Vintage Pulp Sep 1 2016
SMOKING RISK
Secondhand smoke is the least of his problems.


Above is another entry from Éditions le Condor’s collection Môme Double-Shot, Pas de salade, j’en vends!, appearing in 1953, with badass heroine Hope Travers showing how useful a lit cigarette can be. The cover art is by Jean Salvetti, and you can see other covers of his from this series here, here, and here.

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Vintage Pulp Feb 25 2016
DOUBLE DOUBLE
She’s one red hot môme.


We’ve shared several examples from Éditions le Condor’s collection Môme Double-Shot, which as we’ve discussed was written by George Maxwell, aka Georges Esposito, and deals with the adventures of gun-toting heroine Hope Travers. Today we thought we’d share two more. Above you see covers for La belle se joue à deux and J’peux pas l'encadrer, both with art by Jean Salvetti, aka Salva. We love these. Besides the art being so striking, there’s a lot of charm added by the haphazard freehand lettering. If you want to see more from this series, just dig around our site. They’re in here somewhere.

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Vintage Pulp Jan 16 2016
COLD BLOOD
Big trouble in little Chinatown.


Du Sang dans le Champagne translates in English to Blood in the Champagne, and that's always something to avoid. This paperback dates from 1953 and is part of Éditions le Condor’s collection La Môme “Double Shot,” a series you shoud be getting to know pretty well, since we've recently shown you two other examples. George Maxwell wrote twenty-two books in this franchise in two years, which is simply amazing output, quality notwithstanding. In this one murder and mystery takes the hero Hope Travers to L.A.’s Chinatown, where she goes up against a shadowy organized crime sect. The cover art is by Salva, aka Jean Salvetti, as usual. See the other Double Shot covers by clicking the keywords Éditions le Condor just below. 

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Vintage Pulp Jan 9 2016
SKIN IN THE GAME
I warned you two I could keep this up forever.

We shared an example from Éditions Le Condor’s series La Môme “Double Shot” back in September and today we have another—1953’s Les squelettes ne jouent pas au poker by George Maxwell. The translation of the title is rather funny—“skeletons don’t play poker.” The art, by Jean Salvetti once again, would seem to suggest otherwise. 

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Vintage Pulp Sep 10 2015
SILK STALKINGS
The deadliest shot in Tinseltown.

Above, the cover of Calibre 45… et culottes de soie, by George Maxwell for Éditions le Condor’s collection La Môme Double Shot. The English title of this would be something like “Calibre .45 and silk panties,” and if you’re thinking only a Frenchman could come up with something like that you’d be right, because Maxwell was, of course, a pseudonym. It was inhabited by numerous writers, but in this case was used by Georges Esposito to pen a story set in Hollywood and starring the character Hope Travers, whose skill with a sidearm makes her someone not to be trifled with—hence “Kid Double Shot.” There were twenty-two books in the series. The cover art on this one and most of the others is by Salva, aka Jean Salvetti, who we’ll have more from later. The book appeared in 1953 

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Vintage Pulp Jul 17 2015
ULTIMATE FIGHTING
Vintage paperback violence gets up close and personal.


We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.

Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.


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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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Vintage Pulp Mar 7 2014
DOUBLE SHOT
Lady with a Luger (and later a Colt).

Above, the covers for George Maxwell’s Tirez à vue! and Colt en main!, aka Shoot on Sight and Colt in Hand. Maxwell is a bit of a mystery. He was born Edmond Georges Marius Esposito, wrote as Maxwell, Erynx Applegate, and perhaps other pseudonyms. These books were published by Éditions le Pont Neuf’s for their Miss Luger Collection, 1958, a series consisting only of these two entries, actually. Cover art is by unknown. These French pulp writers and artists... always so impénétrable. 

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Vintage Pulp Jul 14 2013
KEYHOLES TO THE CITY
Maybe you shouldn't look, but sometimes you just can't help yourself.


A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment. 


 
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Vintage Pulp Aug 22 2009
MELANGE FRANCAIS
Whatever the mix, if it's French it's good.

French Pulp Cover, La Vipére De Shanghai
French Pulp Cover, Virage A L’Est
French Pulp Cover, Le Gang des Toubibs
French Pulp Cover, Meurtres à l’ O.N.U.

Random mix of vintage French paperback fronts, circa 1950s. The art here is by Jean David, Jean Salvetti, aka Salva, Louis Carrière and others.

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History Rewind
The headlines that mattered yesteryear.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
November 24
1963—Ruby Shoots Oswald
Nightclub owner and mafia associate Jack Ruby fatally shoots alleged JFK assassin Lee Harvey Oswald in the basement of Dallas police department headquarters. The shooting is broadcast live on television and silences the only person known for certain to have had some connection to the Kennedy killing.
1971—D.B. Cooper Escapes from Airplane
In the U.S., during a thunderstorm over Washington state, a hijacker calling himself Dan Cooper, aka D. B. Cooper, parachutes from a Northwest Orient Airlines flight with $200,000 in ransom money. Neither he nor the money are ever found.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.
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