Vintage Pulp Feb 7 2018
If anybody can recover the ancestral farm it's Mari.

Zoku Imokinchaku*, for which you see the poster above and which premiered in Japan today in 1970, was the sequel to the previous year's Imokinchaku, but shot in color. Atsumi plays a high school girl named Hamako who tries to save enough money to buy her family's ancestral land. Her plan to obtain it through work seems sound enough, but trouble in finances and love, including the theft of her money and a doomed infatuation with a dreamboat who happens to be gay, present serious obstacles. Of course, if the previous film taught Mari anything it was to persevere, and she makes forays into nude modeling and singing in efforts to cobble together a sufficiently large nest egg to buy the land. Do any of these schemes actually work? You'll have to add this one to your queue if you want to find out.
On a related note, we learned that Daiei Co. released an Atsumi record in conjunction with this film, and that it also engineered the publication of a photo book. Cross promotion of pinku films was a common tactic back then. In fact, many stars performed live in cinemas between double features, either singing, dancing, or reenacting bits from the films. Japanese law was strict about nudity onscreen, but we've been told these live performances sometimes featured full nudity, which is interesting to contemplate. Atsumi made a lot of public appearances. Below, for example, she's in Shimizu Park in Chiba, where a gaggle of photographers shot pictures of her in her undies. We have images from another Atsumi public appearance we'll share later.

*We can't find a romanized title for this film anywhere, but Zoku Imokinchaku is probably right. It's at least close. If anyone wants to correct us feel free. The official title is 続・いそぎんちゃく.  


Vintage Pulp Nov 22 2017
Everybody wants a piece of Mari Atsumi.

The movie Hadaka de Dakko, aka Be Naked premiered in Japan today in 1970, and as you can see from the promo poster, it starred the prolific Mari Atsumi. She made twenty-six films by our count, which means we've talked about her a lot. Here she plays a snack bar employee who dreams of bigger things, and who, along with her friends, try to accumulate 3 million yen they can use to buy a yacht. The reason it's called Be Naked is because every moneymaking scheme hinges on using Atsumi's body. The beauty shop needs her face to draw customers, the gambling house needs her sex appeal for the same reason, and when she becomes an artist's nude model, well, ditto. And in fact, the same can be said of the movie itself, and we're pretty sure its makers knew it too. Want to see more Atsumi? Start here.


Vintage Pulp Oct 24 2017
This is a test of delinquency broadcast system. In the event of a real emergency you'd be royally screwed.

This poster was made to promote the Japanese pinku flick Kôkôsei banchô: Shin'ya hôsô, aka High School Boss 3: Midnight Broadcasting, starring Eiko Yanami and Keiko Matsuzaka. Third in a tetrology, the film is exactly as the title suggests—a tale of delinquency, prostitution, and revenge, with the extra twist of being centered around a radio station. Basically, one of the deejays on the program “All Night Music” reads a letter over the air from a young prostitute, who is later found to have committed suicide while three months pregnant. A search for the people responsible for the tragedy reveals that a prostitution racket is being run out of the local high school. Revenge follows. The tagline for this film is top notch: “When the town goes to bed, we get up!Kôkôsei banchô: Shin'ya hôsô premiered in Japan today in 1970. 


Femmes Fatales Sep 22 2017
She was Japan's best sailing actress.

This fantastic sea-themed Daiei Film Co. promo image shows Japanese pinku actress Mari Atsumi, who by now probably needs no introduction. But in case she does, click here to see and read everything we've posted on her.


Vintage Pulp Aug 30 2017
Go together like hurt and damage.

Above, a pair of posters for Imokinchaku, which in English was retitled (we think) Woman Like a Sea Anemone or Sea Anemone Girl. The movie starred Mari Atsumi, Toshio Takahara, and Shimeji Shogako, and it deals with a country girl who arrives in Tokyo, gets a job in a laundry, and becomes embroiled in a series of complications that all begin with a missing pair of panties. One thing these Japanese pinku films do not lack for is weirdness. Audiences certainly responded to this one, despite the fact that it was in black and white, and it spawned a series that in English might be referred to as the “Mollusk Series.” We've already shown you a few posters from the franchise, such as here and here. This one premiered in Japan today in 1969.


Vintage Pulp May 2 2017
Mari Atsumi shows her stripes.

We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.

Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.


Vintage Pulp Dec 25 2015
Motorcycle? I don’t own one. The helmet is for protection when I crash the Pulp guys’ picnic over there.

Only a little time today, but we love sharing this Japanese material, so above you see an alternate poster in panel length for Yoshio Inoue’s pinku film Kawaii Akuma: Iimono ageru, aka Just for You, which premiered today in 1970 starring Mari Atsumi. It’s completely different from the standard sized version, which we showed you here, and better too, we think. Now we are off—our holiday involves lobster, crab, and other oceanic yummies eaten picnic style in a hilltop park. Hope your day is excellent. 


Vintage Pulp May 26 2015
Crucifixion, death, and insurrection.

Last night we asked the Pulp Intl. girlfriends if they wanted to watch a movie and they said no because the movies we pick are always bad. That obvious slur against our taste aside, we explained yet again that we choose poster art, not movies. Which is to say, we merely react to interesting vintage movie promos by following where we’re asked to go—to the sofa for a screening. The above poster for Hiroku Nagasaki onna-ro, aka Nagasaki Women’s Prison is about as successful as Japanese promo art gets. With its graphics, colors, and weird-ass content it demands that you watch the movie. The fact that it’s a quasi-sequel to 1970’s successful Onna-ro hizu, aka Island of Horrors gave us hope it would be good. 

So we watched and what we got was Akane Kawasaki, Tomoko Mayama, and others in a women-behind-bars flick set in the seventeenth century that starts with a crucifixion, ends with a crucifixion, and has lots of scheming, catfighting, and mayhem between. The only English review we found online said the crucifixions were a framing device—i.e. we see the same woman up there both times and the film explains how she got there. That isn’t true. We see two different women crucified. The first serves mainly as an example of what happens to unruly prisoners, which of course is what Kawasaki and company quickly become. Escape may not be in the cards, but at least they exact some measure of revenge against their male tormentors before all is said and done.

These crucifixions, we should mention, are not like what you see on the poster. That image is designed to trick you into watching something a bit more screamy, stabby, and bloody than you’d expect, so proceed with caution. In the end, we didn’t like the movie very much, and we got to thinking maybe our girlfriends are right. Maybe we do watch a lot of bad movies. Maybe they’re smart to avoid them. But no worries—we don’t need no icky old girls watching movies with us anyway. Hiroku Nagasaki onna-ro premiered in Japan today in 1971.


Vintage Pulp Jan 15 2015
The girl with the draggin’ tattoo.

The three posters above promote the Japanese psychological horror movie Irezumi, aka Tattoo, directed by Yasuzô Masumura and starring Ayako Wakao as woman kidnapped into geishadom who is forcibly tattooed upon her back by a disturbed tattoo master. His creation is the monstrous, woman-faced spider you see on the posters. This act sets Wakao on a path toward vengeance, violence, and evil. Some reviews of Irezumi note that the tattoo is in some sense alive, like the portrait of Dorian Gray, however the actual art doesn’t change its aspect—we checked, using a handy invention called rewind, and the lady-spider is the same in the beginning and end of the movie. The tattoo does, though, unleash something, and Wakao changes, quite drastically, her journey from relative innocence into femme fatale depravity giving Irezumi its power and dread. While not splashy and filled with shocks in the style of modern horror, the movie is, all in all, a highly recommendable mind trip. There's another Irezumi from 1982 with a different plot, but this one, the first one, premiered in Japan today in 1966. 


Vintage Pulp Oct 31 2014
Amid medieval Japan’s manners and restraint, how can a person tell the difference between love, honor, and duty?

Above is a poster for Teinosuke Kinugasa’s masterwork samurai drama Jigokumon, which was known in English as Gate of Hell. It was the first Japanese film shot in color, via the process Eastmancolor, which was a leap beyond three-strip Technicolor, and one that makes Jigokumon blaze like a supernova. The story, from a play by Kan Kikuchi, concerns a Heian-era samurai named Moritoh whose bravery during a battle is rewarded by his lord granting him anything he desires. What he desires is the Lady Kesa. Problem is she’s married to another samurai. The lord mistakenly grants Moritoh’s wish, which is soon revealed to be impossible, but Moritoh resolves to have Kesa anyway, by any means necessary—trickery, bribery, even all-out murder. What develops is not just a thriller about entitlement and lust, but a meditation on honor, love and, especially, social strictures.

Jigokumon was a sensation. A hit in Japan, it was a revelation to foreign audiences. It took home the Palme d’Or from the 1954 Cannes Film Festival, a 1955 special Academy Award for Best Foreign Language Film, an Oscar for Best Costume Design in a color film, and more prestigious nods. Along with Akira Kurosawa’s Rashomon, Kimisaburo Yoshimura’s Genji Monogatari, Kenji Mizoguchi’s Ugetsu Monogatari, and other films from the early 1950s, it marked the emergence of Japanese cinema onto the international scene. We’ve posted a large group of screen grabs below—perhaps overkill, considering how many—but the film just looks so damn good and the shots are so spectacular that we couldn’t help ourselves. Jigokumon premiered in Japan today in 1953.


Next Page
History Rewind
The headlines that mattered yesteryear.
March 23
2011—Elizabeth Taylor Dies
American actress Elizabeth Taylor, whose career began at age 12 when she starred in National Velvet, and who would eventually be nominated for five Academy Awards as best actress and win for Butterfield 8 and Who's Afraid of Virginia Woolf?, dies of congestive heart failure in Los Angeles. During her life she had been hospitalized more than 70 times.
March 22
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals of the Cold War.
March 21
1963—Alcatraz Closes
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
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