Vintage Pulp Sep 25 2018
GETTING HER GOAT
Listen, lady! There's two of us and only one goat on this island! We're going to have to come to an agreement!


No, this cover for William Fuller's 1954 thriller Goat Island is not a duplicate of yesterday's. It's a similar piece painted by the great same artist—George Gross. On both fronts you have the dark-haired femme fatale, the open white shirt, the seated position, the nearby tree, the shack in the distance, and a general backwoods mood. If you must copy, copy yourself. In terms of content the book falls into the category of South Florida detective yarns, a sub-genre scores of writers have found profitable over the decades. It's the second book featuring Fuller's franchise detective Brad Dolan. In 1957 Ace Books republished it with the art redone by John Vernon, which you see below. Yes, they're different. Look closely. Vernon's signature appears at the extreme bottom right, whereas Gross's is absent at top. Duplicating covers was common during the mid-century paperback era but we've rarely seen an artist as accomplished as Vernon given the task. Both covers are good, but Gross gets the nod of quality for only copying himself.
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Vintage Pulp Dec 6 2017
CALLING HER SHOT
Yes, I'd like to report a murder. A man murdered every last bit of my patience.


Above, a nice cover for Day Keene's 1954 thriller Death House Doll, with excellent art by Harry Barton. In the story, a Korean War vet has promised his fatally wounded brother he'd look after his wife and baby daughter, but when he gets back to the world (Chicago) he's stunned to find that she's sitting on death row for murder, and unwilling to spill the truth even if it saves her. The attraction with this one is watching a decorated war hero run riot on hoods and thieves, while up against the always effective ticking clock gimmick—an execution date, which in this case is five days hence. The book was an Ace Double with Thomas B. Dewey's Mourning After on the flipside, and the art on that one, just above, is by Victor Olson. We put together a nice collection of Harry Barton's work back in May that we recommend you visit at this link

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Vintage Pulp Nov 10 2017
COUNTER INTELLIGENCE
Sorry losers and haters, but my I.Q. is one of the highest—and you all know it!

You know the aphorism about intelligence, right? The one where smart people never feel smart enough and stupid people never realize they're stupid? The lead character in Jonathan Gant's, aka Clifton Adams' Never Say No to a Killer constantly brags about how smart he is. He even claims to have a genius I.Q. He puts this brainpower to use in escaping prison, setting himself up in Lake City, gaining possession of a million dollars worth of blackmail material, and sparking interest from the most beautiful woman he's ever seen, but you have a sneaking suspicion the entire time he isn't really that smart.

Since the story is told from first person point-of-view you have no evidence he's a blowhard, but for a guy who's allegedly so much smarter than everyone else plenty of things go wrong with his schemes, and the corpses he generates don't inspire confidence in his self assessment. And indeed, later you discover definitively that he isn't bright at all—he just has an enormous ego, one that allows him to bluster his way through problems, but which keeps him from spotting obvious dangers and prevents him from understanding it's he who's being played.

He believes beautiful women are his reward for being so much better than everyone else, which makes it especially satisfying when these women begin giving him trouble. If he was really a genius he'd have known that you never cross a femme fatale. Never Say No to a Killer is not an especially well written book, but the story is great and the character of Roy Surratt is rare. Well, rare in fiction. In real life people like him are everywhere. Recommended stuff from Ace Double Novels, circa 1956, with uncredited cover art, and Louis Trimble's Stab in the Dark on the flipside.

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Vintage Pulp Aug 23 2017
TOOLS BEFORE SWINE
Don't worry—last time I saw your husband he was making a spear to kill some pig he claims is lurking around.


How many times have we talked about Harry Whittington? Plenty, but he wrote so many books, and had a habit of making them consistently interesting. In The Naked Jungle a plane crash leaves three survivors stranded on a deserted tropical island. There's Krayer, who's driven and a bit crazy; there's his wife Fran, who's lusty and unhappy; and there's Webb who wants Fran—badly. Three people, limited resources, and zero trust. On the flight Webb had overheard Fran tell her husband that their marriage is over, so he's not too worried about sticking his nose—or any other body part—where it doesn't belong. And Krayer didn't want to share survival supplies with Webb in the first place, so you can imagine how he feels about sharing his wife. It's all a recipe for more Whittington fun. The dramatic cover art is, sadly, uncredited, though it looks a lot like James Meese to us. Just a guess.

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Vintage Pulp Aug 4 2017
ENGINEERING FEET
It's time you got your hands dirty, tough guy. We'll start with a pedicure.

Above, an Ace double consisting of John Creighton's Trial by Perjury and Louis Trimble's The Smell of Trouble. Cover art is by uncredited and his twin brother unattributed. You can see another Ace double here

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Vintage Pulp Feb 4 2017
CUTS LIKE A WIFE
I think we should consider a separation. And I have just the body part in mind.

A gringo detective with an agency in Mexico City is hired to locate his crooked ex-partner, who has bailed with the agency's money, and now is causing trouble for the client. The PI takes the job, glad to be paid to track down his betrayer, and starts in the Mexican town of Rio Bravo where the partner immediately turns up dead. From there the hero delves into local corruption, crosses the border to Texas, uncovers a human trafficking ring, meets a cantina dancer named Arden Kennett, deals with a dangerous wife, watches murders pile up and the police begin to suspect him, and learns that knives can be thrown just as effectively as they can be brandished.

The book was published in the U.S. as an Ace Double in 1959 with Paul Rader art and bound with Charles Fritch's Negative of a Nude, but the rare edition above is from Aussie imprint Phantom Books and appeared in 1960. We can't identify the artist, which is an affliction we've been dealing with quite a bit of late. But don't blame us—as we've mentioned once or twice before, including just a few days ago, Phantom didn't credit art, possibly because much of it was copied from U.S. editions. Many of the covers do, however, look like the same hand, so hopefully someone will be able to ID the owner of that hand at some point in the future.

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Vintage Pulp Jan 18 2017
NEXT OF KIN
You might as well stop lurkin' and join the party. We already cousins—no harm bein' kissin' cousins too.

Actually, this book has nothing to do with cousins, but the art spoke to us that way. Guess we've read too many Midwood sleaze novels. Ace Books is generally a bit more highbrow. The main character in 1957's Desire in the Ozarks is Shoog Dawkins, a happy-go-lucky hillbilly stereotype who, after some years of matrimony to his sweetheart Docey and the birth of a son, has his head turned by a girl named Genevy Trone. He's constitutionally unable to resist the basic pleasures of life, so trouble soon results. This was marketed as an authentic slice of rural life in the vein of Erskine Caldwell—unsuccessfully it seems, because though Steger authored numerous short stories, this seems to have been his/her only novel. Turning to the art, it's uncredited. We did a little digging and found that the original painting for this recently went up for auction and the sellers confirmed that it's unsigned. We figure if they can't identify the artist, nobody can, so this one will likely remain unattributed.  

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Vintage Pulp Jan 10 2017
WHIP WRECKED
Sorry about your face. My aim isn't so good with this thing.

Give a girl a whip and you'll find out who's the boss. Luisita is about a Mexican girl living in nowheresville whose beauty brings her both opportunities and problems. After a run of bad luck in her home town she moves to Los Angeles and eventually lands a job in a massage parlor. There she learns how depraved men really are, but also how easy they are to manipulate, and of course she uses to this new knowledge to try and get herself a piece of the pie. Basically, it's one of those books that's supposed to expose a shocking subculture, but it has the added bonus of pretending to offer insights about an entire ethnic group. However, the racism subplots are probably accurate. Loomis later went on to write House of Deceit and The Marina Street Girls. The excellent art on this is by Robert Maguire and the copyright is 1954. 

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Vintage Pulp Dec 31 2016
MOON IN THE GUTTER
Baby, come out here and see this. The moonlight shining on the sewage canal is so romantic.

Kathleen Sully's Canal in Moonlight was titled Bikka Road in the U.S., and concerns a happy family of eighteen. Well, they're happy when the book starts. And they're soon to be nineteen, as the wife is pregnant yet again. But she dies in childbirth, a daughter whose beauty is garnering the attention of men disappears, a couple of major purchases go wrong, a revenge scheme is enacted against the man thought to have wronged the family, etc., and pretty soon nobody is happy anymore. This is pure literature rather than a pulp style novel, but we couldn't resist the cover art. It's by John Vernon, who painted numerous fronts for Ace Books during the 1950s. This nice effort is from 1957.

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Vintage Pulp Dec 12 2016
A FRESH COAT
Go completely unnoticed in any setting with the amazing new Undercover Operative Trench Coat.

Well, some products don't work as advertised. We weren't going to buy it, but then we learned it came with a complimentary limited edition newspaper with two eye holes cut in it. But when we wore the coat we got spotted immediately and now we have a restraining order. 1955 copyright on this Ace Double of Harry Whittington's One Got Away (Robert Schulz cover art), bound with Cleve F. Adams' Shady Lady (Harry Barton on the art chores). We'll see you after our probation hearing.

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Next Page
History Rewind
The headlines that mattered yesteryear.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
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