Femmes Fatales Mar 2 2018
SHARP SHOOTER
Hello—I'll be your fashionably dressed assailant today.


U.S. actress Julie Haydon, née Donatella Donaldson, gives the camera a steely-eyed look in this promo for her film Come On, Danger, in which she played a suspected murderess. Her film credits are extensive, with most of them accrued during the 1930s, and she also starred in quite a few Broadway productions, with most of those coming during the ’40s. This stylish photo of her dates from 1932.

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Femmes Fatales Oct 18 2017
FANNY HA HA
She was the original funny girl but her life was not all laughs.


U.S. born Fanny Brice, née Fania Borach, was a theater, radio, and film actress mainly remembered today as the creator and star of the radio comedy series The Baby Snooks Show. For a time she was one of the most popular performers in America. What makes Brice pulp worthy? She fell in love with her second husband Nicky Arnstein while he was serving time in Sing Sing prison for wiretapping. After his release she lived with him for six years before finally marrying him in 1919. In 1924 Arnstein was charged in connection with a Wall Street bond theft, and Brice used much of her wealth on a failed legal defense that ended with him going to Leavenworth Prison. After he got out three years later he disappeared and left Brice to care for their two children. A decade after Brice died in 1951 Barbra Streisand portrayed her in the Broadway musical Funny Girl, later adapted to cinema. Both the musical and movie play Brice life events a bit lighter than they must have been in reality, but both were huge hits and brought Brice's name back into the mainstream—right where she would have wanted it. The racy photo you see here is from around 1915.

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Vintage Pulp Sep 7 2016
REGAL TREATMENT
Yes, I’d like to order a pair of curtains, immediately please.


The French had a wide array of nudie—er, we mean, art—magazines during the mid-century period, including Paris-Hollywood and Folies de Paris et de Hollywood, which are the two we’ve focused on up to now. Regal was another popular publication—digest sized, light on text, and put together by Éditions Extentia, an outfit based out of 38 Rue du Monte-Thabor in Paris that also published Sensations, Chi-Chis, Paris-Broadway, and Paris-Tabou. It was a far-flung enterprise, even distributing issues in distant French Indochina via the loftily named Société Franco-Asiatique located in Saigon. Or if one preferred, issues could be obtained direct from France through the use of “envoi discret,” or discreet shipping, by which we expect they mean in a plain brown wrapper. This issue of Regal, with its voyeur themed cover photo suggesting a woman spied through an open window, was published in 1952. We have twenty-five scans below.

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Femmes Fatales Aug 5 2015
FIGHTING IRISH
She may not be a champion of the ring, but she’s a winner just the same.

This photo of Elsie Connor looked to us as if it had been Photoshopped in a very interesting way but it wasn’t—we found a version on Getty Images and it was identical to what you see above. The image and the fact that she’s identified as an Irish boxing champion on various websites made us curious about her career, but after a bit of digging we discovered that she was actually a dancer and chorus girl, and appeared in the 1930 musical Earl Carroll's Sketch Book, the 1929 shows Fioretta and Earl Carroll’s Vanities, and the 1928 production Here’s Howe. That’s a pretty short career, and one that lacked any starring roles, but thanks to the internet she’s famous again, looking like a real world beater. The only thing is, we doubt she was ever a boxer. We can’t be 100% sure, but with no evidence that she ever stepped into a ring, as well as a very clear understanding of how often the world wide web is world wide wrong, we suspect this is just a very, er, striking publicity photo. It dates from 1931. 

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Hollywoodland Sep 23 2014
FIGHTING CHANCE
Who can take a tragedy and make it a success? The Candyman can.

A world-weary Sammy Davis, Jr. appears here in a photo shot by Peter Basch in the back of a Chicago limousine. Davis was about to go to New York to star on Broadway in Clifford Odets and William Gibson’s Golden Boy, a musical involving a boxer’s turbulent career, doomed interracial romance, and eventual suicide. Not exactly an uplifting night out, yet the show ran for 569 performances and the cast album cracked the Top 40. That’s called star power, and Davis, who was already huge in Hollywood and the music industry, had it to spare. The photo dates from 1964. 


 
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Intl. Notebook Feb 20 2014
HAVING A FIELDS DAY
Are you serious? You call that thing a nose?

Comedian W.C. Fields, née William Claude Dukenfield, jokes around with chorus girls Helen Ellsworth, Helene Sheldon, Cricket Wooten, and Margy Martyn during a rehearsal for Florenz Ziegfeld’s Ziegfeld Follies revues. Fields was a Follies cast member off and on from 1915 until 1925. He was known from the beginning of his career for having a large nose, and it reddened and grew over time due to rosacea and rhinophyma. This shot is from today, 1925. 

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Vintage Pulp Jan 6 2014
ROUGH PLAY
She just earned herself a major penalty for enticing.

Above is the cover of a March 1932 issue of the French “esthétique, humoristique, théâtral” monthly Paris Plaisirs with cover star Marjorie King cheerfully wielding a field hockey stick from a position that suggests she’s been knocked on her ass. If you tilt your head you can see that she was really striking. When this issue appeared she seemed to be on the cusp of a cinema breakthrough, having appeared in four films in quick succession. But she only made two screen appearances after this cover—1933’s My Weakness and 1936’s J’ai gagné un million. However, she had some Broadway roles and appeared on and in many magazines, so when you add it all up she seems to have had a nice career. Regarding Paris Plaisirs, it launched in 1922 and ran until at least 1938. We’ve shared several of these before and you can see those by clicking here. And we also found another photo of King from the same field hockey session, as well as a nice shot of her by photography legend Alfred Cheney Johnston which we’ll share a bit later. 

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Femmes Fatales Apr 15 2013
MAJOR BARBARA
We thought we’d better share two photos so you could appreciate her fully.

These two eye-catching shots feature American actress Barbara Nichols, née Barbara Marie Nickerauer, who did the usual round of pin-up modeling and beauty contests before earning a running part in the Broadway musical Pal Joey. She later appeared in the film version along with Frank Sinatra, Kim Novak and other notables, and during her show business career became known for playing strippers. Pretty easy to see why. We have no date for these photos, but if we had to guess we’d say 1955 or 1956.

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Intl. Notebook Apr 10 2013
LEGS FOR DAYS
Attack of the 150-foot woman.

When Michael Todd’s famed musical Mexican Hayride opened in New York City he decided to have the program art, which had been painted by Alberto Vargas, aka Varga, reproduced at giant scale on the billboard atop the Winter Garden Theater where the show was being staged. This photo shows Varga’s giant pin-up almost completed. In person the matador-like figure, which is modeled after but isn’t quite a portrait of star June Havoc, was probably garbed in bright red with gold brocade, matching the colors of the program art. The reverse of the photo says: A gargantuan Varga girl, 157 feet wide and 30 feet high, has been completed atop the Winter Garden Theater on Broadway in New York. Sketches for the illustration were made by artist Varga in Chicago. Of course, the horizontal image doesn’t look very impressive at a mere 433p in width, so through the magic of Photoshop and for no other reason than we wanted to see what it looked like, we’ve reoriented the image below. There’s some egregious pixel stretching happening on the lower half of the figure, but all things considered, it looks pretty good. You can drag it to your desktop and rotate it for a better look. The photo was shot today in 1944.

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Vintage Pulp Feb 24 2013
LITTLE DRUMMER GIRL
Shall I play for you, pa rum pum pum pum?

We’re at the penultimate page of the Goodtime Weekly Calendar of 1963, and as promised last week here’s a great shot from Ron Vogel of an unidentified model getting her groove on. This just cries out to be repurposed as a 12-inch cover or some kind of concert poster, don’t you think? The image actually brings up lots of humorous possibilities, and we were contemplating something along these lines for a subhead: She’s not the only one who loves beating something between her legs. But then we decided that was just too much. We have some class here.

Among the quips this week is one from a person named Barbette. We had no idea who that was, so off to the interwebs we went for an answer. Turns out Barbette was a famous trapeze performer and female impersonator. He was born Vander Clyde Broadway, and in his aerial act performed in full drag only to reveal himself as a man at the end. As his fame grew he worked all over the U.S. and Europe, selling out storied venues like the Casino de Paris, Moulin Rouge, and the Folies Bergère.
 
His renown extended beyond the realm of performance. He was photographed by Man Ray, cast in Jean Cocteau’s experimental film Le sang d'un poete, was the subject of Cocteau’s essay Le numéro Barbette, and choreographed aerial scenes for Hollywood movies. It’s also possible he was the inspiration for Reinhold Schünzel’s musical comedy film Viktor und Viktoria, which was remade as Victor Victoria by Blake Edwards. Quite a legacy. We aren’t sure if his quip is particularly insightful, but even Barbette had his off days.
 
Feb 24: “A college girl who eloped put the heart before the course.”—G.S. Kaufman
 
Feb 25: “Women think about love more than men; that’s because men think more about women.”—Barbette
 
Feb 26: A woman’s strength is her weakness. She fights by yielding and conquers by falling.
 
Feb 27: :One group of people who live on love are the owners of drive-in theaters.”—Jack Herbert
 
Feb 28: “For every man there’s a woman; but the chances are one may get the wrong number.”—He-who Who-he
 
Mar 1: “Alimony: The high cost of guessing wrong.”—Quin Ryan
 
Mar 2: Every girl should have a husband, not necessarily her own—Hollywood Code
 
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Next Page
History Rewind
The headlines that mattered yesteryear.
June 23
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
June 22
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
June 21
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
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