Robert Young tries to solve a murder that seems to have no motive.
Above is a Swedish poster for Edward Dmytryk’s Hämnden är rättvis, aka Crossfire, a really interesting film noir about an ex-soldier who is murdered, and his fellow ex-soldiers who are suspects. Police detective Robert Young tries to get to the bottom of the crime, but is increasingly baffled as he realizes the killing did not occur for any of the usual reasons—money, lust, revenge, etc. Different character recollections provide different information about the victim’s last hours, but only serve to underscore the apparent senselesslness of the crime. We can’t reveal the direction Young’s investigation turns without giving away the ending*, but we’ll mention that the movie won an award at Cannes—the Prix du meilleur film social, or Best Social Film. Though technically and visually brilliant, as a whole we don’t think Crossfire has weathered as well as other noirs (for casual movie watchers it may be too static and talky). But it does have a bravura performance from Robert Ryan, and solid work from both Gloria Grahame and the always excellent Robert Mitchum. As far as the art is concerned, note the strong contrast between the Swedish version and the riotously colorful American ones, which we have below. Swedish film noir posters often de-emphasized color and used long lines to apportion space into several distinct boxes (as seen here, here, here, and here), but the above is one of the most severe examples we’ve found. Crossfire premiered in the U.S. in July 1947, and first played in Stockholm as Hämnden är rättvis today the same year. *We’ve never worried about giving away endings before. Our capsule reviews are really just excuses to show the poster art and joke around. However, a few recent emails have revealed that some readers actually visit Pulp Intl. for viewing ideas, which just goes to show that after five years online you receive credibility whether you were looking for it or not. So even though recent scientific research shows that people enjoy stories more if they know the endings in advance, we’re going to be better about spoilers in the future. Promise.
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The headlines that mattered yesteryear.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission. 1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease. 1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot. 1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid. 1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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