Goliath goes miniature with a new collection of vintage erotica.
Nobody makes erotica quite the way Berlin based art book publisher Goliath does. In the past we've featured its erotic photo volumes Private Pornography in the Third Reich, Strictly Bondage, Kinky Bondage Obsession, and Dirty Rendezvous. Now Goliath has a new collection out called Photographia Erotica Historia, a compendium of hundreds of vintage erotic images compiled in mini-book format. It's leather bound, just about three inches high, close to 400 pages in length, and stored in its own snazzy little slipcase.
The miniature format was chosen by Goliath as homage. Mini books were popular in the late 1800s when erotic images needed to be easily concealable. Such items are collectible today, as are the individual studio photos and naturist shots from which much of Photographia Erotica Historia's content is culled. As a bonus you get some drawings and ink renderings to go along with the photos. The version you see above has French text, but the volume is available in five languages, including English.
Goliath publishes an array of material, but its erotic output is our favorite because it makes people challenge their own assumptions about art, sex, desire, and the idea of the past as a place where people were less devoted to matters of the flesh. Spoiler alert: maybe they weren't, as a scan through Photographia Erotica Historia will illustrate. Our previous Goliath books—which we tend to leave laying around when guests come by—have provided endless hours of conversation and entertainment, and we expect this one to do the same. We have a few sample photos below, and you can visit the Goliath website here.
Photographia Erotica Historica
Goliath Books exposes Third Reich porn to the light of day.
Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.
According to Hitler’s formulation, the perfect Aryan female was a mother. His Nazi state gave medals to women who had eight children or more, as long as mother, father and offspring were of perfect Aryan stock. It bears mentioning at this point that increasing numbers of modern day scientists have done away with race because it seems less and less to exist biologically. It is, evidence suggests more each day, an entirely social construct into which humans willingly and unwillingly self-organize. Hence there was never a master race. The theory makes as much sense scientifically as the theory of a master wizard.
But racial purity was Hitler’s obsession, and to force procreative sex on a country he felt needed to replace millions of military age men killed in the Great War his regime repressed the idea of recreational sex, driving sexual freedom and sexual expression underground. Prostitutionwas banned, sending an estimated 100,000 women and 35,000 men into the shadows. But as always, the rich, powerful, and connected could obtain whatever they wished. Secret dens of sexual performance and prostitution sprang up, and a black market in pornography blossomed, gaining momentum once it became clear that selling it outside Germany was an efficient means of accessing foreign currency.
Private Pornography in the Third Reich is sliced into ten sections: postcards/portraits, nudism, petting, oral sex, heterosexual intercourse, lesbian couples, lesbianism with toys, sado-masochism, and threesomes. If that sounds like a lot of photos, it is—200 images in digest size from a collection originally put together by Hans von Bockhain. The book contains only a brief introduction then presents its photos without captions or explanations. But none are needed—if pornography is the sexual id of a society then what we see is a pornographic subculture in a bread-and-circuses moment, indulging in wild diversions as the grip of an authoritarian state tightens.
In another few years the Reich would have near total control of life in Germany, and operate a chain of concentration camps in which those deemed sexual deviants could be imprisoned. As a historical document of the sex industry during the anti-lust years leading up to that period,Private Pornography in the Third Reich is fascinating. The subject is taboo, the photos perhaps more so. They range from artful salon compositions to raunchy reverse cowgirl penetration shots, which means it may not be coffee table material for everyone, but for the adventurous it’s certain to live up to aesthetic expectations, and provoke vigorous debates as well. Read more at Goliath Books.
Need to rendezvous in secret? Chas Ray Krider shows you how.
The good people at Berlin based Goliath Books sent us one of their 2014 publications, Chas Ray Krider’s Dirty Rendezvous, the third and final book in his motelesque trilogy. The first two entries of the trio were Motel Fetish and Do Not Disturb, and Krider’s meticulously staged scenes in book three continue to conjure the retro chic of those lonely highwayside stopovers of American lore. The images nod strongly toward mid-century film noir and melodrama. Anything from The Postman Always Rings Twice to Psycho could apply, but soaked in deep, lush color. Krider’s women are the dangerous type—smokers and drinkers garbed in fetish wear, and often lavishly tattooed. Despite their tough looks, there’s an undercurrent of romance—the isolated motel is linked in the American psyche to freedom, adventure, and never knowing what you’ll find past the next solitary mile marker. Or who.
But while motels suggest travel by road and the exhilaration of unexpected encounters, the title Dirty Rendezvous and the models’ elaborate garb speak of illicit plans and long guarded secrets. Not random meet-ups, but carefully woven webs of deceit—wives lied to, hats pulled down low, furtive glances in the rear view mirror. Krider has deftly achieved all these sensations and more, and when you add in the fact that his motel sets are as clean and carefully arranged as pages from vintage furniture catalogs, the result is guilty sleaze done with considerable class. Dirty Rendezvous is a book depicting the moments just before wicked acts are committed with soul-freeing joy. You imagine Krider's women checking in wearing demure garb, then transforming once concealed in the room. Of course, the desk clerk doesn’t care either way. He smirks when guests register under obviously false names and pay with cash, but all that really matters to him is that they don't wake the family in 3B. It's a futile wish—3B is about to hear things they never heard before. Get more info at the Goliath website here, and the artist’s blog here.
The name’s Bondage, Kinky Bondage.
Last week we shared a few images from a new bondage collection called Strictly Bondage created by Berlin-based publishers Goliath, and mentioned that the book we received was one of two. Above you see the cover of the second collection—Kinky Bondage Obsession. How different can two bondage books be? You’d be surprised. Shot by Jim Weathers, Kinky Bondage Obsession is of course about the restraints, but more so than Strictly Bondage, it’s about color and texture. Weathers’ models are beautifully garbed—clad in metallic purples and shimmering crimsons, sheathed in skin hugging vinyl and nylon. Rubber, faux fur, PVC, and patent leather abound. The action takes place in opulent, suede-walled salons appointed with wooden accessories. In fact, the book could double as a catalog for expensive bondage outfits and shabby chic home decorations.
The press material references David Lynch and that’s easy to see. Weathers has made Blue Velvet with the lights turned up a notch, before Dennis Hopper barged in, screamed amyl nitrate-fueled filth and ruined the party. An all female party, by the way, which is another contrast to Strictly Bondage. The lack of men in this thick book may seem to bring the threat level down, but on the other hand, since most of the four-hundred-plus shots are solo—that is, they feature only a bound woman—you have to wonder who exactly is doing the restraining. Possibly it's you, you kinky devil. But some scenes do feature a dominator, always another woman, and the implicit question presented in those deals with gender expectations. Beyond the technicolor outfits and opulent interiors, do you see pure domination, mutual consent, or mere artifice? The answer may reveal your attitudes about women and power. You can read more about Kinky Bondage Obsession at the Goliath website.
Publishers provocateur Goliath release a collection of Japanese-bondage-inspired art photos.
A long while back we mentioned the Japanese art of kinbaku-bi or shibari (we won’t get into the debate over which term is more correct) and said we’d discuss it again, but of course never did. Well, we were reminded of that promise when Berlin-based rebel publishers Goliath sent us a couple of their books. Ostensibly, they’re coffee table volumes, but of a rather provocative type, dealing with bondage as art. Today we’re looking only at Strictly Bondage, and we’ll get to the other book Kinky Bondage Obsession later this week.
Strictly Bondage, a compact volume of black and white images derived directly from the Japanese bondage arts, was shot by longtime bdsm photographer Victor Lightworship. Like the master or kinbakushi who restrains women in kinbaku-bi, Lightworship uses ropes in some of his photos to suspend his models. He appears in many of the shots, and while he goes through the motions of dominating his models, the content doesn’t overpower the compositional beauty of the tableaux. Or put another way, while the book generates some raised eyebrows when visitors pick it up from the coffee table, they quickly become aware that they’re looking at the output of someone with talent and a finely honed aesthetic.
Lightworship has been at this for thirty years, even studying kinbaku-bi under a rope master, so the sharpness and cohesion of this collection is no surprise, nor is the fact that he can walk a tightrope between the disturbing and erotic so deftly. Some of his non-Strictly Bondage work goes farther, so the effect achieved here is deliberate and is partly due, we think, to the array of expressions worn by his models—sometimes a sort of overacted b-movie terror, but other times a resigned serenity comically juxtaposed against the most elaborate of subjugation. We see the latter in the shot below featuring porn actress Jay Taylor as human luggage.
The book’s foreword asks: “What is art? What is erotic? What is porn? What is interesting?” Strictly Bondage is a little of all those, and it’ll be living on our coffee table for some time, or at least until our friends bring their kids by. We have several of the tamer images from the book’s interior below, and you can learn more about Victor Lightworship and Strictly Bondage at www.goliathbooks.com, and at the photographer’s site here.
The headlines that mattered yesteryear.
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties
of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl
Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
1962—Canada Has Last Execution
The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”
1964—Guevara Speaks at U.N.
Ernesto "Che" Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.
2008—Legendary Pin-Up Bettie Page Dies
After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos
and film loops, Page is considered one of the most influential beauties who ever lived.
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