Gemser gets freaky on the island of brotherly love.
La spiaggia del desiderio is another Laura Gemser sexploitation epic, third in what would become a long series of Emanuelle movies, and the first to truly jump the shark. A bit of backstory: Author Emmanuelle Arsan wrote the original Emmanuelle character, based on herself, in 1967, and saw it become the erotic film Emmanuelle starring Sylvia Kristel. It premiered in France in June 1974 and was a worldwide smash by that autumn. But Italian production company Aquila Cinematografica had managed to film and rush release a knock-off entitled Amore libero that hit cinemas in Rome by August of 1974. The movie starred Gemser as a character named Emanuelle—with one 'm'. This film too was something of a success, in the sense that it made money while costing far less.
After the success of the French Emmanuelle its makers decided to cash in with a sequel. Trinacra Films and Orphée Productions kicked France to the curb and made Emmanuelle II with an eye toward the large U.S. market, where their sophomore entry eventually had its world premiere in December of 1975. While shooting this sequel they apparently figured the more Em(m)aunelles the better and cast Laura Gemser as a sexy masseuse in order to pair her up—naked—with Kristel. The spirit of cooperation is admirable, but certainly what this casting decision did was give Gemser's Emanuelle just as much legitimacy as Kristel's Emmanuelle.
At the time Gemser was enjoying this cameo appearance in Emmanuelle II she had already made or was about to make a sequel to her Amore libero. We use that uncertain terminology because the French Emmanuelle films were higher budget productions and took longer to film and post-produce, which means even though Gemser's sequel hit cinemas before Emmanuelle II, it's possible it was filmed after and rammed through post to get to audiences first. In any case, Gemser's sequel, already cynically thieving the original Emmanuelle concept, was titled to take advantage of the burgeoning blaxploitation wave. Emanuelle negra it was called—Black Emanuelle.
Gemser was off and running and would eventually make more than a dozen Emanuelle films, each more preposterous than the previous. Amore libero and Emanuelle negra featured Gemser playing an Emanuelle who, like the original character written by
Emmauelle Arsan, enjoyed sexual adventures in exotic tourist destinations. But La spiaggia del desiderio is a lost world flick that features her living on an isolated island with her father and brother in primitive bliss. We suspect the entire script was written to avoid high budget location work and unnecessary characters.
In any case, it's just Gemser, her dad, and her bro on this uncharted spit of tropical sand off the coast of Venezuela, until a shipwreck victim washes up and brings with him a host of problems. Because, you see, Gemser plays a game with her brother, a very pleasurable game that she—in her innocence—doesn't realize is known as incest in the civilized world. When she begins to play the game with the newcomer that's when things go terribly wrong. Think of it as The Blue Lagoon years before that movie appeared, but with brotherly love thrown in to provide an excuse to philosophize about cultural norms.
The main plot question becomes this: does the newcomer try to get Gemser to realize what she's doing is wrong, or is it really society that's wrong to judge true love? And secondarily, should he take her away to civilization, or would the real world destroy all that is innocent and wonderful about her? This is deep shit, folks. In our view, Gemser should leave the island—a few civilized cheeseburgers might actually do her good. She's 5' 7” and goes—maybe—115 soaking wet, so she really does look like she's been living on coconuts and crabs for years. But for her fans it's about her whole package, even if that package looks underfed.
We can't recommend La spiaggia del desiderio. There's just nothing much going on here. We suspect the film was toned down because of the (completely unneeded and distasteful) incest angle, a problem her production company might not have foreseen until it was too late. Like: “Uh, huddle up people—we just learned we can't show Laura boning her brother without being slapped with an injunction.” Thus with Gemser's nude frolicking reduced to a bare minimum, there's not much to sustain interest. If we were you we'd give this particular Emanuelle a pass. La spiaggia del desiderio premiered in Italy today in 1976.
Sex Stars System uncovers erotic cinema around the world.
Here's a little treat for Monday, because Mondays are universally acknowledged to suck. Above is the cover and below are a ton of scans from the cutting edge cinema magazine Sex Stars System, which billed itself as “Le Magazine du Cinema Erotique.” It was published out of 55 Passage Jouffroy, in Paris, France, and for a while it was the top magazine with reviews and features on the new, sexually liberated mainstream cinema of the early 1970s, and the new pornography of the same era. Because porn was taken seriously as an art form back then (hard to imagine, we know) certain magazines discussed and critiqued the films and regarded the performers as equal with those in mainstream cinema. We talked about this phenomenon with Cine-Revue a few years ago. Sex Stars System was similar, but much edgier, as you'll see.
On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.
We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.
Dominique Troyes shows she's in perfect trim.
Above is a very cool photo of French adult performer Marilyn Jess, who you may remember was one of the main attractions of the film Emmanuelle IV. We talked about the movie at length last month and thought Jess needed a return engagement. She appeared in Emmanuelle IV as Dominique Troyes, but used her Jess persona during her extensive x-rated career, which began in 1977 and lasted through the ’80s and beyond. She was famed for having an enormous bush, which she's trimmed by orders of magnitude for this photo. It dates from around 1982
I just love reading the literary classics. They're always so interest... zzzzzzz...
Above is one of our prouder acquisitions—a poster of Dutch actress Sylvia Kristel made to promote the film Emmanuelle. The piece has multiple fold lines, which we could remove from the digital reproduction if we wanted, but we like the lines. We're sharing this because Kristel died today four years ago and we think this shot is a nice reminder of what a lovely and ethereal star she was.
Once again Brazil brings the freak out of an unsuspecting visitor.
This chirashi mini-poster, of which you see both sides above, was made to promote the Japanese release today in 1984 of the softcore epic Emmanuelle IV, spawn of a franchise that just gave and gave and gave, to the tune of seven direct theatrical sequels, plus dozens of television films and at least thirty other cinematic excursions of close or distant relation. This one will really make you wonder what happened to the big budget softcore movie. It's fun, engaging, highly budgeted, and a consistent turn-on.
Since Emmanuelle's original portrayor Sylvia Kristel was by now deemed too old to be the title ingénue, the writers decided to send her away to Brazil for rejuvenating surgery. She opens the film, gets on a plane, and when she emerges from her full body treatment, she looks like twenty-four-year-old Swedish actress Mia Nygren. Wanting to test out this new chassis, Nygren runs amok in Rio de Janiero and environs, as Brazil's tropical heat and wanton ways wreak havoc on a yet another white girl's psyche. By the end of the second reel she's a full-on nympho.
Emmanuelle IV is a cut above regular sexploitation—it's brilliantly shot in city and jungle, competently acted, and absolutely chock full of lithe hot bodies. Besides Kristel and Nygren, the parade of world-class beauties include Deborah Power, Sophie Berger, Dominique Troyes aka Marilyn Jess, and Sonja Martin. There was no porn in the original release, but x-rated scenes were shot and did appear in the French DVD version. But of the red hot goddesses mentioned above, only Jess went all the way, which is just as well—in a film as elegant as this, it would be a shame to see hairy-assed dudes climbing all over the entire female cast like monkeys. Or maybe that's just us.
We have some images below, and should explain, their sheer number reflect our love for this movie. We first saw it on cable in our youth and it stayed with us. Whenever asked why we live abroad, we always credit high-brow literature and cultural curiosity and everything to do with the brain. But when we're truthful we have to admit stuff like Emmanuelle IV had an influence too. Even if people in exotic lands didn't act that crazy, the places existed. We had to see them. And you know what we found? People do act that crazy.
Once you go Black Emanuelle you never go back.
Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976.
October 1st marks the second rare lunar event this week.
Two years ago we shared a very rare Japanese promo poster from the 1976 Italian romance Laure, also known as Forever Emmanuelle. The calendar image above from the Japanese cinema and celebrity magazine Roadshow doesn’t directly promote Laure, but it comes from the same photo session, and like the earlier image features French actress Annie Belle doing her imitation of Monday’s supermoon. Both are amazing events, but this one, happily, features fewer craters.
Who says Italians are great lovers?
Io, Emmanuelle, aka A Man for Emmanuelle, was the movie that unveiled the immortal character of Emmanuelle to cinema audiences, but the film isn’t actually based on anything written by Emmanuelle Arsan. Instead its source is Graziella Di Prospero’s spin-off tale “Disintegrazione 68,” a title that describes the film better than any summation we can offer. This is a brooding and stylish study of a sexually unfulfilled woman played by Erika Blanc wandering around wintry Rome from encounter to encounter, seeking but never finding satisfaction. Dark stuff, but pretty cool. Io, Emmanuelle premiered in Italy today in 1969.
Macario Gomez shows an ability to see the bigger wicker.
A couple of years ago we shared some posters by the Spanish artist Macario Gomez, including one rather creative effort for La mansion de la niebla, aka Murder Mansion. But commercial art isn’t always about creativity. This Gomez effort for Emmanuelle, which premiered yesterday in 1974 (and we meant to post it yesterday, except we got deeply involved in a deadly combo of beachy weather and white wine), is an almost exact reproduction of the photographed French promo poster, at right.
We say almost, because you can see that Gomez, whose distinctive signature appears at middle left on the poster, put actress Sylvia Kristel in a bigger wicker chair than in the photo. Or maybe it’s rattan. Whatever, they’re known as peacock chairs, and when they appear in promo art they’re reliable signifiers that what you’re going to get is softcore or sexploitation. They especially pop up during the 1970s and early 1980s. It might even be the same chair each time. In any case, we really like this poster from Gomez. It’s nothing more than a portrait made from a photo, true, but the final product is very nice, we think. As for the movie, we talked about it a bit way back in 2008. If you’re into romantic softcore, it’s pretty much mandatory.
Giving in to the inevitable.
German actress Karin Schubert is an interesting figure in international cinema—she began in mainstream films in the late 1960s, appearing in efforts by acclaimed directors such as Edward Dmytryk and Yves Boisset, then transitioned into adult cinema. Usually actresses attempt to do the reverse. Some of Schubert’s early roles, such 1975’s Black Emmanuelle, were of the sexploitation variety, but it wasn’t until 1985 when she was aged 41 that she starred in her first hardcore film, Double Desire. Some sources say there are rare prints of 1975’s Il Pavone nero, aka Voodoo Sexy that show Schubert in x-rated action, but those sources are wrong—as was common at the time, down and dirty scenes performed by a body double were added later. However, Schubert did shoot fully hardcore magazine spreads earlier than her entry into adult cinema.
She last acted in 1994, and since then has dropped completely out of sight. We got curious what happened to her, and in our wanderings visited a forum where a user claimed he spoke to former adult film colleague of hers at a porn convention. According to the user, Schubert’s colleague said she died, but we doubt that’s true. Schubert was a significant star. Notices of a woman who had the unusual distinction of working with both film noir icon Edward Dmytryk and porn stallion John C. Holmes would have appeared somewhere in the German—if not global—press. We checked, and there was no word anywhere. As for the supposed info provided by her old colleague, picture this exchange:
“Say, Karin, I’m going to the adult film expo in Hamburg this year. You going?”
“Hell fucking no, and if anyone asks about me please tell them I died.”
The photo at top shows Schubert from around 1975, and below are some of her many covers for the West German magazine Wochenend. You can also see a nice Ciné-Revue cover of her here. We’ll try to get into some of her non-x-rated films later and report back. |
The headlines that mattered yesteryear.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
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