Hollywoodland | Aug 18 2015 |
Marilyn Monroe was perhaps the most photographed celebrity of her era, so when she died it was only natural that scores of magazines released tribute issues. One of the most comprehensive was published by Paris Match today in 1962, just shy of two weeks after Monroe’s death, and it featured a thirty-six page retrospective of her life and career. Above you see the cover of that issue, and below you’ll find all of the accompanying photographs, including several that have been less widely seen, such as those near the bottom showing her making faces while doing acting exercises. We have scans from another Monroe tribute issue made just after her death—this one by Italy’s Epoca—and you can see those here.
Femmes Fatales | Sep 11 2013 |
Loretta Young, née Gretchen Young, began her career in cinema in 1917 and worked in both film and television until 1953, along the way appearing in such efforts as The Accused, The Bishop’s Wife, and The Farmer’s Daughter. Apart from her work, Young is also remembered for the daughter she bore out of wedlock. In a classic bit of Hollywood subterfuge, six months into the pregnancy she took a vacation to England and returned weeks after the secret birth to start a new movie. Nineteen months later, she adopted a baby daughter. The ruse fooled virtually nobody, but it did preserve her image to the extent that she could go on working without repercussions. The father, by the way, was Clark Gable. This promo of Young in astonishing fur pants was made for the classic film A Night To Remember in 1942.
Vintage Pulp | Mar 30 2013 |
Below are scans from a March 1939 issue of Click, a humor and photo monthly published out of Philadelphia. Information is scarce on this one, but it appears to have been published approximately between 1938 and 1944. We got the images off the website Darwination, at which there hasn’t been much activity of late. Hopefully they’ll get going again over there sometime soon. In the meantime enjoy the scans.
Hollywoodland | Feb 27 2013 |
Yet another piece of the treasure trove we picked up in Denver last year, This Was Hollywood is a compendium of anecdotes and photos from the supposed Golden Age of Hollywood. We say “supposed” because the magazine was printed in 1954, and at that time the 1920s and 1930s were the Golden Age. Today of course, the Golden Age is considered to run from the 1920s all the way to the early 1960s, and we can only assume that eventually the ’70s and ’80s will be considered part of the Golden Age, and we’ll all be sitting around saying how they don’t make movies like C.H.U.D. anymore.
Hollywoodland | Aug 26 2012 |
Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?
Intl. Notebook | May 6 2011 |
We found this old issue of the Japanese film magazine Screen that is totally dedicated to the American movie epic Gone with the Wind. It dates from May 1969, thirty years after the film was made, and our first assumption was that the movie didn’t play in Japan until then. But no, it premiered in the Land of the Rising Sun in September 1952. We were baffled for a while, and then we made a discovery—a musical version of Gone with the Wind entitled Scarlett opened in Japan in 1969. It was fully eight hours long, divided into two parts that were mounted as separate productions, and they were smash hits. We suspect this issue of Screen was produced because the musical generated great interest in the original film. We’ve already talked a bit about Gone with the Wind. We never liked it because it depicts a culture that was completely depraved as some sort of glorious nirvana. And because of its enduring popularity, many Americans’ concept of the antebellum south derives from what is little more than a fairytale. But that aside, the movie is undeniably well made, and we thought it worthwhile to share at least a few of Screen's photos. We’ll have more from this magazine later.