Vintage Pulp Apr 29 2018
BYE BAYOU
Tough time on the front, and unwelcome back at home.


You'd never guess from the art, but The Big Kiss-Off deals with an Air Force pilot named Cade Cain who, after twelve years in Korea, returns to a life of boating around the Louisiana bayou and comes across the bodies of six Chinese men on an isolated mud flat. And on his first day back, too, which is pretty bad luck, even for a guy who got shot down and spent two years in a prison camp. He wants nothing to do with the bodies or whoever was responsible for putting them there, but somehow his old local nemesis learns of the find and before he knows it he's beaten, threatened, and told to leave town again—this time for good. Two fisted loners in mid-century fiction rarely take that sort of treatment laying down. When Cain learns that his wife has sold off his family's land, divorced him in absentia, and found comfort in his enemy's bed, something simply has to be done.

Before he gets his vengeful ducks in a row, a near-naked fugitive swims aboard his boat and the mystery deepens. Her name is Mimi Moran, because the alliteration is strong with this book. She's looking for her husband, who it happens is a pilot who flies illegal aliens into the U.S. for the bad guys. Cade Cain decides to help Mimi Moran and that's when the real trouble starts. The Big Kiss-Off is a solid yarn from Day Keene. It has the usual issues common to fiction of the 1950s, for example the hero having to constantly resist forcing himself on his beautiful passenger because he's “only human, after all.” Fortunately, even though “her flesh constantly attracted his hands like a magnet,” he contains himself—mostly. Not someone you'd want near your sister. Or any woman, really. But as a fictional hero he serves his purpose just fine.

With a setting in the endlessly fertile (for genre fiction) Louisiana bayou, and a narrative that wastes no time putting Cain in hot water, The Big Kiss-Off keeps the pages turning. It originally appeared in 1954 but the above edition was published in 1972 by Triphammer Books in Britain, with nice art by Ron Lesser borrowed from Robert Dietrich's (E. Howard Hunt's) 1962 Lancer Books thriller Curtains for a Lover. Notice how Triphammer erased part of Lesser's distinctive signature. That was obviously to keep the figure on their cropped art from looking crowded by the lettering, but we imagine it still annoyed Lesser. You can see a U.S. cover for The Big Kiss-Off in this collection of Day Keene novels we put together back in 2009.

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Vintage Pulp Dec 6 2017
CALLING HER SHOT
Yes, I'd like to report a murder. A man murdered every last bit of my patience.


Above, a nice cover for Day Keene's 1954 thriller Death House Doll, with excellent art by Harry Barton. In the story, a Korean War vet has promised his fatally wounded brother he'd look after his wife and baby daughter, but when he gets back to the world (Chicago) he's stunned to find that she's sitting on death row for murder, and unwilling to spill the truth even if it saves her. The attraction with this one is watching a decorated war hero run riot on hoods and thieves, while up against the always effective ticking clock gimmick—an execution date, which in this case is five days hence. The book was an Ace Double with Thomas B. Dewey's Mourning After on the flipside, and the art on that one, just above, is by Victor Olson. We put together a nice collection of Harry Barton's work back in May that we recommend you visit at this link

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Vintage Pulp Jan 24 2017
BAD TWO-TIMING
Unbelievable. I put my trust in you. Give you my heart. And here I find you pawing some red-headed bimbo.


Above is a cover for 1955's The Passion Murders, written by the prolific Day Keene, aka Gunard Hjerstedt, and originally published as Farewell to Passion in 1951. In this one a burned out big city lawyer leaves the danger and corruption of the metropolis behind for a simpler existence, only to find that small towns offer no protection against crime. The tangled web includes a dangerous mobster, a partner with no scruples, and the lawyer's own compromised wife. We really like the cover on this one, but unfortunately it's uncredited.

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Vintage Pulp Aug 26 2015
DRAIN WRECK
Hmm... looks like it was four or five shots that did her in—tequila most likely.


Originally published in 1945 as The Dead Lie Still, William L. Stuart’s thriller Dead Ahead is about an ex-naval intelligence officer who after the war runs afoul of a gang of local thugs. The Ace edition here appeared in 1953 and the art is by Norman Saunders. It’s a double novel, and the other side is Day Keene’s Mrs. Homicide, also with Saunders art. Twice the vice, one easy price. 


 
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Reader Pulp Nov 23 2014
DEAD SET
Got room for one more corpse?

Guys, when I saw this cover I remembered your collection of pulps with women who’d died in bed. This is a worthy addition, I think. Her eyes aren’t open but the pose is exactly the same. Harry Schaare did the art. Amazing stuff on the site this week, by the way. Have no idea how you do it.

Submitted by Peter B.
 
Thanks, Peter. This is twice now you’ve added to one of our collections. You totally saved us from having to come up with a book post today, and we’re going to use the extra time wisely by getting into a cold white wine. Keep visiting. More good stuff to come.

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Vintage Pulp Nov 7 2014
UPSKIRTING THE ISSUE
Actually, from my perspective, I’m enjoying this just as much as if you'd taken your dress off.

Above, the cover of Al James’ Born for Sin, 1960, from Nightstand Books. James was aka Al James Hjerstedt, the son of writer Day Keene, who was born Gunard Hjerstedt. Harold McCauley art on this.

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Vintage Pulp Apr 1 2009
KEENE TO FINNISH
Cold hearts and cold blood.


Cover art for four Day Keene thrillers published in Finland, circa 1949 to 1953. The artist on these was Swedish painter Bertil Hegland, whose work we’ll be showing you more of later. More Keene info and books here.

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Vintage Pulp Mar 4 2009
ONE FINE DAY
Two-fisted tough guys and double-crossing dames are all in a Day's work.

Gunard Hjertstedt wrote six books before he decided people weren’t digging his name. So he chose the pseudonym Day Keene and went on to publish some of the most entertaining novels of pulp’s golden age. Hjertstedt also wrote as William Richards, but it was the Day Keene moniker that he parlayed into international fame, writing titles like MyFlesh Is Sweet, If the Coffin Fits, and Dead Dolls Don’t TalkSeveral of Keene’s novels were adapted to film, including 1960’s Chautauqua (written with Dwight Vincent), which was transformed into the Elvis Presley vehicle The Trouble with Girls. But don’t let that deter you—Keene’s novels are hard, fast and well worth the read.

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History Rewind
The headlines that mattered yesteryear.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
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