Vintage Pulp | Sep 7 2018 |

A textbook case of pianist envy leads to serious trouble.
This poster was made for Strange Fascination, a film put together by triple threat Hugo Haas, who wrote the screenplay, directed, and starred. It premiered this month in 1952. Plotwise a rich widow traveling in Europe meets a brilliant pianist who wants to leave the continent to get away from its “recent misfortunes.” She sponsors him and brings him to New York City, where he has immediate success, but his head is soon turned by platinum blonde showgirl Cleo Moore. She's got show business ambitions but no avenues, so she hitches herself to the rising pianist and proceeds to make his career go limp.
Hugo Haas headlined scores of movies and accumulated more than forty credits directing and writing, so Strange Fascination was no vanity project. In fact we suspect it was uniquely important to him because of its autobiographical elements. For instance, like the pianist he plays Haas left eastern Europe—Brno, Austria-Hungary, which is now part of the Czech Republic—and became respected in his chosen industry. And his given name was Pavel Haas, while his lead character here is named Paul, the Anglicization of Pavel.
In Strange Fascination Haas crafted a solid movie but don't let the online reviews fool you—it isn't film noir. These days any movie that's mid-century, black and white, and dramatic gets the noir stamp on crowd sourced websites like IMDB and Wikipedia. Strange Fascination contains bits of noir iconography, but films of the period have no choice about that—after all, rain falls even in musicals and neon signs occur even in comedies. Strange Fascination is really a straight melodrama. Go into this little b-movie with that expectation and it may prove satisfying.
So when I sign this I'm giving you permission to turn my life into an unrelenting hell?

Femmes Fatales | Sep 2 2018 |

Without her it's just a gaudy mauve bedroom.
Above, a really lovely shot of Barbara Bouchet, considered one of the great beauties of her era, chilling in a hotel room. She was born today in 1943 in the Sudetenland, then part of Germany, today part of the Czech Republic. We've featured her before and all those posts are worth a look, here, here, and here.
Modern Pulp | Sep 1 2018 |

The future's so bleak he has to wear shades.
Above, a poster for the game changing science fiction adventure The Terminator painted for the Czech (then Czechoslovakian) market by Milan Pecak. The fading effect at the bottom of the art is the way Pecak painted it, rather than the result of a bad scan or photo. This movie may look a bit clunky to modern viewers, but so will Avengers: Infinity War in twenty years. Along with stunners like Alien, Blade Runner, and others, The Terminator changed the idea of what cinematic science fiction could be. It premiered in the U.S. in 1984 and eventually arrived in Czechoslovakia as Terminátor today in 1990.









Vintage Pulp | Jun 21 2011 |

Raquel, rifles and redesigned money.
Above, a fantastic poster for the 1969 western 100 Rifles with Raquel Welch superimposed over a stylized U.S. currency background. It was made for the film’s 1971 stint in what was then Czechoslovakia. Amazingly, we saw it listed on a foreign poster specialty site for $275.00, and then saw the exact same piece on a big retail site for $13.99. The lesson there is to shop wisely. See our recent write-up on 100 Rifles here.
Femmes Fatales | Nov 8 2010 |

I’d rather go naked and wear fur.
German-Czech actress Barbara Bouchet, from a July 1976 issue of the Belgian film mag Ciné-Revue.
Femmes Fatales | Nov 9 2009 |

Here comes your nineteenth nervous breakdown.
German-Czech actress Barbara Bouchet as Kitty Wildenbrück in the Italian giallo classic, La dama rossa uccide sette volte, aka The Red Queen Kills 7 Times, aka Blood Feast, aka several other titles,1972.
Vintage Pulp | Aug 30 2009 |

The streets of San Francisco.
Czech and Polish posters for the 1968 detective thriller Bullitt, which starred the incomparable Steve McQueen and featured an urban San Francisco car chase, one of the great sequences of its kind in cinema history.