Vintage Pulp Sep 28 2016
TRYSTS OF FATE
I usually wear floor length petticoats but for certain occasions this crimson mini is just the number.

Sometimes when classic literature was remarketed for mid-century audiences the pulp style makeovers were stretches. But in this case it works. Le amicizie pericolose is a 1964 Italian translation of Pierre Choderlos de Laclos's 1782 French epistolary novel Les Liaisons dangereuses, aka Dangerous Liaisons. The story features one of history's greatest femmes fatales—Marquise de Merteuil, whose pride and sexual vanity is the seed of an unspeakable tragedy. There's also an homme fatale—the serial seducer Vicomte de Valmont, whose dick eventually gets him in a spot so tight he can't escape. 

The book has been filmed six times, and cinephiles argue which version is the best. While Glenn Close as the Marquise in 1988's Dangerous Liaisons was astounding, and Annette Bening's turn as the character in 1989's Valmont was also good, we recommend checking out Roger Vadim's 1959 adaptation, which was set in modern day Paris. Actually, even the 1999 Gen-X version Cruel Intentions is pretty good, which just goes to show how rich the source material is. There are also Korean and Chinese versions from 2003 and 2012 respectively.

The amazing femme fatale in red mini-dress and spike heels on the Grandi Edizioni Internazionali edition above—who of course looks nothing like the hoop skirted and white-powdered Marquise de Merteuil described by Laclos—was painted by the abundantly talented Bendetto Caroselli. Repackaging classics in this way (such as we've shown you before here and here) is usually a form of false advertising, but in this case we suspect many readers came away satisfied.

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Vintage Pulp Sep 11 2016
POLE POSITION
These are people who definitely pay attention to the poles.


When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.

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Vintage Pulp May 28 2016
HELL OF A TIME
Even the Prince of Darkness needs love.

Italian illustrator Bendetto Caroselli painted this cover for Cuori per Satana, which means “hearts for Satan,” and it was written by Silver Ales for I Capolavori della Serie KKK's series Classici dell'Orrore, and published by Edizioni Periodici Italiani in 1968. Silver Ales was a pseudonym used by Silvano Alessandrini, a prolific poet, playwright, author of twenty-six detective novels, and longtime school teacher. His weird pen name sounds like a category of fancy microbrews, but we approve—it definitely sticks in the head. And of course Benedetto Caroselli was an artistic genius, which you can confirm yourself by looking here and here.

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Vintage Pulp Apr 8 2016
NOCTURNAL ANIMA
Getting into the spirit of things.

A bit more foreign paperback art today. Among the pantheon of excellent vintage paperback artists, Benedetto Caroselli has become a favorite, as our many posts of his work attest. He painted this cover in 1964 for Sheila Norman's L'anima nuda, or "naked spirit," which was number thirty-three in Grandi Edizioni Nazionali's macabre series I Capolavori della Serie KKK Classici dell'Orrore. Norman was a pseudonym for Oretta Emmolo, who also wrote as Christoph Bonig, Valerie Greeves, and Reg Sattle. We have plenty more Caroselli art in the website. Just click here.

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Vintage Pulp Jan 5 2016
SHADOW AND FRIGHT
The shape of bad things to come.

Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.

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Vintage Pulp Oct 19 2015
NOT-SO-SIMPLE SIMON
Giovanni Simonelli was a virtual one-man industry in Italian cinema.

It’s been too long, so today we’re back to the incomprable Benedetto Caroselli, with a cover he painted for L’incubo scarlatto, aka “The Scarlet Nightmare,” by Simon O’Neil for EPI’s I Capolavori della Serie KKK Classici dell’Orrore, 1970. O’Neil would have been an Italian writer working under a pseudonym, and in this case it was Giovanni Simonelli, who wrote about seventy-five screenplays between 1958 and 1998. Some of those gems include L’uomo dalla pistola d’oro, released in English as Doc Hands of Steel, Dos pistolas gemelas, aka Sharp Shooting Twin Sisters, and Agente 3S3: Passaporto per l’inferno.
 
L’incubo scarlatto is set in London and involves a woman who thinks she might be a vampire because men around her keep turning up violently killed. Considering one was her potential rapist and another was a sadistic drug lord, they both deserved it, but she needs to know the truth and pairs up with a psychiatrist to get to the bottom of the mystery. Simonelli did more than write macabre books and scripts. He also directed, composed music, and even acted in two movies, appearing in 1966’s Kommissar X - Jagd auf Unbekannt, aka Kiss Kiss, Kill Kill, under the name Sim O’Neill. Quite a career. We wouldn’t be surprised to run across his work again. Meantime, you can see plenty more art from Benedetto Caroselli here.

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Vintage Pulp May 11 2015
CAROSELLI GO ROUND
Where it stops looking good nobody knows.
 
Below, a selection of beautiful Benedetto Caroselli covers for ERP’s giallo series I Narratori Americani del Brivido, with various Italian authors such as Aldo Crudo and Mario Pinzauti writing under Anglicized pseudonyms. We have much more from Caroselli. Just click and scroll.
 

 
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Vintage Pulp Feb 3 2015
OPEN CARRY
What a strange country. I was arrested for baring my breasts but called a hero for carrying a gun.

Bersaglio a 5 was published in 1968 by E.P.I./Ottimo as entry fifty in their series Agente Segreto. The title means “Target 5,” and the art by Benedetto Caroselli hits the target too. 
 
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Vintage Pulp Nov 10 2014
LOVE'S LABOR LOST
This is a mean old world, baby, to live in all by yourself.

Above, the cover of Gli Amante Perduti, which means “the lost lover,” published 1962 by Grandi Edizioni Internazionali. The author, Horace Robinson, was in reality the prolific Maria Luisa Piazza, and the evocative cover art, showing a woman distressed and alone against a backdrop of blackness, is by the incomparable Benedetto Caroselli.

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Vintage Pulp Jul 27 2014
WHO'S LE BOSSU?
All roads lead to Renato.

Today we have yet another excellent cover from Benedetto Caroselli—Anima e corpo, aka Body and Soul, written by Lucien Le Bossu for Edizioni Periodici Italiani’s I Capolavori della Serie KKK Classici dell’Orrore, 1965. Le Bossu, perhaps unsurprisingly, was one of about twenty literary pseudonyms belonging to Renato Carocci. In fact, Carocci even wrote under the name Tom Ewell, who was a well-known American actor of the period. How he got away with that we don’t know. Anyway, you can find out a bit more about Carocci here, and see more art from Caroselli by clicking his keywords below.

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History Rewind
The headlines that mattered yesteryear.
September 28
1941—Williams Bats .406
Ted Williams of the Boston Red Sox finishes the Major League Baseball season with a batting average of .406. He is the last player to bat .400 or better in a season.
September 27
1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled by the official account of the assassination.
September 26
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.

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