|Vintage Pulp||Dec 31 2015|
This Japanese poster promoting a double bill of 1974’s Gosh! (aka Alice Goodbody) and 1975’s The Fireworks Woman features softcore/hardcore actress Sharon Kelly/Colleen Brennan front and center, but she appeared in only one of the films. The other starred Jennifer Jordan, aka Sarah Nicholson, who also appears on the poster, though in the background. Gosh! is a softcore comedy directed by Tom Scheuer featuring Kelly/Brennan as a waitress/wide-eyed ingénue trying to survive/succeed as an actress in Hollywood, while The Fireworks Woman is a fully hardcore tale about a man who joins the priesthood to escape an incestuous relationship with his sister. Spoiler alert—it doesn’t work. It was helmed by Wes Craven—yes, that Wes Craven—under the pseudonym Abe Snake. Porn, whether softcore or hardcore, just makes people want to hide in fake personas, doesn’t it? Scheuer was the only one who didn’t bother and he never worked in cinema again, so the incognitos had it right. But the beauty of the internet is that everyone gets outed in the end. Schwarzeneggar, Stallone, Cameron Diaz, everyone. Happy New Year.
|Vintage Pulp||Dec 8 2010|
Cover and assorted interior pages of the spicy British cinema magazine Continental Film Review, with uncovered shots of Laura Gemser, Laura Antonelli, Ursula Andress, Ingrid Steeger and others, December 1977. You can see another issue here.
|Intl. Notebook||Dec 2 2009|
In this Japanese ad from the mid-eighties, Arnold Schwarzenegger shills for Go West brand coffee. We’ve been running across quite a few old Japanese ads lately, and you’d be surprised what sort of mundane products big stars were willing pitch in exchange for a wheelbarrow of yen. Of course, Arnold had already starred in unforgettably bad films like Hercules in New York and exposed his Schwarzenugget in that infamous what-the-hell-were-you-thinking nude photo, so selling canned coffee must have seemed like endorsing Fabergé eggs. But just like old nudes, old ads come back, and we’re happy to have found this one. We feel a theme emerging.