Femmes Fatales May 29 2018
BURMA FLAME
There's nothing better than a memorable Win.


Win Min Than was born in what was then known as Rangoon, Burma, and became known to the world when she co-starred in the war drama The Purple Plain with Gregory Peck. Ethnically, Than was actually only half Burmese. Her father was Austrian, and she was born Helga Johnson. The movie, obscure today, was successful, but it turned out to be Than's only role. In 1957 she married the Burmese politician Bo Setkya and spent some years in her home country, but today she lives in Austria. This very nice shot was made the year her film came out, 1954.

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Vintage Pulp Jun 25 2016
MISSPELLED
Hitchcock's epic thriller shows his directorial gifts but misses the mark.

This Italian poster for Io ti salverò, aka Spellbound is wonderful. The movie, directed by Alfred Hitchcock, isn't. The central plot device involves a man who may have blacked out committing a murder. That's a good place for a thriller to start, but the actual psychiatric science is approached clumsily, the love story is overwrought, and the orchestral musical score is omnipresent and overbearing. You have to wonder if composer Miklós Rozsa actually watched the film, because while Spellbound is big, his music is positively galactic. A re-edit with 60% of his output removed would make this one a much smoother ride. It's always a danger to criticize a classic film, we know, but not all classics are created equal. This one lives on Hitchcock's reputation, the overall technical execution, and a groundbreaking dream sequence designed by renowned artist Salvador Dalí. At the end of the dream a faceless man drops a wheel. Maybe it was a steering wheel, because despite all the money and star power poured into Spellbound, somehow it went down a middling road. It premiered in 1945 and reached Italy as Io ti salverò today in 1947.

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Vintage Pulp Sep 21 2013
LOVE HURTS
You know the saying there’s a thin line between love and hate? Duel in the Sun shows just how thin.

Duel in the Sun was a huge movie. We mean important stars, vibrant Technicolor, David O. Selznick in the producer’s chair, King Vidor directing the action, and a gigantic promotional budget. It’s a movie made by people absolutely sure they’re dealing with the hit of the year. Not because the movie is good. But because with so many important people involved it simply had to succeed. And like so many other movies of that stripe, its failures are manifold. We could talk about the overcooked score, the bombastic acting, the improbable script, and more, but there’s no point. Let’s just say a story about two people who love each other so much they end up shooting each other in the final scene is going to be hard to pull off under the best of circumstances. Spoiler alert, by the way. Or were we supposed to write that first?
 
Well, in any case, the best of circumstances are not those provided by Duel in the Sun’s old West backdrop. Still, though, if a movie is big enough it can bludgeon people into acceptance, and Duel in the Sun today rates well on various review sites. But all of those reviewers are wrong. And the funny thing is they know it, too. They all say things like, “Preposterous but worth the ticket price because it’s beautifully shot.” One critic calls it “fragmented and ultimately destroyed by its obsessive producer,” yet goes on to give it a positive recommendation. You see what we mean? Even professional critics sometimes suffer from cognitivedissonance. A movie that is destroyed by its producer is not good—period—and movie going shouldn’t be a mercy fuck.
 
On the plus side, Gregory Peck is always fun to watch and Jennifer Jones as the dusky Pearl Chavez cannot fail to stir something inside you, but the whole proposition is just silly. Really. If you want to see a big studio flick implode spectacularly, this may be the one. And if you want to know how studios began to understand that they didn’t need to make good movies to make money, this is a prime example, because in adjusted currency it remains one of the most successful productions of all time. But at least the promo poster is a total winner. It was made for the movie’s Japanese premiere, which was today in 1951.
 
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Vintage Pulp Dec 9 2011
NEUES WORTHY
A move in either direction could seriously affect the balance of the Court.

Today we have a nice, egg-themed cover for the German lifestyle magazine Neues, with a photo-illustration of British actress Hazel Court balanced on an egg. Below are a few of the more interesting interior pages, including scans of Gregory Peck and Veronica Lake. We actually have quite a few mid-century German magazines, including some extremely interesting naturist publications featuring lots of naked men and women frolicking on beaches. So keep an eye out for those. Neues is a much tamer style of magazine, but its focus on celebs and art is something that we appreciate. This one was published in April 1949, and you can see another one here. 

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Vintage Pulp Apr 12 2011
CAPE CRUSADER
You have the right to remain dead!

Director J. Lee Thompson’s Cape Fear, for which you see a rare lobby card above, isn’t just a great film. Embedded in its tale of an ex-convict terrorizing a family is an examination of American attitudes toward civil liberties. And if we contrast Cape Fear with modern thrillers like Edge of Darkness or Taken, what we begin to ask is whether America has crested the hill of its own belief in high principles and is now steadily rolling down the other side. Where Cape Fear presents the legal concept of due process as inviolable, and builds tension by asking if star Gregory Peck will resort to vigilantism to protect his family from a murderous Robert Mitchum, in Liam Neeson’s Taken, the hero intentionally shoots his friend’s wife in the arm with no more worry than stepping on a bug, and zero moral hesitation at making an innocent woman collateral damage in his holy war against the villains. Of course, movies are not real life. But they can be a reflection of it, and Cape Fear shows just how much attitudes toward legal protections may have changed in America in the last fifty years. We strongly recommend this film—as both entertainment and a historical study. It opened in the U.S. today in 1962.

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Vintage Pulp Jul 7 2009
DANCE THE DANCE
Crazy legs Peck gets a lower body transplant.

As long as we’re on the subject of Stanley Donen movies, here are two one-sheets painted by Robert McGinnis for the 1966 caper Arabesque, starring Gregory Peck and the great Sophia Loren. Donen was trying to capture the mod magic of his earlier feature Charade, which had starred Audrey Hepburn and Cary Grant. We can’t say he fully succeeded there, but he did make an adventure romance full of joie de vivre that’s well worth seeing. The two posters differ in one fascinating aspect—Gregory Peck’s lower body has been transplanted in the bottom version. We know the dancing pose at top was the original, but we think the upright stance in the re-do is an improvement, as is the cool magenta background. It’s killer art for a killer flick, and we recommend you check it out.

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Vintage Pulp Apr 23 2009
BE-HITCHED
Hitchcock means terror in any language.


We mentioned a while back how frequently we run across foreign language Hitchcock posters, so here are a bunch for your enjoyment, including yet another version of Vertigo. FYI, Il Sipario Strappato is Torn Curtain and Ptáci
is The Birds.

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History Rewind
The headlines that mattered yesteryear.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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