|Vintage Pulp||Aug 3 2018|
It's mandatory to occasionally share a cover from Midwood-Tower, so above you see Coming Out Party by Kimberly Kemp, who was a pseudonym, in this case occupied by Gilbert Fox. The story involves a homeless beauty picked up on the street by a wealthy NYC couple who give her a place to live but turn her into a plaything—topless chores, nude photographs, sexual duties with the heads of house. You know—the usual maid stuff. They may be dirty people but at least everyone ends up sqeaky clean. The cover art is by Paul Rader, and the copyright is 1965.
|Vintage Pulp||Aug 9 2017|
If hands could have erections this is what it would look like, because to us the guy on the front of Paul V. Russo's This Yielding Flesh seems about to lose it in a messy way. But the book is not actually about a guy with overly sensitive hands—it deals with a woman who runs into some shady characters at a music festival, and who then attracts a protector determined to save her from the evil counterculture and its rampant sexual deviancy. Drugs, lesbians, and hippies—but no hand orgasms—all under the umbrella of light sleaze. Paul V. Russo was a pseudonym used by Gilbert Fox, and this effort dates from 1961, with art from Paul Rader, who outdid himself.
|Vintage Pulp||Aug 3 2017|
Here's another mid-century novel for the ever growing lesbian corruptor bin, When Lights Are Low, by sleaze maestro Dallas Mayo, 1963, for Midwood-Tower. Mayo was a pseudonym inhabited by Gilbert Fox, who apparently wrote this when Midwood honcho Harry Shorten conjured the title out of thin air at lunch and told Fox to produce a book to go with it. You can read that tale at paulrader.com. Fox was super prolific, writing many books as Mayo, as well as under the names Kimberly Kemp and Paul V. Russo. The cover art is yet another brilliant effort from Paul Rader. It's inspired us to go have a snack of our own.