People say romance is dead now, but in this magazine it was on life support a long time ago.
In parts of the world today is Valentine's Day, so in commemoration of this lovely corporate holiday we have this issue of True Romances, with awesome cover art painted by Georgia Warren. It goes way back to 2012. Well, it goes back, really, to 1935. But for us it goes back to 2012, when we picked it up on a trip to Denver. We gave it to one of the Pulp Intl. girlfriends, and she was flattered, but strangely, never read it. She prefers to read about cryptocurrencies for some reason. So after a while we took the magazine back, and now we've torn it apart and scanned it. We actually swore not to damage it, but it was impossible to scan something so fragile and keep that promise, so now Romances is truly dead.
But it's not a great loss, because there isn't much romance in the magazine anyway—certainly not enough to lure P.I.1 away from her cryptocurrency news. There are a few sweet stories, yes, but it's mostly emotional extortion and body shaming. Scan five, titled “Mental Cases I Have Met,” pretty much encapsulates the entire enterprise. Turns out the mental cases were suffering from a lack of confidence in their maxi pads. The P.I. girlfriends say all of this had to be written by men, and they could be right, though most of the credits are feminine. We tend to think the attributions are accurate, but we'll never know. Below we have almost forty scans from this rare publication, and whether the content was created by men in disguise or not, from a 2019 perspective it's all pretty enjoyable. See for yourself.
Seriously? You're stranding me? Just because I said even cold water can't make a man shrink that much?
When we first saw Naked Return we thought, “A sleaze novel entirely about a woman who has to get home naked? We can't wait to see how this is drawn out to 144 pages!” But the book isn't about that. There's a literal naked return, alright. It occurs in the first chapter when the lead character Sharon's boyfriend steals her swimsuit, leaving her to get home by walking through the woods and into the middle of a packed garden party. The other 95% of the story is a middling drama about her trying to choose between two men, one in Spain and one in the U.S. Yaaaaawn. But at least the book only cost five dollars. The art is uncredited, and the copyright is 1960
Monroe goes for a joy ride and bums out fifty-one women.
Above is a page from the Japanese celeb magazine Roadshow of Marilyn Monroe having a laugh in the rear of a convertible while acting as Grand Marshall of The Miss America Pageant. The one she headlined was the 1952 event, held in Atlantic City today that year. You'd think all the contestants would have resigned dejectedly after getting a glimpse of their marshall, who was pre-superstardom but was still Marilyn Monroe, yet the pageant actually went on and was won by Neva Jane Langley of Georgia.
A lot of websites get that last fact wrong, which we think is because of Wikipedia. There the pageant winners are listed according to the year they served, not the year they competed. Since the contests were held the previous summer or autumn to choose the upcoming year's queen, most sites say Colleen Kay Hutchins won the pageant Monroe marshalled.
Nope. It was Langley, who beat out contestants from all forty-eight states, plus Alaska, Hawaii, and Puerto Rico. There she is below wearing her sash, which says 1953, for her reign beginning the first of the next year. But even in victory she's probably thinking, Now that I've seen Marilyn I'm going to lock myself in a cellar for sixteen months and have someone feed me through a slot in the door.
Tabloid perfects the unauthorized photo leak long before the internet age.
This issue of National Informer was published today in 1972. We love this tabloid, but we'd be have to be blind to not see how low rent it is. It's a mess. Words are misspelled, columns and graphics are crooked, and it's heavily padded. For example there's a random photo of a water buffalo and a sexual quip about its backside. That's pure editorial desperation to fill a gap in the layout. And to make sport of such gentle creatures. Sad!
And speaking of unauthorized usage of gentle creatures, Christina Lindberg pops up yet again in Informer. Rather than in an alleged orgy, this time she appears in the story, “Do Sexually Inadequate Hubbies Force Women To Become Lesbians?” Seems like the editors had a real thing for her. But we have to admit, if we had a bunch of photos of Lindberg around we'd probably squeeze her into our editorial content time after time after time after time too.
Um, where were we? Right—elsewhere in Informer, resident prognosticator Mark Travis makes another set of predictions. You know his track record isn't good, which gives us the idea to have a little quiz. So here you go: which of these two predictions did Travis get more wrong?
1: I predict the ghost of Josef Stalin will appear in Red Square in Moscow during a public ceremony and throw the crowd into a panic.
2: I predict a black governor for the state of Georgia in 1974.
It was a trick question. Both predictions were equally wrong. The ghost of Stalin has not appeared in Red Square, and the state of Georgia, which has a 30% black population, has never had a black governor. Actually, there are no black governors of any U.S. state at the moment, and there have been only four in U.S. history. Bunch of scans below.
Um, Georgia Boy—see if you can put down that unrest you've got happening down around Savannah.
George Mayers does the cover work for the Erskine Caldwell short story collection Georgia Boy, which first appeared in 1943, and in this Avon paperback edition in 1947. While it's a story collection, all the tales are narrated by one young character and mainly discuss the poor Stroup family and their friends, acquaintances, and neighbors. This is Caldwell in a more humorous mode than normal, but the underlying themes of his work—particularly poverty and racism—remain, as in the tale "Handsome Brown's Day Off," in which a black character becomes a living target at a carnival.
We recently encountered this phenomenon in a Jim Thompson novel, and what we thought, or at least hoped, was a case of literary flourish was actual reality—in the Jim Crow south white carnival goers paid to throw baseballs at black men's heads. The balls were generally of a novelty variety, which is to say heavy enough to fly straight, though not hard enough to be lethal, but still. Making the tableau even more horrific was the requirement that the target stick his head through a hole in a jungle backdrop and that he grin and mug for the assembled whites as he tried to dodge the baseballs. We checked it out in other sources and confirmed the prevalence of this barbaric practice. We also found that carnivals in northern states did it too, though it was far more common down south. Apparently the big fun with these spectacles occurred whenever some college or professional pitcher showed up and thrilled the crowd by nailing these poor guys' heads at high velocity.
We found a 1908 article, which you see at right, about a group of pro baseball players who substituted normal baseballs for novelty ones and repeatedly beaned a man, putting him in the hospital, where it was feared he might not survive. The target was said to have taken the punishment “courageously,” and of course there was no suggestion of charges being filed.
We also found two other mentions of “African dodgers”—the gentlest term used to describe them—being killed. Things like these need to be remembered, especially in light of today's cultural battles wherein a segment of people seek to propagate a myth of the south as misunderstood. But literature, besides its other value, is often useful for preserving history, as Erskine Caldwell shows. That said, in Georgia Boy we preferred the stories about sex and we have a feeling you will too.
Hey solider—ever made it in a smoking ruin with the stench of death in your nostrils?
We don't know if there were enough prostitution-in-the-ruins novels written during the postwar period to qualify as a sub-genre, but it seems to us we've seen quite a few of them. We highlighted Scott Graham Williamson's Torment around this time last year, and now we have another—Erika, aka Fräulein, by James McGovern. The book revolves around a woman who is tricked into becoming a prostitute in divided Berlin before finally finding Mr. Right and escaping. She's named Erika Angermann, a symbolic name if ever there was one, hinting at what the men in her life put her through. Erika aka Fräulein was a hit when published in 1956, and became a 1958 movie with Dana Wynter and Mel Ferrer. The book is bit obscure today, but was well regarded in its time. We'll look into how many novels like this are out there and if there are enough maybe we'll put together a group post.
This is loaded, so answer this next question carefully. Who's the star of this movie?
Jean Arthur, née Gladys Georgianna Greene poses for a promo photo made when she was filming the romantic comedy A Lady Takes a Chance with John Wayne. Arthur was a very big star who began in silent cinema, made the transition to talkies, and reached the height of her fame in her mid-thirties. She was billed above Wayne for Lady, and he was a huge star himself. Some of Arthur's other efforts include Shane and Mr. Smith Goes to Washington. The photo above dates from 1943, and A Lady Takes a Chance premiered in the U.S. today that same year.
The Devil went down to Georgia looking for souls to steal.
We found a little piece of real world pulp and thought we'd share it because it relates to what we wrote last month about Sean's Penn's El Chapo interview. A news story yesterday revealed that in the U.S. forty-six current and former officers of the Georgia Department of Corrections were arrested for running a drugs and contraband ring in prisons around the state. Yup, you read that right—forty-six officers. These cops and guards facilitated cocaine and meth deals both inside and outside of prison, and smuggled liquor, tobacco and cell phones inside in exchange for money. Convicts used the phones to commit wire fraud, money laundering, and identify theft. And we should point out that none of this is unique to Georgia. In 2014 a North Carolina convict orchestrated a kidnapping in Atlanta using a contraband cell phone.
In our Sean Penn piece we quoted Roberto Saviano, the internationally respected author and researcher, who has said the illegal drug trade has an influence on the global economy similar to that of oil or gold. That is to say, it's so lucrative international law is ignored, and people are killed by the thousands to keep the profits rolling in. The main difference is all the millions of dollars have to be cleaned in the legal financial system. But that's no problem. Several huge banks, including Wachovia and HSBC, have intentionally laundered drug money and gotten away with mere fines. Other huge institutions, such as Bank of America and J.P. Morgan, are known to have been used for money laundering but claim it all somehow happened without their knowledge.
To the FBI's credit, they're not treating this as a one-off. Special agent Britt Johnson, who you see above, hinted at wider problems, commenting at a news conference, “It makes a huge challenge for law enforcement. After you chase down, arrest, and prosecute criminals and put them away for life, they continue to direct crime on the streets from their jail cells.”
So what's the solution? Make the prisons even harsher? Legalize drugs? We have no idea. We're not suggesting that anyone have sympathy for the guards that got arrested, but you have to admit, when drug profits are so vast they corrupt entire third world political systems and entire first world banking systems, it's a lot to expect lowly prison guards not to try and join the party.
He really appreciates the wilder side of life.
Last year we posted the front and back covers of an issue of He magazine. As usual, it’s taken us longer than we intended, but today we’re back with more. The above cover appeared this month in 1953 and features a masked model shot at New York City’s annual Artists Equity Ball, which, according to He, pretty much turned into an orgy. We don’t know about that, but the photos do reveal a rather racy scene. You also get shots of (we think) Rocky Marciano knocking out someone or other and lightweight champ Jimmy Carter mashing some hapless opponent’s face, photos of Laurie Anders, Lili St. Cyr, Lilly Christine, Daniele Lamar, and other celebs of the day, an amazing still of Julie Newmar, aka Julie Newmeyer, dancing in Slaves of Babylon, plus a back cover featuring highly touted but ultimately underachieving actress Mara Corday. We don’t have to bother too much with a description today, because these digest-sized magazines have text that scans large enough to be read even on small computers. So read and enjoy.
That’s the sound of the men working on the chain gang.
Dalton Stevens’ cover for this January 1931 issue of True Detective looks a bit like a horror illustration, but it's actually supposed to represent Robert E. Burns, who in 1922 helped rob a Georgia grocery, earned himself 6 to 10 at hard labor, but escaped and made his way to Chicago, where he adopted a new identity and rose to success as a magazine editor. Years later, when he tried to divorce the woman he had married, she betrayed him to Georgia authorities, and what followed was a legal battle between Georgia courts and Chicago civic leaders, with the former wanting Burns extradited, and the latter citing his standing in the community and calling for his pardon. Burns eventually went back to Georgia voluntarily to serve what he had been assured would be a few months in jail, but which turned into more hard time on a chain gang.
Angered and disillusioned, Burns escaped again, and this time wrote a book from hiding, which True Detective excerpts in the above issue and several others. This was a real scoop for the magazine—it was the first to publish Burns’ harrowing tale. The story generated quite a bit of attention, and Vanguard Press picked it up and published it as I Am a Fugitive from a Georgia Chain Gang, which led directly to Warner Brothers adapting the tale into a hit 1932 motion picture starring Paul Muni. The movie differed somewhat from the book, of course, which differed somewhat from reality (Burns himself admitted this later), but his account cast a withering light on the chain gang system. The exposure helped chain gang opponents, who claimed—with some veracity—that the practice was immoral because it originated with the South's need to replace its slave labor after defeat in the U.S. Civil War.
Burns continued to live life on the run, but was eventually arrested again, this time in New Jersey. However, the governor of the state refused to extradite him. The standoff meant Burns was, in practical terms, a free man. That practical freedom was made official in 1945 when he was finally pardoned in Georgia, and his literary indictment of the chain gang system helped bring about its demise. Well, sort of—it returned to the South in 1995, was quickly discontinued after legal challenges, but may yet be reintroduced as politicians push for more and more extreme punishments to bolster their tough-on-crime credentials.
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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