Vintage Pulp Apr 4 2015
BRING ME A DAIQUIRI
You’re going to have fun on this vacation or you’re in serious trouble, do you hear me buster?


We managed to sneak this one in, but like we said above, we’re on vacation now. The Pulp Intl. girlfriends insisted. And by insisted we mean that after years of reading the website they’ve learned to use violent means to get their way. 1959 on this cover, incidentally. 

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Vintage Pulp Jul 14 2013
KEYHOLES TO THE CITY
Maybe you shouldn't look, but sometimes you just can't help yourself.


A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment. 


 
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Vintage Pulp Nov 6 2012
NIGHT WATCHMEN
There are none so blind as those who won’t see that their blinds are open.

If you lower your shades or blinds all the way it’s a deterrent. But if you leave them an inch or three open, it’s really kind of an invitation, don’t you think? Everything is sexier when viewed through a crack. The Mahatma said that. Anyway, call it peeping, voyeurism, committing a misdemeanor, or just being a complete dick—it’s a time-honored plot device in pulp and sleaze fiction. Above and below are eleven of the best covers depicting the art of enjoying a cheap thrill.


 
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Vintage Pulp Oct 23 2012
THINK PINK
Do you find these covers irresistible? There’s a reason.


In color therapy pink symbolizes unconditional love, and you wear it when you want someone to be instantly drawn to you. Well, that stuff must work, because we're instantly drawn to these covers by Robert McGinnis for Erle Stanley Gardner’s Perry Mason series, circa early 1960s. We were thinking about changing our website a bit, but now that we know this about the color pink, forget it. Our traffic might drop to nothing.

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Vintage Pulp Mar 5 2012
EXTRA PULP
Black Lizard’s pulp anthology is as thick as an old phone book, but we’ll get through it somehow.

Stay away from the U.S. long enough and when you go back you get really good gifts. The Big Book of Pulps, above, was a belated birthday present—and what a present it is. At over 1,000 pages, this is probably the most comprehensive pulp anthology we’ve ever seen. Published in 2007 by the now defunct pulp revival specialists Black Lizard, the collection contains stories from Raymond Chandler, Cornell Woolrich, Dashiell Hammett, Erle Stanley Gardner, James M. Cain, Paul Cain and many others, and is even sprinkled with some ink illustrations. We’ll be working our way through this tome for the next couple of years, no doubt. Which means we should finish just in time to go back to the States again and get another great gift. Thanks Neil S. 

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Vintage Pulp Feb 9 2012
SINGING LIKE A BIRD
Squawk! Polly wanna cracker plus prosecutorial immunity or Polly don’t say another frickin’ word.

You may be asking yourself whether this book is really about what the cover seems to imply. Yes, Erle Stanley Gardner’s fictional attorney Perry Mason does indeed encounter a talking parrot that saw a murder. The Case of the Perjured Parrot was published in 1939, so we’re pretty sure Gardner was the first writer to conceive of such an outrageous plot device. He has plenty of fun with the idea, and his bird is full of surprises. Or birds, we should say, since there turns out to be more than one. In the end, Perry Mason learns that a parrot can be as difficult a witness as a human. Excellent cover art is by unknown.

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Vintage Pulp Nov 1 2011
TOP SHELF PULP
Does this look like one of the top sixty pulp book covers of all time to you?

No, it doesn’t look like that to us either. Don’t get us wrong. It isn’t bad. But top sixty? Ever? Yet we found it on a site that included it in its top sixty, along with a collection of other covers of which we can honestly say only three were excellent. There was not one Fixler or Aslan to be found. Nary a J. David, nor a Peff, nor even a hint of a Rader. Clearly, whoever put the feature together took sixty random images off Flickr (yet watermarked the art they borrowed) and called it a day. This highlights one of the main problems with the internet: it’s difficult to know which sites are primarily focused upon providing information, and which exist solely to generate traffic revenue. A site can do both (as we try to do here with our very minimal ad presence), but when some corporate pulp site that possesses endless resources somehow misidentifies the pulp era as lasting from the 1950s to 1970s, and asserts that the term “pulp” was popularized by the movie Pulp Fiction, it’s clear that information has not only taken a back seat to traffic revenue—it’s being dragged 100 feet behind the car on a rope. We would never presume to do something as subjective as select the best covers of all time, because who the hell are we? But we have, we hope, earned some credibility over the last three years. So on this, our official third anniversary, we're going to do a pulp cover collection of our own. We don't claim these are the best—only that we like them very much. We’re posting twenty-five because we’re too lazy to do sixty, but we think all of them are winners. A few have already appeared on our site; most have not. Got better ones? Use our reader pulp feature to send them. So here we go. And thanks to the sites from which we borrowed some of these.  

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Vintage Pulp Apr 18 2011
POSITIVE CHANGE
Erle Stanley Gardner classic gets respectful treatment every time out.


Erle Stanley Gardner’s The Case of The Sulky Girl is one of those books that was reissued many times through the years with different covers, all quite nice. This isn’t an exceedingly rare occurrence, but the quality of the art in this case is notable. Below, we have seven examples starting with the original paperback cover from 1933, followed by excellent efforts from 
Muni (panel three), Dawson (panel four), Peffer (panel five), McGinnis (panel seven) and unknowns. 

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Vintage Pulp Sep 8 2010
THE CONSTANT GARDNER

Above, a rare hardback dust jacket for Erle Stanley Gardner’s The Case of the Substitute Face, starring his fictional defense attorney Perry Mason, published in 1938. 

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Vintage Pulp Aug 9 2010
FRAGMENTS OF FEAR
Be afraid... be very afraid.


Below, fifteen pieces of pulp art with terror as their central theme. The cover in panel three from Erle Stanley Gardner is the German version of 1948's Perry Mason and the Case of the Vagabond Virgin, retitled Perry Mason und die Unschuld vom Lande, or Perry Mason and the Innocence of the Country.

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History Rewind
The headlines that mattered yesteryear.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.
November 22
1963—John F. Kennedy Is Assassinated
In Dallas, Texas, U.S. President John F. Kennedy is killed and Texas Governor John B. Connally is seriously wounded as they ride in a motorcade through Dealy Plaza. Lee Harvey Oswald, an employee of the schoolbook depository from which the shots were suspected to have been fired, was arrested on charges of the murder of a local police officer and was subsequently charged with the Kennedy killing. He denied shooting anyone, claiming he was a patsy, but was killed by Jack Ruby on November 24, before he could be indicted or tried. Today, Americans who believe JFK was killed as the result of a conspiracy are routinely dismissed in the press, yet the vast majority of them believe Oswald did not act alone.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.
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