Vintage Pulp Apr 10 2019
DISOBEDIENT PET
Bad girl! You stay in your kennel until you learn how to behave!


The list of great Italian movie poster artists is long. We've discussed many and today we have another new member of the club—Basilo Morini, who painted these two promos for Sesso ribelle, aka Questo sesso ribelle, but best known as Pets. The quality of the art is shockingly good considering how terrible the movie is. What you get here is a counterculture drama about the various misadventures of a Southern California runaway played by Candice Rialson. She meets fellow drifter Teri Guzman and is drawn into a robbery plot, becomes a nude model and sex partner for possessive painter Geraldine Mills, and finds herself pursued by woman hating sadist Ed Bishop. Morini's art makes clear that Pets is sexploitation but the film is pretty tame by today's standards—at least on the sex front. In other ways it's wildly offensive. When Mills wails at one point, “It's like a bad dream! This can't be real!” that's exactly what you'll be thinking. Pets premiered in the U.S. in 1973 and reached Italy today in 1975.

Use the Force, Luke...

The neighbors always suspected there was something odd about the house on Paranormal Lane.

I love what you've done with the place. Late period Edgar Allen Poe?

Check out this painting I did of you. It's what I picture you looking like after I drain all your vitality and essential electrolytes.

One can only hope.

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Femmes Fatales Apr 10 2019
GOING AULIN
If she were a poker hand she would definitely be a straight flush


Above is a sweaty photo of Swedish actress Ewa Aulin, which immediately brings to mind the saunas they love up there in Nordic countries. In fact, just a few days ago in Sweden a cop was in a sauna, noticed a wanted fugitive having a steam nearby, and apprehended him while they were both naked. True story. We learned about saunas ourselves when we wandered through Finland, though in deference to us our Finnish acquaintances wore towels. But we digress. We were talking about Aulin. She made about fifteen films, the best known of which is probably the 1968 sex comedy Candy, a flop when it was released that has garnered a cult following in recent years. Apparently it's about a woman searching for the meaning of life. We haven't watched it but we may check it out at some point. If so, we'll report back. The great photo at top first appeared in Playmen magazine in 1973, and was part of a set that included the two shots below. And as you can see, when Aulin goes all-in she does it sans towel, in deference to nobody.

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Vintage Pulp Apr 8 2019
GASLIGHT DISTRICT
Sleaze imprint offers illuminating cover art.


Several days ago we said we'd revisit whoever painted this cover with an eye toward determining if they were really any good. At a glance these fronts from sleaze imprint Gaslight Books don't compare to the many beautiful efforts from Midwood or Gold Medal, but only at a glance. There's a distinctive style here, a certain beauty of form and color, an ease of execution like sketches brought to life. All are uncredited, but all are by the same artist, who hasn't gotten their due, in our opinion, for taking cover art in this unusual direction. Alternatively, we could simply be high. But give these a close look, revisit last week's cover, check the example we shared several years ago, and see what you think.

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Vintage Pulp Apr 7 2019
DROGUE ADDICTS
We're hooked on this poster—and the movie too.


Le port de la drogue was better known as Pickup on South Street, a movie we raved about a little while ago. Its U.S. poster is pedestrian, but this promo for the French market was painted by Constantin Belinsky, and we think it's spectacular. He actually painted two posters, the second of which—not quite as nice because he was asked to copy the U.S. promo—appears below. We'd never heard of Belinsky before but we'll keep our eyes open for more of his work. Pickup on South Street premiered in the U.S. in 1953 and seems to not have made it to France until today in 1961. We aren't sure why it took so long, but the wait was worth it, because the movie is great.
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Intl. Notebook Apr 6 2019
WEST WORLD
French magazine celebrates essential American film genre.

A few years ago we used this image of German actress Dorothée Blanck as a femme fatale, but didn't scan the rest of the magazine in which we had found her. By now you know why—the pages of these old film mags are large and we have to scan them in halves and put them together in Photoshop or GIMP, which is time consuming, something that's a real problem for lazy people like us. But here we are three years later and we've finally done it. Above is the full cover of the issue of Cinémonde—“cineworld” in English—from which Blanck came.

Cinémonde was first published in October 1928 and ran until being interrupted by World War II in 1940. Post hostilities the magazine reappeared, running from 1946 until 1968, taking another pause, running again from 1970 to 1971, and finally folding for good. This issue hit newsstands today in 1965. Like other European magazines of the era, the main attraction with Cinémonde is that its photos generally have not been seen online before. This issue was devoted to the American western, and the subjects include some of the biggest cowboy stars in cinema history, including John Wayne, Glenn Ford, Clint Eastwood, and Jimmy Stewart.

That's the first half of the issue. Afterward editors move outside the western milieu, and you get Marlon Brando, David Niven, Francois Dorleac, Barbara Bouchet, Serge Gainsbourg, hair secrets of the stars, the top ten Don Juans of French cinema, and more. Do we have other issues of this magazine? You bet. We own a group that includes Cinémonde, Ciné-Revue, and others. Will we ever scan them? Well, we make no promises at this point, but you never know—maybe we'll splash out for a bigger scanner and solve the problem with money instead of effort. Seems to work for everyone else. Thirty plus images below.
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Intl. Notebook Apr 5 2019
REINVENTING LAMARR
She was more than just a movie star.

Smithsonian.com published an in-depth story yesterday about Austrian born Hollywood icon Hedy Lamarr, and how her technical genius helped bring the world Wi-Fi, Bluetooth, GPS, and cell phones. Hah! Get with it Smithsonian. We talked about this under discussed aspect of her life years ago.
 
It's curious that no matter how many times people write about Lamarr's technological exploits it never seems to become a generally known aspect of her personality. Maybe people want to see her as a beautiful actress, and much of the interest stops there. The Smithsonian piece will probably help change that a bit, and it's well written also (though considering what digital technology has wrought we'd probably add the phrase "for better and worse").

Yesterday's piece comes in tandem with the Smithsonian's Washington D.C. based National Portrait Gallery acquiring a rare original Luigi Martinati poster painted to promote Lamarr's 1944 thriller The Conspirators. We have no idea what it cost, but certainly a pile of money, since Martinati was not just a great artist, but one who tended to focus more on portraiture in his promos. You can see what we mean just below, and by clicking here and scrolling. As for Lamarr, we'll doubtless get back to her—and all her interesting facets—later.
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Vintage Pulp Apr 5 2019
UPON REFLECTION
Mirror mirror on the paperback, is whoever painted this really a hack?


This cover for Tom Haunt's Deadly Love is uncredited, and at a glance it looks like something splashed on canvas without much regard for the final result. But we'll be returning to this unknown artist for an extended look in a bit, and we may change your mind about him/her. It wouldn't be the first time a presumed hack got a reconsideration in the realm of paperback covers. Remember sleaze illustrator Gene Bilbrew, once ignored, now celebrated? If not, look here.
 
Some cover art isn't easy to stylistically appreciate at first glance, but it's useful to remember that it serves dual purposes. The artists and most art aficionados would say it must show proficiency. But a publisher would say it must catch the eye on a newsstand or bookstore shelf. Making those ingredients mix isn't easy, and the final result will sometimes have more of one flavor than the other. The above art is eye-catching but probably not proficient. Or is it? Stay tuned.

Moving on to the actual fiction, author Tom Haunt is a pseudonym, we're guessing, though for whom we don't know. Whoever he/she really was wrote numerous books. This one is the story of a young Coney Island hustler named Joe Brody who tries to turn a woman of thirty-one into his sugar mama. His plan is to use her money to ditch grimy New York for the white sands and endless sunshine of Florida.
 
Everything goes swimmingly for a while. Joe plies his benefactress for cash, gets her to buy him a car, and the two run off to the sunny south. But of course Joe is a heel and eventually his straying ways lead to serious troubles, and—as the cover blurb reveals—death! Actually several people die, including Joe, who we weren't sad to see go. There's nothing special in this story, but at least it was a quick read. Will we check out more from Tom Haunt? Doubtful.

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Femmes Fatales Apr 5 2019
ACTIVE SHOOTER
She makes it look so Uzi.


This great photo stars U.S. actress Gloria Hendry and was made when she was filming the 1973 James Bond movie Live and Let Die. Of all the so-called Bond girls who appeared opposite the world's most famous spy through the decades, Hendry, with her toned arms and six-pack stomach, was one of the few who actually looked fit enough to survive the chaos. She didn't, though. Only one Bond girl generally got to survive each film and in this case it was Jane Seymour.
 
There are several variations of this photo floating around online, but the one above is our favorite. Hendry gives it her all, rocking her fantastic afro and looking every bit the lean, dangerous, counterculture CIA double agent she played in the film. But we also like the alternate version below, where she cracks a little smile, because machine gunning people can be fun too, at least in the movies. See another Hendry promo here.
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Vintage Pulp Apr 4 2019
TOKYO AFTER DARK
When the lights go down the stars come out.


This beautiful poster with a statuesque dancer front and center was made to promote a documentary on burlesque, a Japan-only release with no western distribution or title, called 日本の夜, which basically would translate as “Japanese Nights.” The central figure is Gypsy Rose Lee, and the movie was filmed in 1962 by Keiji Oono—not in Japan, but rather largely at Le Lido de Paris, home of the legendary Bluebell Girls. Le Lido still exists, though it's moved from its original 1946 location. If it's anything like the poster, with singers and geishas and glittering comet trails, we'll be visiting on our next trip to Paris.

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The Naked City Apr 3 2019
OUT BY THE IN DOOR
Yep, this guy's dead as hell. Too bad. He could sue the beer company for false advertising.


This photo, which is part of the archive of mid-century Los Angeles Herald press shots maintained by the University of Southern California, shows a suicide at the front entrance of Temple M.E. Church at 14th and Union in Los Angeles. The man was named Robert Palmer, and you can see that the poor guy shot himself in the middle of the forehead. You can also see that he bled profusely, which suggests his heart pumped for a bit before he finally died. L.A.P.D. detective Hugh Palmer (no relation) stands over him. Like many suicides Robert Palmer had a final drink before doing the deed. His choice? As you see in the zoom below, it was Lucky Lager, which conferred no benefits whatsoever. Maybe a rabbit's foot or a horseshoe would have been more effective. Or not. The photo is from today in 1957.

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History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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