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Pulp International - Godzilla
Femmes Fatales Jul 31 2021
RAW HISHIMI
Yuriko gets fresh in her bestselling photo book.


We could have gone several directions in posting a photo of Japanese actress Yuriko Hishimi, who appeared in such films as Kôshoku: Genroku (maruhi) monogatari, aka Diary of a Nymphomaniac, and Chikyû kogeki meirei: Gojira tai Gaigan, aka Godzilla vs. Gigan. We have shots of her in swimsuits, in flannels, in motorcycle leathers, in auto racing gear, in a nurse's outfit, and more. But underneath all those, there's this. Even then there are many choices because she has entire books of nudes. Well, one third of one book, and all of two others. One of her solo efforts, a big seller, was called Yuriko 1967-73, and this is one of the images from inside.

Japanese actresses posed nude often, which is why we have so many of the shots on our website. They were made, on average, fifty years ago. Today, in our current era, photos of nudes cause debate. Are they artful, or are they exploitation? If they differ from a nude Rodin or Modigliani, is it because of their realism? Is it because of their easy replicability? Or their existence outside a museum setting? Then what of a shocking museum Mapplethorpe or Schiele with the subject's exposed genitals? Perhaps nudes are exploitative only when distributed for profit. But if profit condemns a nude, then what of the profits of galleries and museums? Are nudes exploitative because of their tendency to arouse? Then what of Rodin's famed “Le Baiser”? Since our species owes its very existence to the drive for sex, if nudes arouse, isn't that a celebration of our ultimate purpose on this planet?

These are questions that interest us, which we attempt to ask with each nude image. Opinions differ, but for our part we don't believe there's anything inherently exploitative about the nude form, though clearly the production of such images can lead to that. But we don't live in an all-things-are-equal world, which is to say, for some it's easier to categorize and condemn all of something than try to understand which things might actually be in one category and which might be in another. We believe some nudes are exploitative (such as revenge porn), but not all. The photo above is a Rodin with a knowing look. It's erotic, playful, and a little shy. It's pure art. Which is why we have a similar bonus shot below, and more from Hishimi here.

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Vintage Pulp Nov 13 2018
HOOKED ON GODZILLA
Japan's favorite radioactive monster has a Gigan-tic problem.


Above, a set of cool promo photos from the Japanese sci-fi kaiju flick Chikyû kogeki meirei: Gojira tai Gaigan, known in the English speaking world as Godzilla vs. Gigan. It was the twelfth film in the hit Godzilla franchise and appeared in 1972. Gigan was probably one of Godzilla's deadliest foes. He had a buzzsaw in his abdomen and hooks for hands. Major weakness? He had hooks for hands. We have plenty more Godzilla art. Just click his (or its) keyword below.

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Vintage Pulp Dec 20 2015
TOP 100
Ironfinger is exactly what it sounds like—a low budget Bond. But a particularly entertaining one.


The poster above was made for the Japanese spy movie Hyappatsu hyakuchu, a title which translates to “100 shots in 100”—i.e. to be infallible—but which was called Ironfinger for its English language run. A French-Japanese Interpol agent is assigned to break up a gun smuggling ring led by a mystery man known as Le Bois. The James Bond-inspired action starts in France, ends in the Philippines, and is preposterous the entire distance between, which we suppose we might have expected from the studio that made Godzilla. Our favorite moment: Mie Hama is flying a small airplane and sees minor villain Huang Chang Ling making an escape by parachute. She decides the best solution to the problem is to run into him with the plane—cue buzzsaw sound effect and bucketful of red paint. That isn't even the most gruesome demise on display here, but the movie isn't particularly violent—it just reserves a few clever deaths for those who deserve them. It also has a pretty rocking burlesque number right in the middle, performed by Hatsui Tanooka, who you may remember we mentioned a few years ago. Hyappatsu hyakuchu premiered in Japan today in 1965, and a sequel—which for a movie this weird was needed beyond doubt—came a few years later.

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Vintage Pulp Jun 6 2013
FATHER BLOWS BEST
Godzilla’s kid is a real son of a beast.

Above is an unusual poster for the 1967 Toho Co. flick Kaijū-tō no Kessen Gojira no Musuko, aka Monster Island's Decisive Battle: Godzilla's Son, which was shortened in the U.S. to Son of Godzilla. Below are eight lobby cards. Probably the centerpiece of the film is the proud rite of passage when Godzilla’s son, named Minilla or Minya, learns to gout radioactive fire. At first he can only manage what looks like a smoke ring. Pretty much harmless, we gather. In order to get his boy to blow a stream of proper radioactive chaos Godzilla resorts to stepping on the little one’s tail. That does the trick, but certainly such a move would constitute child abuse today. But you know what they say: Spare the claw, spoil the child. Anyway, we’d like to recommend Godzilla’s Son, but there’s no way—it’s laughably cheesy. But if you tend to be entertained by utterly ridiculous vintage sci-fi, well then, maybe it’s your cup of radioactivity.

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Modern Pulp Dec 13 2012
MOTHRA TO THE FLAME
Love him or hate him, there’s only one Godzilla.

Above is a colorful Japanese poster for the monster epic Mosura tai Gojira, aka Mothra vs. Godzilla. It was originally released in 1964, but we’re guessing from the big “93” at the bottom of the art that this piece was made for a nineties re-release, though we can’t find any info on that. For many Godzilla fans this is their favorite entry in the series. We tend to agree. But is it even appropriate to talk about best when referring to Godzilla movies? No matter what, it’s still just a guy in a rubber suit. Like satire, you either enjoy it or you don’t. It isn’t a matter of intelligence, but of temperament (which in this case can definitely be made more amenable to rubber suit chaos by psychoactive compounds, if you’re inclined). Anyway, maybe give this one a try. 

Update: We recived an email from Dekk, who informs us that this is a poster for a competely separate Godzilla/Mothra movie that was made in the 1990s, which helps clear up our confusion about the 93 on the art. It was actually entitled Gojira vs. Mosura, aka Godzilla and Mothra: The Battle for Earth. Thanks Dekk for straightening us out on that.

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Vintage Pulp Jul 24 2010
THE FINAL POLLUTION
Air quality index severe—all individuals should avoid outdoor activities.

Original poster for Gojira tai Hedorâ, known in the West as Godzilla vs. The Smog Monster. It premiered in Tokyo today in 1971. 

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Vintage Pulp Dec 9 2009
SHLOCKY FIVE
Weapons of mass destruction.

German language 8mm box covers for five Japanese monster films, circa 1969 thru 1973. The Germans got stuck with rather obtuse titles for some of these, whereas in English the films are simply, top to bottom, Atragon, Godzilla vs. Hedora, Godzilla vs. Megalon, Godzilla vs. Gigan, and Destroy All Monsters.     

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Vintage Pulp Jun 2 2009
SERIAL ’ZILLA
Forget that Cloverfield monster. No beast destroys a city like ’Zilla the killa.

Series of random Japanese Godzilla posters, circa 1950s & ’60s.  Look closely and you’ll see Raymond Burr peering from the bottom of 1956’s Godzilla, King of the Monsters. 

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Vintage Pulp Mar 17 2009
NATURAL BORN ’ZILLA
I am the lizard king, I can do anything.

Today’s nuclear theme continues with this poster for the Japanese monster flick Gojiratai Megaro, aka Godzilla vs. Megalon. If the title of the film sounds like a WWE undercard, then it’s fitting the climax consists of a tag-team wrestling match pitting Godzilla and a giant robot named Jet Jaguar against the fearsome twosome of Megalon and Gigan. Of course, if this were a wrestling match neither of the villains would be able to tag in or out, because neither has hands. Instead Gigan has at the ends of his arms what look a bit like Viking mead horns, and Megalon sports models of the Chrysler Building. The story here involves the aquatic Megalon deciding to destroy Tokyo in retaliation for nuclear testing that has endangered the seas, which actually makes him the good monster, in our view. Godzilla, on the other claw, is radioactive by nature, which presumably means weakness, baldness, anal bleeding, and slow, agonizing death follow wherever he goes. But none of this truly matters. All that matters is this is the Godzilla film with the kick. The kick. Don’t know what we mean? Your online search terms are: "Godzilla," and "kick." Trust us, you’ll almost believe a lizard can fly. Gojiratai Megaro  premiered in Japan today in 1973.

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History Rewind
The headlines that mattered yesteryear.
March 19
1931—Nevada Approves Gambling
In the U.S., the state of Nevada passes a resolution allowing for legalized gambling. Unregulated gambling had been commonplace in the early Nevada mining towns, but was outlawed in 1909 as part of a nationwide anti-gaming crusade. The leading proponents of re-legalization expected that gambling would be a short term fix until the state's economic base widened to include less cyclical industries. However, gaming proved over time to be one of the least cyclical industries ever conceived.
1941—Tuskegee Airmen Take Flight
During World War II, the 99th Pursuit Squadron, aka the Tuskegee Airmen, is activated. The group is the first all-black unit of the Army Air Corp, and serves with distinction in Africa, Italy, Germany and other areas. In March 2007 the surviving airmen and the widows of those who had died received Congressional Gold Medals for their service.
March 18
1906—First Airplane Flight in Europe
Romanian designer Traian Vuia flies twelve meters outside Paris in a self-propelled airplane, taking off without the aid of tractors or cables, and thus becomes the first person to fly a self-propelled, heavier-than-air aircraft. Because his craft was not a glider, and did not need to be pulled, catapulted or otherwise assisted, it is considered by some historians to be the first true airplane.
1965—Leonov Walks in Space
Soviet cosmonaut Aleksei Leonov leaves his spacecraft the Voskhod 2 for twelve minutes. At the end of that time Leonov's spacesuit had inflated in the vacuum of space to the point where he could not re-enter Voskhod's airlock. He opened a valve to allow some of the suit's pressure to bleed off, was barely able to get back inside the capsule, and in so doing became the first person to complete a spacewalk.
March 17
1966—Missing Nuke Found
Off the coast of Spain in the Mediterranean, the deep submergence vehicle Alvin locates a missing American hydrogen bomb. The 1.45-megaton nuke had been lost by the U.S. Air Force during a midair accident over Palomares, Spain. It was found resting in nearly three-thousand feet of water and was raised intact on 7 April.
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