 With Bogart and Bacall in the starring roles an unusual fugitive movie takes flight. 
This beautiful poster for La fuga was painted by Italian artist Luigi Martinati, and you doubtless recognize Humphrey Bogart and Lauren Bacall. They starred in four movies together and had a dual cameo in a fifth. This promo was made for their fourth outing Dark Passage, retitled to “the escape” in Italy. And therein lies the plot. Bogart breaks prison and undergoes a backalley cosmetic surgery procedure on his face in order to evade the cops and have a chance to solve the crime for which he was unjustly sent up the river. The filmmakers decided to use the gimmick of having the first section of the film in Bogart-vision—i.e. first person pov until he gets his new face. It makes sense. Otherwise they'd have needed to have another actor play pre-surgery Bogart, or have resorted to clunky make-up and prosthetics. Bacall co-stars as unlikely shelter and succor, plus the prospect of love—if Bogie can survive. It's a good movie.
But we're going to tack upwind at this point and suggest that Dark Passage, while good, isn't as scintillating as its reputation. Certainly it isn't in the class of To Have and Have Not, Key Largo, or The Big Sleep. But hey—it stars B&B, and that's all audiences of the era really cared about. Three years into her film career Bacall had grown into superstardom—or stardom as it was called back then—and dished out a performance here that did plenty with a thin script and a belief defying scenario. The other star here is San Francisco, where most of the movie was shot. The city appeared in many period productions, but we can't think of it ever being used to such an extent as in Dark Passage. Since we lived across the Bay in Berkeley for a couple of years, we got to know San Fran well and it's fun to see it as it once was. Dark Passage—slightly overrated and all—is fun too. It premiered in the U.S. in 1947 and reached Italy today in 1948.
            
 Royal Crown helps consumers to stay awake at the movies. 
Lauren Bacall brings her special brand of smoky sex appeal to this magazine advertisement for Royal Crown Cola, made as a tie-in with her 1946 film noir The Big Sleep. RC was launched in 1905 by Union Bottling Works—a grandiose corporate name for some guys in the back of a Georgia grocery store. The story is that the drink came into being after grocer Claud A. Hatcher got into a feud with his Coca Cola supplier over the cost of Coke syrup, and essentially launched RC out of equal parts entrepreneurialism and spite. Union Bottling Works quickly had a line of drinks, including ginger ale, strawberry soda, and root beer.
However humbly RC Cola began, the upstart had truly arrived by 1946, because The Big Sleep, co-starring Humphrey Bogart, was an important movie, and Bacall was a huge star. She was only one jewel in the crown of RC's endorsement efforts. Also appearing in ads were Rita Hayworth, Veronica Lake, Joan Crawford, Virginia Mayo, Paulette Goddard, Gene Tierney, Ann Rutherford, Ginger Rogers, and others. Bacall flogged RC for at least a few years, including starring in tie-in ads for Dark Passage, another screen pairing of her and Bogart that hit cinemas in 1947. You see one of those at bottom. We can only assume these ads were wildly successful. After all, it was Bacall.
  
 Nightfall is the time when desperate men commit desperate acts. 
David Goodis was one of the mid-century era's most successful crafters of crime fiction. Movies based on his books include Dark Passage, the visually dazzling 1983 French film La lune dans le caniveau (The Moon in the Gutter), and the brilliant thriller The Burglar. His drama Nightfall, aka The Dark Chase, tells the story of a man who stumbles upon bank robbers, comes into possession of their loot, but loses it in a wild panic while fleeing a shooting. Months later and many states away, he's trying to make a new life but soon learns cops are trailing him trying to solve the robbery, and the surviving bank robbers have surfaced to demand the cash. He'd better find it or he's mega-screwed, but he literally can't remember what happened to it. He's blacked it out. Like other Goodis novels Nightfall became a movie, though it's hard to see cinema in it when you read it. But Jacques Tourneur had no issues, crafting a 1956 film noir starring Aldo Ray and Anne Bancroft. For us the novel, with its hallucinatory nature and quasi-amnesiac protagonist, wasn't a top thriller, but it was satisfying enough. This Lion Books edition came in 1956 with uncredited cover art.
 Slipping into darkness. 
Lauren Bacall appears here in what may be her most famous publicity image, gazing from the darkness with a knowing, mischievous, heavy-lidded look she made her trademark in The Big Sleep, Dark Passage, and To Have and Have Not, three films that were a sort of informal trifecta of film noir. She also appeared in Key Largo, less a noir than a melodrama, but still excellent. All co-starred Humphrey Bogart, who she married in the middle of this run of films and remained married to until his death in 1957. Bacall joins him more than half a century later, aged eighty-nine.
 Dark Passage is the least thrilling of Bogie and Bacall’s three collaborations, but it’s still a worthy film noir.  
Humphrey Bogart rose to unparalleled heights as a mid-century movie star, but even he has a few films that could be considered underappreciated. 1947’s Dark Passage probably fits the bill. It’s a polarizing movie, long admired by critics and noir aficionados, but off-putting to casual cinema fans. The first hour is shot from first person perspective, which means we don’t see Bogart at all except when he happens to pass by a mirror. What we glimpse when he does is a head wrapped in bandages, for he has gone under the plastic surgeon’s knife in an effort to change his identity and elude the law. Assisting him in his desperate plan is Lauren Bacall, who dazzled with Bogie in To Have and Have Not and Key Largo. Unfortunately, the romantic sparks don’t quite fly between the real life spouses here the way they did in those collaborations but, as constructed, perhaps that was never the intention. Just the same, we recommend Dark Passage for its taut atmosphere and clever camera work. Plus, for the historically oriented, a bonus is a detailed look at post-WWII San Francisco, beautifully shot by director Delmer Daves and cinematographer Sidney Hickox. Above you see the movie’s French promo art, created for its release as Les passagers de la nuit today in 1948.
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The headlines that mattered yesteryear.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008. 1961—Bay of Pigs Invasion Is Launched
A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection. 1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.
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