 Pulp is where you find it. 
We’re back from our jaunt to Sevilla, Cordova, and Pamplona, and as promised we looked for and found some pulp. On a 100 Fahrenheit day in Cordova we met an antique dealer on the Plaza de la Corredera who had four crates of vintage cowboy pulps from the Spanish publishing houses Bruguera, Crucero, and Andina. The example below, entitled La Heina de Tulsa, was written by Marcial Lafuente Estefanía in 1983, just a year before his death. Bruguera cover art was often uncredited, however this one is attributed to someone identified as Garcia. We’ll get to uploading more of these later.
 Wow this expensive body wash is great. Hope the missus doesn’t catch me using it. 
We’ve seen a lot of covers for James M. Cain’s classic 1934 pulp The Postman Always Rings, but never one quite as unhinged as this Bruguera Spanish edition. Whereas the art is almost comical, in the fiction Cain’s murderous lovers are anything but. In fact, Postman was considered so provocative for its time that it was banned in Boston. The book is short (possibly that’s why it’s paired here with Cain’s The Embezzler), and its concise story arc made it a natural for adaptation to cinema. Over the years it spawned four official film versions, and its influence is detectable in many other movies. We recommend giving this one a read, and also, take the lesson of the cover to heart and leave your girl’s fancy soaps alone.
 Pistolero loses second eye demonstrating how he lost the first. 
This guy is just asking for it, right? Love the cover, though. We don’t know who painted it, but we know author Keith Luger wrote quite a few westerns and space operas for the Spanish imprint Bruguera. That makes perfect sense, because he was really Miguel Olivero Tovar from Valencia, Spain. Tovar/Luger was a big deal for about ten years, during which time he published many books, made time for a couple of screenplays, and saw three of his projects optioned into movies. More Luger books below, including one concerning Sharon Tate.
   
 In the future we’ll all wear jumpsuits or else. Check out these sweet covers we found. The little-known author Eric Sorenssen—not to be confused with the little-known author Eric Sorensen, with one ‘s’—wrote for the quite well known Heroes of Space series published by Spanish imprint Bruguera. We’ve seen no Sorenssen material in English, although it may be little known enough to have escaped our notice. We also know very little, or actually nothing, about who did the cover art—but it’s great. 
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The headlines that mattered yesteryear.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire. 1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence. 1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown. 1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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