|Vintage Pulp||Jun 28 2012|
Prime Cut is another one of those movies that falls squarely into the could-not-be-made-today category. Starring Lee Marvin and Gene Hackman, it’s the story of a Chicago mob enforcer sent to Kansas City to make a local meatpacking and prostitution kingpin pay a debt of $500,000. The meat aspect of Hackman’s KC operation is both literal and metaphorical, with his enemies occasionally ending up ground into actual hot dogs, and young girls being sold like cattle. Marvin starts as just a debt collector but soon becomes a white-haired angel of retribution, an avenger intent on righting a few moral wrongs. When Marvin gets that familiar look in his eyes, is there any doubt Hackman and his sleazebag underlings are in seriously deep shit? Prime Cut is an uneven flick with a few jarring 1970s quirks, but we sure enjoyed it. It’s bold, violent, and offensive by today’s standards, but nicely rendered by director Michael Ritchie and cinematographer Gene Polito. Of special note is Sissy Spacek, who makes her first credited film appearance. Prime Cut premiered in New York City today in 1972, but what you see above is the great Japanese promo, with its alternate title Kansas City Prime. If you like 1970s crime thrillers, you’ll certainly appreciate this one.
|Vintage Pulp||Jan 14 2009|
The French Connection opened in October 1971 in New York City to immediate and universal acclaim. Working from material based on actual events, actor Gene Hackman and director William Friedkin were at the top of their form, and took audiences on an unforgettable ride. The famous chase scene, which contains no music, only the screech of tires, the continual blasting of horns, and the relentless chattering of an elevated train, has been surpassed perhaps twice in all of film history. Of the eight Oscars for which the film was nominated, it would win five, including the trinity of Best Picture, Best Director and Best Actor. And there should have been another category—Biggest Bad-Ass. Hackman would have won that too. French audiences heard the transatlantic hype, but wouldn’t be able to see the film until after the New Year. The wait ended today, 1972.