With all of you? Well, okay. If that's the custom.
It may not look like a fifty dollar book, but that's what William Kane's Sin Safari recently sold for on Ebay. We also saw it selling for ninety bucks on another site. What you see is what you get here—white girl goes from untouchable memsahib to sex plaything for primitive but precocious tribesmen. Well, they say cultural exchange is beneficial for everyone involved. The character is actually a globally famous heiress, a Paris Hilton type, which is not unusual in sleaze—i.e. the more untouchable the woman the more titillating her eventual defilement. The scene depicted on the cover is non-consensual and pretty shocking. What wasn't shocking was the negative portrayals of Africans—we fully expected that. The nerve of this Kane fella. 1966 copyright, uncredited cover art.
I've been practicing by milking Daisy. Just sit back and enjoy this.
Above, a Robert Bonfils cover for Andrew Shaw's sleazer Bad Town, copyright 1966. Shaw was a Greenleaf Classics house pseudonym used by Lawrence Block and others, and was credited with books such as Sin Sucker, Sin Seer, Sintown Setup, Sin Alley—are you sensing a theme here?—Sin Bum, The Sin-Damned, Sin Hellcat...
It's a marvelous time for a loon dance.
This audacious wraparound cover is from Greenleaf Classics for Ricardo Armory's, aka George Davies' 1968 gay sleaze novel Fruit of the Loon. It's a satire of Richard Amory's hit trilogy Song of the Loon, featuring cowboys at the Circle 69 Ranch, a medicine man named Squirming Ass, and more. What makes the parody all the more interesting is that Song was gay fiction also published by Greenleaf, so they're roasting their own author here, as well as his novel that sold hundreds of thousands of copies, making it by far the biggest hit in gay literature in the 1970s. According to Drewey Wayne Gunn's book Gay American Novels, 1870-1970: A Reader's Guide, “[Fruit of the Loon] is not only hilarious but better written than the original.” The cover is better than the original too. It's doubtless Robert Bonfils or Darrel Millsap—probably Bonfils because thickly black-rimmed eyes appeared often in his Greenleaf work—but absent confirmation we'll go with unknown.
And when ze leetle libidometer say zat your libido is at just ze right level all of us vill haf you sexually.
Above you see ze cover of... COUGH COUGH! Had something in the throat there. Above you see the cover of Dean Hudson's, aka Evan Hunter's, Twisted Tulips, yet another winner from Greenleaf Classics, this time for its Leisure imprint. 1966 copyright with uncredited art.
It floats? How weird. I would have thought something that size drags you down like an anchor.
Swap Circuit was written by Thomas P. Ramirez in the guise of Tony Calvano, with cover work by Darrel Millsap, and published in 1968. A couple set up swapping sessions for profit only to see their scheme go awry when they attend an orgy that’s out of their league. This piece of art caught our eye because it fits perfectly into our large collection of swapping covers, which you can see here. Don’t trade it for anything.
Calm down. Saying I could really nibble on a bush right now is just my way of saying I'm hungry. I swear.
Above, another highly amusing cover from Greenleaf Classics, Devil's Degradation, 1966, by pseudonymous author J.X. Williams. Satanism and sex combine as people have a Devil of a time in this one. Once you go goat you never go back. Art is by Tomas Cannizarro.
Now fellas, don't fight. There's more than one jacket and boots ensemble in the world.
Some people are just bad at sharing, a fact amply illustrated by the cover of Marcus Miller's Boy Meets Boy, written for Greenleaf Classics' subsidiary Nightstand Books, 1968. Miller, who was really Samuel Dodson, wrote more than a dozen gay-themed sleaze novels in a four year span between 1966 and 1970. Some of the juicier entries include The Mother Truckers and Copsucker, the latter of which is an especially noteworthy title even in the fertile genre of sleaze. The Miller pseudonym was used for hetero sleaze too, all of which was written by Milo Perichitch. The art for Boy Meets Boy is by the always amusing Darrel Millsap, whose best work you can find here and here.
Yup. Done gave myself more’n a few painful burns over the years with this trick but I got it down pretty good now.
The cover art by Robert Bonfils makes The Passion Cache look like a western but it’s actually set in the present day, or at least 1968, which is when Don Bellmore, aka George H. White, wrote the book. It deals with two fraternity buddies who go looking for twenty-thousand dollars worth of Spanish gold in the mountains above El Paso, Texas. But this is sleaze fiction, not adventure fiction, so the quest for gold is really secondary to the main character Jud’s quest to do some prospecting between the thighs of his friend’s wife Viola, an Indian girl named Desert Rose, and an eager virgin/tomboy named Sally. He’s successful on all counts, multiple times. Does he eventually end up with the gold? No, but he ends up with Desert Rose, and that’s pretty much what these books are all about.
This? This isn’t big. My first one said, “Property of Madame X’s Torture Dungeon—all rights reserved.” That was big.
Above, a cover for Everyone’s Virgin by John Dexter, for Greenleaf Classics, 1967. We’ve talked about the non-existent Dexter several times. This effort is about two young women who pretend to be innocent in order to lure older men into sex, whereupon they blackmail the silly horndogs. We aren’t sure where the branding fits in, but it makes for a fun cover. Thank artist Ed Smith.
That’s just my name for them. Everyone else still calls them men.
Above, another winner from Greenleaf Classics, Don Holliday’s The Lust Pigs, 1962, for the Midnight Reader line. The real author behind this one was David Case, who wrote ten books total for Greenleaf, including Lust Circuit and Luster’s Lane. Clearly he had a thing about lust. As do we all. The art is unattributed.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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