Femmes Fatales Oct 29 2017
FURST  CHOICE
Can you believe my stuffy old family won't let me wear this in the palace?

Above, a nice shot of Rome born Ira von Fürstenberg, whose full name is Virginia Carolina Theresa Pancrazia Galdina Prinzessin zu Fürstenberg. Yes, a princess, as well as an actress who appeared in films such as Playgirl 70 and Giornata nera per l'ariete. This image appeared on the cover of the Belgian cinema magazine Ciné-Revue and it dates from 1971.

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Intl. Notebook Nov 15 2015
LET'S REVUE
Ciné-Revue's clever mix made it one of Europe's longest running celeb magazines.

This issue of the Belgian magazine Ciné-Revue was one of our treasures from last year's trip to the Saint-Ouen flea market in Paris. Inside you get too many stars to name (and too many pages to scan), but the highlights are Marlon Brando, Susan Denberg, Marilyn Monroe, and Nadja Tiller. On the cover is British actress and pop singer Minnie Minoprio, who during the early 1970s starred in several films, all considered obscure today. But that was Ciné-Revue's m.o.—giving equal exposure to both lesser lights and the biggest stars. And of course the obscurities were usually required to get naked, justifying their positioning on the covers and in the centerfolds. Monika Käser, who you see below, is a perfect example. We can find nothing about her. Her only moment in the spotlight—insofar as we can determine using the internet to research her—seems to have been the photo below. But Ciné-Revue's formula worked—it began publishing in 1944 and is still around today (though the days of centerfolds are gone). This issue hit newsstands today in 1973.

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Vintage Pulp Dec 6 2014
RAVE REVUE
Sex and cinema in an open age.


When we went to Paris a couple of months ago we mentioned that we found a stack of Ciné-Revue magazines in Le Marché aux Puces de Saint-Ouen. Their dimensions make for extra work because we have to scan every page in two pieces and put them together in Photoshop, and even more daunting, any two-page spreads have to be scanned in four pieces and assembled (this is actually true for all the tabloids we post). That’s why we get a bit lazy about it sometimes. Yeah, yeah, we know—get a bigger scanner. Easier said than done, unless someone wants to mail us one. Anyway, we managed to get some pages together from the above issue of Ciné-Revue published today in 1973.

Ciné-Revue originated out of Belgium in 1944 and was the premiere French-language cinema magazine there and in France for many years. Today it remains popular, making it one of the longest-lived cinema magazines as well. On the cover of this one you get German softcore and hardcore actress Karin Schubert, and inside you get John Wayne, Pia Giancaro, Brigitte Bardot, Jean Gabin, and an artful nude shot of impossibly handsome Austrian actor Helmut Berger. You’re welcome, girls, but please don’t start doing internet searches trying to find out what he looks like now—you won’t be happy. Berger also appears on the back of the mag.
 
Regarding the Schubert cover, the line between mainstream cinema and porn was never blurrier than back then, and Ciné-Revue reflected that with its features of hardcore and softcore performers. Could you imagine such actresses routinely appearing in, say, Rolling Stone, and being given equal standing with mainstreamers? Nevertheless, popular American media is heavily porn-influenced, even if the seed, so to speak, goes unacknowledged. What is a Sports Illustrated swimsuit issue about, for example, with its models wearing not swimsuits, but rather paint on their fully waxed bodies?
 
When cinema first developed into an industry many filmmakers thought of movies as simply a motile version of photography, or painting, or sculpture. Nudity was a regular occurrence onscreen during the pre-code 1920s, but a funny thing happens when you add motion and character development to the static nude—Michelangelo turns into Brazzers. Today, all nudity in American cinema is on some level political. No? Then why is it that only in American cinema there is such a proclivity for the clothed sex scene? It raises a question. Is it possible for both men and women, gay and straight, to celebrate their sexuality without conflict? Maybe, but only with more economic equality for women, less stigmitization of homosexuality, less racism, and more understanding that we are—male and female, gay and straight, green and purple—biologically driven by sexual desire.
 
Looking at the Schubert image above, we’re reminded of a time (in which we were basically zygotes, but go with us here) during which mainstream movies asked questions about freedom for versus exploitation of women, and how commerce in an age of mass media impacts women’s security versus the ideal of sexual freedom. For instance, how do we have sex and sexual aspiration but also have a safe pressure release for the millions who aren’t having sex in any given week or year? Can sex and porn safely co-exist? No idea. Option two is to beat the need for sex out of every man and woman on the planet. Not our preferred solution, but we can talk about it. Why did we write all this? Probably because there’s nudity/exploitation in the next two posts, so these questions just came into our minds.
 
On another note, we had to go back to France on short notice, but to Bordeaux this time, and we’re there at this moment. So maybe hanging out with the always philosophical French made us write this missive. Possibly some fine red wine has contributed. Anyway, we will scour Bordeaux for more wine—er, pulp—but especially Ciné-Revue, as we’re very interested in 1970s international movie stars, and this magazine gave them as much exposure as any publication we’ve seen. We have eighteen scans below, and more from Ciné-Revue to come.


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Intl. Notebook Oct 10 2014
TIME TO FLEA
Bargains are few when the best flea market in Paris becomes the trendiest, but there's always hope for pulp diggers.


Vintage book seekers in Paris often focus their efforts on Le Marché aux Puces de Saint-Ouen, or the Saint-Ouen Flea Market. Operating since 1870, as you see in the vintage postcard above, the seventeen-acre site is located north of the 18th arrondissment, outside the Boulevard Périphérique encompassing the historic center of the city. Here thousands of vendors sell every item imaginable—furniture, board games, musical instruments, électrodomestiques, vinyl records, jewelry, art and more. There are also many cafés on site, and the combination of all this makes the market a popular destination. If you’re headed to Paris we recommend the place. Some unfavorable reviews focus on the prices, which we agree are not low, but this is less a true flea market than a rarities market—i.e., bargains are thin on the ground. But for pulp diggers it’s nice. Even sellers who don’t specialize in vintage publications sometimes keep a stash of books and magazines around because they’re just the sort of low cost items that bring browsers into the stalls.

Also on the subject of reviews, we saw some suggesting the market is unsafe. You have to scratch your head at some people’s fears. 120,000 people visit the Saint-Ouen during its busiest weekends and in no part of it could you manage to be more than twenty feet from other shoppers. It’s possible pickpockets may lurk, but that's true in any crowded spotin any big city in any country. Take the standard precautions, and then enjoy yourself—that's the only advice needed here. Oh, and bring good shoes. If this is indeed a flea market—disputed, as we mentioned earlier—then it's the largest in the world.

So, what did we buy? We came across a huge stack of Paris-Hollywood magazines, several tattered issues of Ciné-Revue, and plenty of old books. Budget mattered, but luckily the books and magazines were reasonably priced and every vendor we interacted with bargained willingly, even cheerfully. In the end we managed some good purchases, supplemented by crisp digital photos of the covers of items we couldn’t afford to acquire. A tweak in Photoshop and they’re almost as good as scans. We’ll share all of those in upcoming days.


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Femmes Fatales Aug 24 2014
TOLO SOLO
Marilù, Italian style.

Above, a photo of Italian actress Marilù Tolo, who appeared in many movies between 1960 and 1985, including 1964’s Matrimonio all’italiana, aka Marriage Italian Style, and 1966’s Se tutte le donne del mondo, aka Kiss the Girls and Make Them Die. This shot is from a 1966 issue of the Belgian magazine Ciné-Revue 

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Vintage Pulp Dec 17 2010
ORIGINAL CINE
Sommer time and the living is easy.

Above is German actress Elke Sommer, looking her stunning best in two scans from Belgium’s Ciné-Revue that we stumbled across in an online forum. The issue was published forty years ago today, during a period when the magazine was upping its skin quotient. In this case, they wisely chose photos by Angelo Frontoni, who was one of the foremost glamour photographers of the day. Ciné-Revue still exists, more or less, as Ciné-Télé-Revue. We’ve been meaning to do an entire feature on the publication, because it has a tangled history we haven’t quite puzzled out yet. It definitely began in Belgium during the mid-1940s, but also published in France for a time. Also, there was another Ciné-Revue published in France back in the 1920s, but we aren’t sure if it has the same provenance as the one above. We’ll figure all that out later, now that these great images have reminded us to do so. 

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Femmes Fatales Nov 8 2010
BOUCHET A TOUT
I’d rather go naked and wear fur.

German-Czech actress Barbara Bouchet, from a July 1976 issue of the Belgian film mag Ciné-Revue

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Vintage Pulp May 24 2010
DOLOROUS HAZE
That girl from Paris.

Ciné-Revue with Brigitte Bardot on the cover, published today in 1957, with a shot from her film Une parisienne. 

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History Rewind
The headlines that mattered yesteryear.
December 15
1944—Bandleader Glenn Miller Disappears
World famous big band leader Glenn Miller, who was flying from England to Paris in a small plane, disappears over the English Channel. One theory holds that his plane was knocked down by bombs jettisoned from bombers passing high above after an aborted raid on Germany, but no cause of his disappearance is officially listed, and no trace of Miller, the crew, or the plane is ever found.
1973—Getty Heir Found Alive
John Paul Getty III, grandson of American billionaire J. Paul Getty, is found alive near Naples, Italy, after being kidnapped by an Italian gang on July 10, 1973. The gang members had cut off his ear and mailed it to Getty III, but he otherwise is in good health.
December 14
1911—Team Reaches South Pole
Norwegian explorer Roald Amundsen, along with his team Olav Bjaaland, Helmer Hanssen, Sverre Hassel, and Oscar Wisting, becomes the first person to reach the South Pole. After a celebrated career, Amundsen eventually disappears in 1928 while returning from a search and rescue flight at the North Pole. His body is never found.
December 13
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe.
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
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