il faut que tu passes à la casserole,” which means, "You’ve got to go in the saucepan." Strange, ain’t it ? Sometimes, we also say that for people who want to get a job (at the television, for example or in a company).
So there you go. We're giving serious thought to learning this language. There are thousands of French speakers around here anyway, and it would come in handy. Oncle Archibald has lots of similar book covers, by the way, and we recommend clicking over there for a look.
Midnight twice in the same day.
We mentioned a while back that the cheapie tabloid Midnight was printed in Montreal, which made it more of a Canadian than American publication. Above you see a rare cover of Minuit, which was the Canadian Midnight. This hit newsstands today in 1966, and it’s basically a duplicate of the Nobu McCarthy cover we shared on this day last year. Well, not an exact duplicate. As you can see by looking at the image on the right, the cover text on the U.S. version says: “I’m wild, wicked, and willing,” but on Minuit McCarthy says, “Je dis ‘oui’ aux hommes,” which means, “I say ‘yes’ to men.” The sentiment is the same, but we're reasonably sure both lines were made up by Midnight—and Minuit—editors. Thanks to the website viellemarde.com for this image.
The headlines that mattered yesteryear.
1984—Marvin Gaye Dies from Gunshot Wound
American singer-songwriter Marvin Gaye, who was famous for a three-octave vocal range which he used on hits such as "Sexual Healing" and "What's Going On," is fatally shot in the chest by his father after an argument over misplaced business documents. Gaye scored forty-one top 40 hit singles on Billboard's pop singles chart between 1963 and 2001, sixty top 40 R&B hits from 1962 to 2001, and thirty-eight top 10 singles on the R&B chart, making him not only one of the most critically acclaimed artists of his day, but one of the most successful.
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
1986—Jimmy Cagney Dies
American movie actor James Francis Cagney, Jr., who played a variety of roles in everything from romances to musicals but was best known as a quintessential tough guy, dies of a heart attack at his farm in Stanfordville, New York at the age of eighty-six.
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