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Pulp International - Christine+Aarons
Intl. Notebook Jan 16 2022
ANNUAL CELEBRATION
Man Junior rings in the new year Down Under style.


We've shared a few issues of Australia's Man and Man Junior magazines. Like all men's publications they featured the combination of fact and fiction, sport and adventure, humor, and alluring women. And like many men's magazines, they published annuals—year-end or year-beginning collections of the best of the previous 365 days. That's what we have for you today—Man Junior's annual for 1965. It avoids any possibility of intellectual enrichment by focusing only on the primal—lust and laughs. Stripped down to nothing but glamour photos and cartoons, the magazine lays bare the fact that text is mere legitimization, a means of de-perving the visual content. Who'd buy an annual if it contained only dubious reporting and short stories? Not many people, we'd wager. These mags were all about the id. We have plenty of that below, with thirty scans. They comprise lovely women such as Betty Brosmer, Christine Aarons, and, in the final panel, June Wilkinson. The cartoons are beautifully colorful, if only occasionally successful as humor. We have more coming from Man and Man Junior in the future.

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Intl. Notebook Mar 22 2016
YES WE CANCANS
Something about Paris just makes you want to dance.


This issue of Cancans de Paris, which is number 10, hit newsstands this month in 1966 featuring cover star Virginia Litz, someone we saw a while back in Folies de Paris et de Hollywood, but modeling under the pseudonym Arabelle. Turns out Litz may be a pseudonym too, as we've determined she's also known—and better known—as Christine Aarons. She pops up inside Cancans along with Gloria Paul, Dany Carrel, Sylvia Sorrente, and Uta Levka, as well as Sean Connery and Claudine Auger, who were starring together in Thunderball. We have Virginia Litz/Christine Aarons on at least one other mid-century magazine, which we'll post a bit later. In the meantime below are assorted scans from today's issue.

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Vintage Pulp Apr 30 2013
THE BRIGHT WHITE LINE
They say once we cross it the end is near.


Today on Britain’s respected Guardian webpage, writer Mariella Frostrup muses about the prevalence of pornography in modern society and asks whether it’s harmful. At Pulp Intl., with few exceptions, our nude images are merely quaint, which raises the questions of whether they were ever considered harmful, and if so, why and when they came to be seen as artful. We are well aware that the airbrushing away of womens’ genitalia—something that was general practice at the time these images appeared—was seen by many rights advocates as a type of violence against women. After all, what was so dirty about female genitalia? Didn’t their erasure peel back the mask from a male-dominated society’s desperate efforts to control female sexuality?

Then along came Playboy, which challenged archaic laws designed to prevent mass production and mass mailing of pornography. Compared to what you see here today, Playboy represented a quantum leap. Its women looked less like Renaissance paintings and more like real human beings. By increments it beat back legal challenges, and eventually Penthouse, Playboy, and other newsstand magazines began toshow pubic hair, and then actual sex organs. Playboy publisher Hugh Hefner was hailed as a First Amendment hero as well as a defender of womens' right to control their own sexuality. But pretty soon it was clear that women had won only the right to sell their sexuality—the control remained exclusively male.

Mariella Frostrup’s Guardian piece is like others written before. It suggests, like all those articles from earlier decades, that there’s a bright white line in erotica that has been crossed and that society is suffering for it. We can’t comment on the harm aspect, but we do see a line. Basically, old porn, because of its paper format, depended upon the labor of dozens of outside people—printers, film developers, pre-press personnel, postal workers, newsstand owners—and required such an investment of capital that 95% of its producers served the middle ground of taste and depicted acts that, with perhaps the added twist of one or two extra participants, were taking place in private anyway.

The internet changed all that. So if there’s a bright line, it lies where the internet atomized porn and turned much of it into a performance art, a sideshow that somehow has taken over center stage with acts that are most certainly not already occurring in private. Call us crazy, but even though these images were produced before we were born weprefer them to the new stuff. They don’t depict merely bodies or an act, but an entire lifestyle of beaches and gardens and all the warm thoughts and simple desires such places entail. This issue of Folies de Paris et de Hollywood appeared today in 1966. If it was ever offensive or harmful it isn’t anymore, so enjoy it as an artifact of an earlier age—not a better one by any means, but certainly a more artful one.

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Vintage Pulp Jan 21 2013
OVER AND OUT
The correct answer is always: “Why yes, I do want to keep on truckin’.

Above is a January 1978 cover for Australia’s Adam, a magazine you know well by now if you frequent this site. The art here illustrates Terry P. Duval’s story “The Final Run,” in which a hapless truck driver picks up what he thinks is a damsel in distress, but who soon shows she’s a pure femme fatale. Adam began in 1946, and this is the magazine near the end—it folded, looks like, in May 1978. Inside this issue you get the usual literary, artistic and photographic treats, including five pages of Patti Clifton shots, plus skiing Nazis, and a profile of the notorious but misunderstood Tokyo Rose, who we wrote about last year.

Readers also get to visit a Dakhma, aka Tower of Silence, a Zoroastrian structure where dead bodies—considered in the religion to be unclean—are left to be sun baked and picked apart by scavenging birds, thus preventing putrefaction which would pollute the earth. Mmm. Fun! The author visits a tower near Yazd, Iran, and must have gotten there just before the government shut all such structures down permanently. Today, the only towers still used for ritual exposure are in India. So put those on your travel itinerary. And lastly, on the rear page, you get Paul Hogan in
 another
ad for Winfield cigarettes. Forty-seven scans appear below.

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History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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