Vintage Pulp Oct 24 2017
RADIO ACTIVITY
This is a test of delinquency broadcast system. In the event of a real emergency you'd be royally screwed.


This poster was made to promote the Japanese pinku flick Kôkôsei banchô: Shin'ya hôsô, aka High School Boss 3: Midnight Broadcasting, starring Eiko Yanami and Keiko Matsuzaka. Third in a tetrology, the film is exactly as the title suggests—a tale of delinquency, prostitution, and revenge, with the extra twist of being centered around a radio station. Basically, one of the deejays on the program “All Night Music” reads a letter over the air from a young prostitute, who is later found to have committed suicide while three months pregnant. A search for the people responsible for the tragedy reveals that a prostitution racket is being run out of the local high school. Revenge follows. The tagline for this film is top notch: “When the town goes to bed, we get up!Kôkôsei banchô: Shin'ya hôsô premiered in Japan today in 1970. 

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Femmes Fatales Sep 22 2017
MARITIME FUN
She was Japan's best sailing actress.


This fantastic sea-themed Daiei Film Co. promo image shows Japanese pinku actress Mari Atsumi, who by now probably needs no introduction. But in case she does, click here to see and read everything we've posted on her.

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Vintage Pulp Aug 30 2017
LOVE AND MARI
Go together like hurt and damage.


Above, a pair of posters for Imokinchaku, which in English was retitled (we think) Woman Like a Sea Anemone or Sea Anemone Girl. The movie starred Mari Atsumi, Toshio Takahara, and Shimeji Shogako, and it deals with a country girl who arrives in Tokyo, gets a job in a laundry, and becomes embroiled in a series of complications that all begin with a missing pair of panties. One thing these Japanese pinku films do not lack for is weirdness. Audiences certainly responded to this one, because it spawned a series that in English might be referred to as the “Mollusk Series.” We've already shown you a few posters from the franchise, such as here and here. This one premiered in Japan today in 1969.

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Vintage Pulp Dec 25 2015
SAFETY NOT GUARANTEED
Motorcycle? I don’t own one. The helmet is for protection when I crash the Pulp guys’ picnic over there.

Only a little time today, but we love sharing this Japanese material, so above you see an alternate poster in panel length for Yoshio Inoue’s pinku film Kawaii Akuma: Iimono ageru, aka Just for You, which premiered today in 1970 starring Mari Atsumi. It’s completely different from the standard sized version, which we showed you here, and better too, we think. Now we are off—our holiday involves lobster, crab, and other oceanic yummies eaten picnic style in a hilltop park. Hope your day is excellent. 

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Vintage Pulp May 26 2015
A CROSS TO BEAR
Crucifixion, death, and insurrection.


 

Last night we asked the Pulp Intl. girlfriends if they wanted to watch a movie and they said no because the movies we pick are always bad. That obvious slur against our taste aside, we explained yet again that we choose poster art, not movies. Which is to say, we merely react to interesting vintage movie promos by following where we’re asked to go—to the sofa for a screening. The above poster for Hiroku Nagasaki onna-ro, aka Nagasaki Women’s Prison is about as successful as Japanese promo art gets. With its graphics, colors, and weird-ass content it demands that you watch the movie. The fact that it’s a quasi-sequel to 1970’s successful Onna-ro hizu, aka Island of Horrors gave us hope it would be good.
 
So we watched and what we got was Akane Kawasaki, Tomoko Mayama, and others in a women-behind-bars flick set in the seventeenth century that starts with a crucifixion, ends with a crucifixion, and has lots of scheming, catfighting, and mayhem between. The only English review we found online said the crucifixions were a framing device—i.e. we see the same woman up there both times and the film explains how she got there. That isn’t true. We see two different women crucified. The first serves mainly as an example of what happens to unruly prisoners, which of course is what Kawasaki and company quickly become. Escape may not be in the cards, but at least they exact some measure of revenge against their male tormentors before all is said and done.

 

These crucifixions, we should mention, are not like what you see on the poster. That image is designed to trick you into watching something a bit more screamy, stabby, and bloody than you’d expect, so proceed with caution. In the end, we didn’t like the movie very much, and we got to thinking maybe our girlfriends are right. Maybe we do watch a lot of bad movies. Maybe they’re smart to avoid them. But no worries—we don’t need no icky old girls watching movies with us anyway. Hiroku Nagasaki onna-ro premiered in Japan today in 1971.


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Vintage Pulp Jan 15 2015
VAMP STAMP
The girl with the draggin’ tattoo.

The three posters above promote the Japanese psychological horror movie Irezumi, aka Tattoo, directed by Yasuzô Masumura and starring Ayako Wakao as woman kidnapped into geishadom who is forcibly tattooed upon her back by a disturbed tattoo master. His creation is the monstrous, woman-faced spider you see on the posters. This act sets Wakao on a path toward vengeance, violence, and evil. Some reviews of Irezumi note that the tattoo is in some sense alive, like the portrait of Dorian Gray, however the actual art doesn’t change its aspect—we checked, using a handy invention called rewind, and the lady-spider is the same in the beginning and end of the movie. The tattoo does, though, unleash something, and Wakao changes, quite drastically, her journey from relative innocence into femme fatale depravity giving Irezumi its power and dread. While not splashy and filled with shocks in the style of modern horror, the movie is, all in all, a highly recommendable mind trip. There's another Irezumi from 1982 with a different plot, but this one, the first one, premiered in Japan today in 1966. 


 
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Vintage Pulp Oct 31 2014
HELL AND BACK
Amid medieval Japan’s manners and restraint, how can a person tell the difference between love, honor, and duty?


Above is a poster for Teinosuke Kinugasa’s masterwork samurai drama Jigokumon, which was known in English as Gate of Hell. It was the first Japanese film shot in color, via the process Eastmancolor, which was a leap beyond three-strip Technicolor, and one that makes Jigokumon blaze like a supernova. The story, from a play by Kan Kikuchi, concerns a Heian-era samurai named Moritoh whose bravery during a battle is rewarded by his lord granting him anything he desires. What he desires is the Lady Kesa. Problem is she’s married to another samurai. The lord mistakenly grants Moritoh’s wish, which is soon revealed to be impossible, but Moritoh resolves to have Kesa anyway, by any means necessary—trickery, bribery, even all-out murder. What develops is not just a thriller about entitlement and lust, but a meditation on honor, love and, especially, social strictures.

Jigokumon was a sensation. A hit in Japan, it was a revelation to foreign audiences. It took home the Palme d’Or from the 1954 Cannes Film Festival, a 1955 special Academy Award for Best Foreign Language Film, an Oscar for Best Costume Design in a color film, and more prestigious nods. Along with Akira Kurosawa’s Rashomon, Kimisaburo Yoshimura’s Genji Monogatari, Kenji Mizoguchi’s Ugetsu Monogatari, and other films from the early 1950s, it marked the emergence of Japanese cinema onto the international scene. We’ve posted a large group of screen grabs below—perhaps overkill, considering how many—but the film just looks so damn good and the shots are so spectacular that we couldn’t help ourselves. Jigokumon premiered in Japan today in 1953.


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Vintage Pulp Jun 23 2014
MONA RIZA MYSTERY
Like the mysterious Da Vinci painting we can’t figure out this piece of art.


Above and below are two posters for Iwataro Ishii’s Mona Riza okyo, which was based on the graphic novel of the same name by Teruo Tanashita, and stars Mari Atsumi as a pickpocket trying to get her hands on a valuable but elusive diamond pin called the Star of the Sea. Strangely, the word “Kyoto” clearly appears in the poster titles—it’s the last symbol on both—but all the sources we checked said the film is called Mona Riza okyo. It’s a mystery too deep for us to solve, but if any of you can shed some light on it please drop us a line. Mona Riza okyo premiered in Japan today in 1971.

Update: David W. writes in and tells us: Indeed the last word on each poster is Okyo, not Kyoto.

Mystery solved. Thanks, David, for your help.

Update 2: NelC offers a more detailed explanation of the title. Here's what he wrote: The transliteration of the subject line is indeed Mona Lisa O-Kyō. The proper name for Kyōto is 京都市, "Kyōto-shi" or "Kyoto City" in English. 京都 is "Kyōto." 京 is "Kyō." 京 by itself means "capital" as in "capital city," and お is an honorific, so お京 might be read as "the capital." (モナリサ is, of course, "Mona Lisa.")

So the title might be read as "The Capital Mona Lisa." The significance of this is beyond my meagre abilities in Japanese, though. A colloquialism for "the great," maybe, as in Wodehouse-era British English? I don't know.

Thank you NelC. Your excellent explanation is more than we could have reasonably hoped for. Mystery solved, again.

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Vintage Pulp Jan 27 2014
NINJA TURTLE
Eiko Yanami strikes a kick-ass pose.


Although many directors and performers were involved in the Girl Boss movies, on some level Nikkatsu Studios was behind most of them as either producers or distributors. This one is an exception. The movie was called Soft-Shelled Turtle Girl Boss, it was made by Dai Nippon Eiga Seisaku Kabushiki Kaisha, which was known as Daiei Film Co. for short, and it had Taro Yuge in the director’s chair and Eiko Yanami in the lead. We don’t know anything about the plot, but it’s a pinku girl boss flick, so she probably seeks and achieves revenge against a bunch of gangster types. We’ll look for more info, if not a copy of the movie. In the meantime, we’ll just enjoy the poster, which is absolutely killer. Soft-Shelled Turtle Girl Boss premiered in Japan today in 1971. 

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Vintage Pulp Mar 20 2013
MONSTERS BRAWL
Yôkai hyaku monogatari is part creature feature and part primer on Japanese folklore.

Above, two great posters for Daiei Film Company’s Yôkai hyaku monogatari, aka 100 Monsters.  In the movie you get giants and faceless men and witches—i.e., things that are familiar to most cultures—but you also get some specifically Japanese weirdness like the rokurokubi, which can stretch its neck to extreme lengths (see below), and the karakasa oabake, which is a parasol that has come to life. Apparently, household items animating is a major part of Japanese folklore, and some of the objects that can haunt you include quilts, clocks, mirrors, gongs, sake jars, and sandals. That last one doesn’t surprise us, because we once had a roommate whose Crocs scared away any woman who saw them. Anyway, we gather this is more or less a kid’s movie, but to us it seems like one that would permanently warp anyone under the age of ten. For adults, it’s just amazing to watch so many people in rubber suits in one place at the same time. If you want to see the rokurokubi get all sassy with her sinuous neck, check here, and you can see the haunted parasol come to life here. Yôkai hyaku monogatari premiered in Japan today in 1968.

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Next Page
History Rewind
The headlines that mattered yesteryear.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
November 20
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
November 19
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
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