With all of you? Well, okay. If that's the custom.
It may not look like a fifty dollar book, but that's what William Kane's Sin Safari recently sold for on Ebay. We also saw it selling for ninety bucks on another site. What you see is what you get here—white girl goes from untouchable memsahib to sex plaything for primitive but precocious tribesmen. Well, they say cultural exchange is beneficial for everyone involved. The character is actually a globally famous heiress, a Paris Hilton type, which is not unusual in sleaze—i.e. the more untouchable the woman the more titillating her eventual defilement. The scene depicted on the cover is non-consensual and pretty shocking. What wasn't shocking was the negative portrayals of Africans—we fully expected that. The nerve of this Kane fella. 1966 copyright, uncredited cover art.
I've been practicing by milking Daisy. Just sit back and enjoy this.
Above, a Robert Bonfils cover for Andrew Shaw's sleazer Bad Town, copyright 1966. Shaw was a Greenleaf Classics house pseudonym used by Lawrence Block and others, and was credited with books such as Sin Sucker, Sin Seer, Sintown Setup, Sin Alley—are you sensing a theme here?—Sin Bum, The Sin-Damned, Sin Hellcat...
It's a marvelous time for a loon dance.
This audacious wraparound cover is from Greenleaf Classics for Ricardo Armory's, aka George Davies' 1968 gay sleaze novel Fruit of the Loon. It's a satire of Richard Amory's hit trilogy Song of the Loon, featuring cowboys at the Circle 69 Ranch, a medicine man named Squirming Ass, and more. What makes the parody all the more interesting is that Song was gay fiction also published by Greenleaf, so they're roasting their own author here, as well as his novel that sold hundreds of thousands of copies, making it by far the biggest hit in gay literature in the 1970s. According to Drewey Wayne Gunn's book Gay American Novels, 1870-1970: A Reader's Guide, “[Fruit of the Loon] is not only hilarious but better written than the original.” The cover is better than the original too. It's doubtless Robert Bonfils or Darrel Millsap—probably Bonfils because thickly black-rimmed eyes appeared often in his Greenleaf work—but absent confirmation we'll go with unknown.
And when ze leetle libidometer say zat your libido is at just ze right level all of us vill haf you sexually.
Above you see ze cover of... COUGH COUGH! Had something in the throat there. Above you see the cover of Dean Hudson's, aka Evan Hunter's, Twisted Tulips, yet another winner from Greenleaf Classics, this time for its Leisure imprint. 1966 copyright with uncredited art.
It floats? How weird. I would have thought something that size drags you down like an anchor.
Swap Circuit was written by Thomas P. Ramirez in the guise of Tony Calvano, with cover work by Darrel Millsap, and published in 1968. A couple set up swapping sessions for profit only to see their scheme go awry when they attend an orgy that’s out of their league. This piece of art caught our eye because it fits perfectly into our large collection of swapping covers, which you can see here. Don’t trade it for anything.
Calm down. Saying I could really nibble on a bush right now is just my way of saying I'm hungry. I swear.
Above, another highly amusing cover from Greenleaf Classics, Devil's Degradation, 1966, by pseudonymous author J.X. Williams. Satanism and sex combine as people have a Devil of a time in this one. Once you go goat you never go back. Art is by Tomas Cannizarro.
Okay! You win! I'll find a jacket and boots ensemble of my own!
Some people are just bad at sharing, a fact amply illustrated by the cover of Marcus Miller's Boy Meets Boy, written for Greenleaf Classics' subsidiary Nightstand Books, 1968. Miller, who was really Samuel Dodson, wrote more than a dozen gay-themed sleaze novels in a four year span between 1966 and 1970. Some of the juicier entries include The Mother Truckers and Copsucker, the latter of which is an especially noteworthy title even in the fertile genre of sleaze. The Miller pseudonym was used for hetero sleaze too, all of which was written by Milo Perichitch. The art for Boy Meets Boy is by the always amusing Darrel Millsap, whose best work you can find here and here.
Yup. Done gave myself more’n a few painful burns over the years with this trick but I got it down pretty good now.
The cover art by Robert Bonfils makes The Passion Cache look like a western but it’s actually set in the present day, or at least 1968, which is when Don Bellmore, aka George H. White, wrote the book. It deals with two fraternity buddies who go looking for twenty-thousand dollars worth of Spanish gold in the mountains above El Paso, Texas. But this is sleaze fiction, not adventure fiction, so the quest for gold is really secondary to the main character Jud’s quest to do some prospecting between the thighs of his friend’s wife Viola, an Indian girl named Desert Rose, and an eager virgin/tomboy named Sally. He’s successful on all counts, multiple times. Does he eventually end up with the gold? No, but he ends up with Desert Rose, and that’s pretty much what these books are all about.
This? This isn’t big. My first one said, “Property of Madame X’s Torture Dungeon—all rights reserved.” That was big.
Above, a cover for Everyone’s Virgin by John Dexter, for Greenleaf Classics, 1967. We’ve talked about the non-existent Dexter several times. This effort is about two young women who pretend to be innocent in order to lure older men into sex, whereupon they blackmail the silly horndogs. We aren’t sure where the branding fits in, but it makes for a fun cover. Thank artist Ed Smith.
That’s just my name for them. Everyone else still calls them men.
Above, another winner from Greenleaf Classics, Don Holliday’s The Lust Pigs, 1962, for the Midnight Reader line. The real author behind this one was David Case, who wrote ten books total for Greenleaf, including Lust Circuit and Luster’s Lane. Clearly he had a thing about lust. As do we all. The art is unattributed.
The headlines that mattered yesteryear.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
1911—Mona Lisa Disappears
Leonardo da Vinci's masterpiece, the Mona Lisa, aka La Gioconda, is stolen from the Louvre. After many wild theories and false leads, it turns out the painting was snatched by museum employee Vincenzo Peruggia.
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe
(not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
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