Bardot uses smooth moves to solve a murder.
Brigitte Bardot graces a black Clément Hurel promo poster for Voulez-vous danser avec moi, and a Belgian poster as well, where the film was known by both its French title and as Wilt jij met mij dansen? In English it was called Come Dance with Me!, and in it Bardot indeed dances, but also pouts, flirts, schemes, and sleuths. It all starts when she weds a dentist. The couple are in love, but within months they're in constant marital conflict. The husband goes out one night and gets fishhooked by Dawn Addams, though he doesn't go all the way. Doesn't matter though, because it looks like he did in the photos shot by sneaky ass Serge Gainsbourg, who's photographing everything through the French doors—or as the French probably call them, the doors.
Nearly cheating makes the dentist realize how good he has it with Bardot—duh—but blackmail rears its ugly head when his almost affair shows up with the heavy petting photos. Though it may not sound like it, Voulez-vous danser avec moi is a comedy, or perhaps a dramedy. It's generally considered lesser Bardot, but is there really such a thing? It's satisfyingly wacky like Bardot films tend to be. For example, when Addams turns up dead, Bardot connives her way into a position at Addams' dance studio in order prove her husband is innocent of murder. The rest of the film is basically a caper comedy with dance numbers. Lesser Bardot or not, we suspect it'll get the job done for you just fine. Voulez-vous danser avec moi premiered in France today in 1959.
She may be a bald mouse but you're about to be a dead rat, buster.
This beautiful cover was painted for Éditions le Trotteur's popular collection Espions et Agents Secrets by Nik, aka Jacques Thibésart, and illustrates Yannick Williams', aka Jacques-Henri Juillet's 1953 thriller Mademoiselle “Chauve Souris”, aka Miss “Bat”. That's a lot of aka's, and here comes one more. In French souris means “mouse,” chauve means bald, and the two words together mean “bat”—literally “bald mouse.” French paperback titles can get a little slangy, though. Souris by itself—a mouse—is also a word for a pretty woman. So there could be another aka happening here in the form of a pun. We don't know. Jo, where are you? We need you on this one.
Oh, and there's one more thing, also aka related. Thibésart has an unusual signature—not visible on this cover but viewable here—in which the “N” could be read as a stylized “M.” Just lately, online experts are beginning to wonder if his signature should be read “Mik” instead of “Nik.” Thibésart is still around, but in classic French fashion refuses to discuss any of this despite several queries being floated his way. So for now we'll stick with Nik. Also, we don't want to change all our previous posts on this guy. We will update later if needed.
Update: it was needed.
I shot the director. But I didn't shoot the D.O.P.
A DOP, for those unfamiliar with the term, is the Director of Photography, the director's creative right hand on a movie set. J. P. Ferrière's Marie-meurtre, which is entry #573 in Editions Fleuve Noir's long-running Spécial Police series, is about a woman whose visiting brother dies in her home of a heart attack, and whose demise is immediately followed by the arrival of a Parisian gangster looking for a cache of stolen jewels. This would normally be a disconcerting development, but Marie has an enemy and the gangster's presence turns into an opportunity for long sought revenge. The book was published in 1967 and it has Michel Gourdon artwork, possibly only tangentially related to the actual content. Since our French is bare bones at best we couldn't pore over the book to find the connection to the cover art. But when you come up with a good caption you just have to run with it.
Calvet proves red warms up any room.
Corinne Calvet, née Corinne Dibos, was born in Paris and tried a few different careers before migrating to Hollywood. She studied criminal law at the Sorbonne, then became an interior designer, where we assume all she did was walk into a room to redecorate it. When she made the move to Hollywood in 1940 she generally played French characters, appearing in On the Riviera, Rope of Sand, The Far Country and numerous other films. This is really a stunning shot of an especially beautiful star but we aren't positive of the date. Best guess—1950.
Brando and Niven break hearts and bank accounts on the French Riviera.
Les séducteurs had its French premiere today in 1964, with the above promo art by Russian born illustrator Boris Grinsson paving the way for a U.S. production featuring Marlon Brando, Shirley Jones, and David Niven. Séducteurs translates to “deceivers,” but the original title was Bedtime Story. What you have is a couple of con men who fleece women out of jewels, cash, and more. When they cross paths on the French Riviera their egos bring about a clash of wills and a high stakes wager to see which of them can scam ripe target Shirley Jones out of $25,000. Later the bet shifts to which of them can scam her out of her clothes. File the movie with set-in-France caper comedies like To Catch a Thief, Charade, and Beg, Borrow or Steal. For that matter file it with 1988's Dirty Rotten Scoundrels, which is actually a quasi-remake of this flick. For most watchers Bedtime Story won't be up to the standards of those other films—even the one based upon it—but we thought it was pretty damned good.
So much for French chivalry.
This cover for Quatre pas dans la nuit fits right into our collection from earlier this year featuring ruthless men using women as human shields. In fact, it's the same painting by Barye Phillips used on Ben Benson's Broken Shield, which we included in that previous group. Quatre pas dans la nuit appeared in 1958 and is the French edition of the Ed Lacy novel Be Careful How You Live, which is in turn an expansion of his story "Time Wounds All Heels." We talked about Lacy a bit earlier this year, so if you want to know more check here.
Well, if that's the way you feel about it, fine—I'll go to the damn grocery store with you.
Here's how food shopping works around here. When we go to the market we buy only enough for a day or two because we want to prevent food from going over, but when the Pulp Intl. girlfriends go they buy more than they can carry. Therefore, when we go alone we never get everything they want, and when they go alone they never have the help they need. We're thinking of buying them a donkey to solve that problem. Paul Kenny's Consigne impitoyable has nothing to do with any of that. It's an espionage thriller featuring the long-running character Francis Coplan, aka FX 18, who works for SDECE (Service de Documentation Extérieure et de Contre-Espionnage). The series, which was credited to Kenny as a pseudonym but written by Belgian authors Gaston Van den Panhuyse and Jean Libert, was immensely popular and sold tens of millions of copies globally. As you can see, Consigne impitoyable had two nearly identical covers, presumably representing two nearly identical occasions when extra persuasion was needed to get Coplan off his ass to help with the shopping. He may need to buy a donkey too. Both editions had Michel Gourdon cover art and appeared in 1958.
Say hello to my little agent.
This film noir style Universal Pictures promo image shows Paris born Andrea King, whose given name was Georgette André Barry, but who lived only briefly in France before her mother brought her to the U.S. We just saw her in Mr. Peabody and the Mermaid, but we really remember her best for her role in a great but obscure film noir called Ride the Pink Horse. She also appeared in Shadow of a Woman, Dial 1119, Southside 1-1000, and—we love this last one—Blackenstein. The above shot showing her in take charge mode is from 1949. |
The headlines that mattered yesteryear.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday
records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
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