|Intl. Notebook||Nov 9 2015|
This Inside Story from November 1963 features cover star Christine Keeler and the people in her life, while the left of the page has insets with Mamie Van Doren and Anthony Quinn. We’ve covered Keeler. Hers was one of the most flogged scandals of the 1960s, and Inside Story editors are well aware of that, which is why they claim to have new information. But it’s nothing new—just rehash on Keeler, a background on Czech call girl Maria Stella Novotny, who was well known by this time as one of Keeler’s colleagues, and standard red scare stuff about motel rooms set up with microphones and two-way mirrors. We will get back to Novotny, however—her tale offers some interesting twists and turns.
Inside Story shares stories about Mamie Van Doren, Jackie Gleason, Peter O’Toole, Ava Gardner and a nervous tailor who measured her for a suit, and how perfume makes men go wild. Editors also decry the injustice of a Harlem restaurant refusing to serve a white woman—this, mind you, during an era when literally hundreds of thousands of U.S. enclaves, from restaurants to schools to country clubs to sectors of the military, were whites-only. False equivalence, thy name is Inside Story. But interestingly, a subsequent piece about the world’s sexiest nightclubs tells readers chic Harlem bars are frequented by white Hollywood stars. And so it goes…
|Hollywoodland||Jul 16 2015|
It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.
These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.
|Hollywoodland||Jun 30 2015|
This gold colored June 1963 cover for Confidential magazine is entirely given over to actress Barbara Payton, whose self-penned hard-luck story appears inside and details her life troubles. The tale is well known and is one we’ve touched upon before—early marriage and early motherhood, followed by stardom, romances, and riches, followed by booze, drugs, divorces and crime. Confidential being Confidential, the editors neglect to mention that the story here is not an exclusive, but rather is excerpted from I Am Not Ashamed, Payton’s painfully revealing autobiography.
|Vintage Pulp||May 14 2010|
We were just writing about Gary Cooper in our history text and… You do read the history text, right? Please tell us you read that stuff, because we really do work hard on it. Anyway, Cooper died fifty years ago yesterday, so we thought we’d share one of the posters we had sitting around. Above you see the Japanese one sheet for his 1953 western Blowing Wild, with Barbara Stanwyck and Anthony Quinn. We’ll get into Mr. Cooper a bit more down the line. We have to—we can’t possibly ignore a guy who Clara Bow said was “hung like a horse and can go all night.” And we also have to get into the story about how Lupe Velez stabbed him for drawing a face on one of her nipples. When you do something like that to a woman known as the Mexican Spitfire, you have to expect incendiary results, but we'll explore that and other Cooper episodes soon.
|Vintage Pulp||Feb 22 2009|
This poster is for the German version of the French film Notre Dame de Paris, based upon Victor Hugo’s tragic masterpiece, with Anthony Quinn as Quasimodo and Gina Lollobrigida as Esmeralda. While the film isn’t what you’d call pulp, the promo art has all the elements, and Lollobrigida is a personage who crossed paths with some important figures, including Howard Hughes and Fidel Castro. In her day, she was so famous she was immortalized on episodes of both The Flintstones and The Jetsons, as, respectively, Gina Load-O’Bricks and Gina Lollojupiter. But here’s what we like best about La Lollo: there’s a type of lettuce named after her. Der Glöckner von Notre Dame premiered in West Germany today in 1957.