Looks like she's well past the tipping point.
Any successful concept has the potential to become a cage for a crime author. Jack Dolph wrote the successful 1948 mystery Odds-On Murder about race tracks and their associated environs, and returned to that milieu for 1950's Murder Makes the Mare Go. In 1952's Hot Tip, for which you see the 1957 Phantom Books cover art above, Dolph is still hanging around the track, where a jockey dies in a sweatbox trying to make weight for a race, and his buddy Doc Connor sets about proving it was murder. There are suspects—the wife who stood to inherit insurance bucks, the estranged brother, and shady gamblers, while artsy Broadway types provide extra color.
Dolph used Doc Connor for all his horse books, with the character's interest in racing legitimizing his constant moonlighting as a sleuth when he probably should have been inoculating babies and reading x-rays. We described these concepts as a cage for authors, but that's our personal bias intruding. Dolph might have loved writing about racing. But either he or the public tired after his fourth foray and fifth novel overall, 1953's Dead Angel, at which point Dolph went out to pasture.
The art on the 1957 edition from Australia's Phantom Books is interesting but uncredited. The British edition from Boardman Books, just above, has nice cover art as well, painted by Denis McLoughlin. And the original art was reconstituted by Horwitz Publications, also Australia based, for usage on the front of Carter Brown's The Tigress, from 1961, below. Though actually, based on the quality of the art, Phantom's Hot Tip art looks like the copy, but the publication dates we have say Phantom was first.
As soon as I hear, “That's a wrap, Diane,” the clothes are coming off and I'm streaking out of this joint.
Yes, it's Diane Webber on the cover of this Horwitz second edition of Carter Brown's No Future Fair Lady, and amazingly, she's fully clothed, a phenomenon we've never seen from the most famous nudist model of her generation. Looking closer, though, the dress could be painted on. Wouldn't surprise us. You don't become a nudist icon in the buttoned down 1950s by letting the Man tell you what to do. At any rate, this is yet another example of Horwitz using unlicensed (we suspect) celeb photos on their Carter Brown paperbacks. Since we feature a lot of tabloids on Pulp Intl., we have to point out that the protagonist in this story works for a tab called Smear. We love that. The copyright here is 1960, and we have several other examples of Horwitz celeb covers you can see by clicking this link.
Sharp curves and unexpected twists in road next 1,000 miles.
Every once in a while we come across a pleasant surprise of a film and Road Games is an example of that perfect nexus where no expectations meet good filmmaking to greatly improve our day. Starring Stacy Keach and Jamie Lee Curtis, Road Games is about an American hitchhiker making her way across the Australian outback the same time a depraved serial killer is loose on the road. She's picked up by truck driver Keach and the two of them come to believe they're following the same route across the country as the murderer. Keach and Curtis are great in this. Even though Curtis's attraction to a porno mustached forty-something can only be explained as a case of outback fever, the May/December storyline is deftly handled and reasonably believable, and the entire movie is given extra dimensionality by vast Australian vistas and witty dialogue. We highly recommend this one. It seems to have been mismarketed as a horror movie back in its day, but really it's just a thriller. Straightforward, well made, and starring two appealing performers, Road Games premiered in Australia today in 1981. You see the Aussie poster above, while the U.S. promo, along with some production photos, is below.
Would you be terribly disappointed if I chose gluttony? We'll do lust next, I promise, but right now I'm starving.
Above, another theft from Pinterest, Nicholas Spain's Name Your Vice, for Australia's Star Books, 1963. Spain was really Michael Skinner, a British author who also wrote as Alix De Marquand and Cynthia Hyde. The artist behind this cover is unknown, and it may even be in the public domain if the fact that it's being sold online as a postcard is any indication. It's a bang-up job in any case.
You brute! Why don't you enslave someone your own size!
Above, more Down Under goodness from Australia's Adam magazine, with a cover from this month in 1969 depicting a scene from Mark Bannerman's “Murder in Marseilles.” It's a tale of kidnapping and slavery, or as the author constantly puts it, “white slavery.” This is a term you run into often mid-century and pulp literature, and of course the idea is that enslaving white people must be specially pointed out, as it's presumed to be orders of magnitude more evil than just plain slavery. In this case, a “swarthy Algerian” is the villain, and a Marseillaise beauty is the target. Do we need to tell you this plot is foiled? Of course not.
Adam offers another interesting feature—a piece of factual journalism entitled “Wild Girls of the American Suburbs.” It's about apartment complexes for singles, which are described as if they're twenty-four hour sex parties. All of this being well before our time, we weren't sure if such places actually existed, but it seems they did, in locales all over the U.S., particularly San Francisco, the Jersey Shore, Myrtle Beach, and Fire Island. Apparently Los Angeles had a famous one called Villa Dionysus, which we can't help noticing would be initialed V.D. Hopefully a walk-in-clinic was somewhere in the same zip code. Twenty-seven scans below.
In the end she didn't think saying it with flowers would get her true feelings across.
Tired of the rampant commercialism of Valentine's Day? So is the woman on the cover of Edward Ronns' 1955 thriller Say It with Murder. Too bad she doesn't live where we do, where there's no such holiday. This cover is from Australia's Phantom Books, a company we've been featuring often of late, and as we've mentioned, Phantom had a habit of using reconstituted art. You can see exactly what we mean by looking at the front of the 1954 Graphic Books edition, with its excellent work from Lou Marchetti. We still don't know exactly why Phantom changed its covers. A rights usage issue, we suppose. But if that's the case, why was the company able to get away with making near copies of the originals? We'll keep exploring this question until an answer presents itself.
I think we should consider a separation. And I have just the body part in mind.
A gringo detective with an agency in Mexico City is hired to locate his crooked ex-partner, who has bailed with the agency's money, and now is causing trouble for the client. The PI takes the job, glad to be paid to track down his betrayer, and starts in the Mexican town of Rio Bravo where the partner immediately turns up dead. From there the hero delves into local corruption, crosses the border to Texas, uncovers a human trafficking ring, meets a cantina dancer named Arden Kennett, deals with a dangerous wife, watches murders pile up and the police begin to suspect him, and learns that knives can be thrown just as effectively as they can be brandished.
The book was published in the U.S. as an Ace Double in 1959 with Paul Rader art and bound with Charles Fritch's Negative of a Nude, but the rare edition above is from Aussie imprint Phantom Books and appeared in 1960. We can't identify the artist, which is an affliction we've been dealing with quite a bit of late. But don't blame us—as we've mentioned once or twice before, including just a few days ago, Phantom didn't credit art, possibly because much of it was copied from U.S. editions. Many of the covers do, however, look like the same hand, so hopefully someone will be able to ID the owner of that hand at some point in the future.
The headlines that mattered yesteryear.
1912—International Opium Convention Signed
The International Opium Convention is signed at The Hague, Netherlands, and is the first international drug control treaty. The agreement was signed by Germany, the U.S., China, France, the UK, Italy, Japan, Netherlands, Persia, Portugal, Russia, and Siam.
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
1950—Alger Hiss Is Convicted of Perjury
American lawyer Alger Hiss is convicted of perjury in connection with an investigation by the House unAmerican Activities Committee (HUAC), at which he was questioned about being a Soviet spy. Hiss served forty-four months in prison. Hiss maintained his innocence and fought his perjury conviction until his death in 1996 at age 92.
1977—Carter Pardons War Fugitives
U.S. President Jimmy Carter pardons nearly all of the country's Vietnam War draft evaders, many of whom had emigrated to Canada. He had made the pardon pledge during his election campaign, and he fulfilled his promise the day after he took office.
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