If you think this is painful wait until I tell you all the kinky things I did with your husband.
T'as triché marquise was written by the pseudonymous author George Maxwell and published in 1953 as part of Editions le Condor's collection La Môme Double-Shot. This is of the more violent entries in the series and the cover art reflects that. What we like best about it is how effortless the blonde makes her submission hold on the brunette look. Not a single golden hair has moved. Many of these Double Shot covers were painted by Jean Salvetti, but this one is by Jacques Thibésart, also known as Nik, or more likely Mik (we're still avoiding changing all those old posts but we'll get around to it). In any case, fine work.
Secondhand smoke is the least of his problems.
Above is another entry from Éditions le Condor’s collection Môme Double-Shot, Pas de salade, j’en vends!, appearing in 1953, with badass heroine Hope Travers showing how useful a lit cigarette can be. The cover art is by Jean Salvetti, and you can see other covers of his from this series here, here, and here.
She’s one red hot môme.
We’ve shared several examples from Éditions le Condor’s collection Môme Double-Shot, which as we’ve discussed was written by George Maxwell, aka Georges Esposito, and deals with the adventures of gun-toting heroine Hope Travers. Today we thought we’d share two more. Above you see covers for La belle se joue à deux and J’peux pas l'encadrer, both with art by Jean Salvetti, aka Salva. We love these. Besides the art being so striking, there’s a lot of charm added by the haphazard freehand lettering. If you want to see more from this series, just dig around our site. They’re in here somewhere.
Big trouble in little Chinatown.
Du Sang dans le Champagne translates in English to Blood in the Champagne, and that's always something to avoid. This paperback dates from 1953 and is part of Éditions le Condor’s collection La Môme “Double Shot,” a series you shoud be getting to know pretty well, since we've recently shown you two other examples. George Maxwell wrote twenty-two books in this franchise in two years, which is simply amazing output, quality notwithstanding. In this one murder and mystery takes the hero Hope Travers to L.A.’s Chinatown, where she goes up against a shadowy organized crime sect. The cover art is by Salva, aka Jean Salvetti, as usual. See the other Double Shot covers by clicking the keywords Éditions le Condor just below.
I warned you two I could keep this up forever.
We shared an example from Éditions Le Condor’s series La Môme “Double Shot” back in September and today we have another—1953’s Les squelettes ne jouent pas au poker by George Maxwell. The translation of the title is rather funny—“skeletons don’t play poker.” The art, by Jean Salvetti once again, would seem to suggest otherwise.
The deadliest shot in Tinseltown.
Above, the cover of Calibre 45… et culottes de soie, by George Maxwell for Éditions le Condor’s collection La Môme Double Shot. The English title of this would be something like “Calibre .45 and silk panties,” and if you’re thinking only a Frenchman could come up with something like that you’d be right, because Maxwell was, of course, a pseudonym. It was inhabited by numerous writers, but in this case was used by Georges Esposito to pen a story set in Hollywood and starring the character Hope Travers, whose skill with a sidearm makes her someone not to be trifled with—hence “Kid Double Shot.” There were twenty-two books in the series. The cover art on this one and most of the others is by Salva, aka Jean Salvetti, who we’ll have more from later. The book appeared in 1953
Vintage paperback violence gets up close and personal.
We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.
Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.
What do you call forty dead men? A good start.
Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.
Lady with a Luger (and later a Colt).
Above, the covers for George Maxwell’s Tirez à vue! and Colt en main!, aka Shoot on Sight and Colt in Hand. Maxwell is a bit of a mystery. He was born Edmond Georges Marius Esposito, wrote as Maxwell, Erynx Applegate, and perhaps other pseudonyms. These books were published by Éditions le Pont Neuf’s for their Miss Luger Collection, 1958, a series consisting only of these two entries, actually. Cover art is by unknown. These French pulp writers and artists... always so impénétrable.
Maybe you shouldn't look, but sometimes you just can't help yourself.
A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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