Say hello to my little agent.
This film noir style Universal Pictures promo image shows Paris born Andrea King, whose given name was Georgette André Barry, but who lived only briefly in France before her mother brought her to the U.S. We just saw her in Mr. Peabody and the Mermaid, but we really remember her best for her role in a great but obscure film noir called Ride the Pink Horse. She also appeared in Shadow of a Woman, Dial 1119, Southside 1-1000, and—we love this last one—Blackenstein. The above shot showing her in take charge mode is from 1949.
She's not out of the woods yet.
This is your regular reminder that Michel Gourdon was a top notch illustrator, though his brother Alain was the one who attained legendary status. Michel was more of a workhorse, though, painting many hundreds of paperback fronts, which probably contributed to him producing the occasional less-than-stellar effort. But this piece for Pierre Courcel's, aka Roger Jean Tribot's La haine qui rôde, aka The Hatred that Lurks, is Michel at his best. The sports car and female figure are nice, but the background of trees and sunlight is particularly beautiful, we think. It's from 1965 for Editions Fleuve Noir, entry #483 in its long-running Collection Spécial-Police.
Theft becomes death in the blink of an eye.
Last week we shared a brilliant Italian poster for Stanley Kubrick's The Killing, and today you see the French and Belgian posters. The title is a double entendre that refers not only to murder but also to killing in the sense of a big score, which is why in France the movie was called L'ultime razzia, or “the last raid,” and in Belgium it was Coup manqué, which translates as “mis-hit,” as in badly striking a ball—i.e. missing a target. The Belgian poster also has a banner at the bottom with the title in Dutch—Mislukte opzet, or “failed set up.” Those titles, taken together, reveal exactly what happens in the film—a robbery goes terribly wrong. Both of these are very nice posters, fitting ror Kubrick's early masterpiece. The Killing opened in France today in 1956, and in Belgium shortly thereafter.
Nguyen proves to be an Enterprising star.
French born, half Vietnamese actress France Nguyen has had quite a few film and television appearances, but our favorite of her roles—of course—is that of Elaan of Troyius in the original Star Trek series in 1968. That character, a sort of deep space Asian and Egyptian ethnic mash-up who boards the U.S.S. Enterprise as part of a diplomatic mission, had tears laced with a powerful chemical that worked like a love potion. Kirk, of course, touched those and more, and ended up losing his head over her. In our opinion she didn't need magic tears to make that happen—Elaan of Troyius was one of the most mysterious and beautiful in a long line of beautiful and mysterious guest aliens featured on Star Trek. The top photo captures all the qualities that made Nguyen perfect for the role, and in the second shot you see her in costume as Elaan.
Sex Stars System uncovers erotic cinema around the world.
Here's a little treat for Monday, because Mondays are universally acknowledged to suck. Above is the cover and below are a ton of scans from the cutting edge cinema magazine Sex Stars System, which billed itself as “Le Magazine du Cinema Erotique.” It was published out of 55 Passage Jouffroy, in Paris, France, and for a while it was the top magazine with reviews and features on the new, sexually liberated mainstream cinema of the early 1970s, and the new pornography of the same era. Because porn was taken seriously as an art form back then (hard to imagine, we know) certain magazines discussed and critiqued the films and regarded the performers as equal with those in mainstream cinema. We talked about this phenomenon with Cine-Revue a few years ago. Sex Stars System was similar, but much edgier, as you'll see.
On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.
We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.
Clothes encounters of the Hollywood kind.
We've been gathering rare wardrobe and hairdresser test shots from the golden era of Hollywood, and today seems like a good day to share some of what we've found. It was standard procedure for all the main performers in a movie to pose for such photos, but the negatives that survive tend to belong to the most popular stars, such as Cary Grant, who you see at right. You'll see Marilyn Monroe more than amply represented below. What can we do? She's possibly the most photographed Hollywood figure ever, and she was beautiful in every exposure. But we've also found shots of a few lesser known stars, such as Giorgia Moll and France Nuyen.
Some of the shots are worth special note. You'll see Doris Day as a mermaid for The Glass Bottom Boat, Liz Taylor as a kid for National Velvet and an adult for Cat On a Hot Tin Roof, Farrah Fawcett in lingerie, Sheree North in both front and rear poses, and Yul Brynner looking like an actual man by sporting a body that had to that point seemingly known neither razor nor wax (he ditched the fur for his actual onscreen appearances). Usually the photos feature a chalkboard or card with pertinent information about the production and star, but not always, as in the case of Brynner's photo, and in Audrey Hepburn's and Joan Collins' cases as well. If the names of the subjects don't appear on the chalkboards you can refer to the keywords at bottom, which are listed in order. We may put together another group of these wardrobe shots later.
Andress gets picturesque in wine country.
This photo of Swiss actress Ursula Andress in an autumnal vineyard appeared on an issue Paris Match magazine published in September 1964. Fewer than two years removed from her role in Dr. No it's fair to say she was at this moment one the biggest stars in the world. For the most part, the roles she played didn't make splashes as big as that made by Dr. No, but there's little doubt she's one of the more fondly remembered stars of her era. We have an entire series of Dr. No images that are well worth a look, so if you're inclined just click here.
You know how movie stars sometimes say they wish they could be anonymous? Welcome to the cover of V.
This issue of V was published today in 1948 and features art by Jean David, which accompanies, as always, celeb content and bit and pieces of French culture. As we've noted before, writers like Hilary Conquest and others often don't bother to identify the movie stars in these issues because they're ancillary to the text. For example, the story “Pour l'amour de Tex Julia,” talks about actual women of the Old West, with photos of Jane Russell and others serving merely to illustrate. However the magazine does at least identify Barbara Bates, Juliette Greco, Yvonne DeCarlo, and Olga San Juan. You can probably guess where we're heading with all this—the person on the cover is unidentified. The editors always did this, and it's a bit maddening. Yes, we know—we should recognize this person, us being a nostalgia website and all, but there are a lot of vintage actresses. It's difficult to know all their faces definitively. Have an idea on this one? Drop us a line at firstname.lastname@example.org. The photo is a Warner Bros. promo, and you already have the year.
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