|Vintage Pulp||Feb 15 2018|
|Hollywoodland||Jan 3 2018|
According to a story yesterday in The Hollywood Reporter, Wales born Irish actress Peggy Cummins died in a London hospital December 29 after suffering a stroke. She was ninety-two years old. Cummins, who was born Augusta Fuller, played the morality challenged Annie Laurie Starr in Gun Crazy, a low budget film noir that rose above its humble station over the decades to eventually be included in the U.S. Library of Congress’s National Film Registry. While the film is often characterized as a breakthrough fro Cummins, it was actually her eleventh screen role, and did not lead to a career of top notch offers. However, she ultimately appeared in more than twenty-five productions, with her last coming in 1965. The above photo was made a promo for Gun Crazy and dates from 1950. You can read more about the film here.
|Vintage Pulp||Mar 28 2016|
Howard Baker, born Arthur William Baker, is an Irish author sometimes referred to as W. Howard Baker, and who also wrote as Peter Saxon, William Arthur, W.A. Ballinger, and Richard Williams. The Big Steal involves a typical cast of misfit thieves trying to make off with a cache of gold bullion from Heathrow Airport, mixed with a plot thread about a killer on the loose. Baker also wrote war fiction, sci-fi and supernatural tales. The great cover art for the 1964 Mayflower Dell paperback you see here was painted by Peff, aka Sam Peffer.
|Vintage Pulp||Mar 7 2016|
Above, the cover of Penal Colony, written for Ace Books by Robert S. Close, 1957. The story was inspired by real life Irish convict Elizabeth Callaghan, who in the 1820s was sentenced to the incredibly harsh sentence of death for forgery, then had the sentence commuted and was shipped off to colonize Australia along with one hundred other criminals. She stayed in trouble most of her life and was finally stomped to death in a barroom brawl in 1852 in Geelong. This “lusty” novel is, of course, only loosely based on fact, which is good, because what a downer that'd be. Cover art by uncredited.
|Femmes Fatales||Aug 5 2015|
This photo of Elsie Connor looked to us as if it had been Photoshopped in a very interesting way but it wasn’t—we found a version on Getty Images and it was identical to what you see above. The image and the fact that she’s identified as an Irish boxing champion on various websites made us curious about her career, but after a bit of digging we discovered that she was actually a dancer and chorus girl, and appeared in the 1930 musical Earl Carroll's Sketch Book, the 1929 shows Fioretta and Earl Carroll’s Vanities, and the 1928 production Here’s Howe. That’s a pretty short career, and one that lacked any starring roles, but thanks to the internet she’s famous again, looking like a real world beater. The only thing is, we doubt she was ever a boxer. We can’t be 100% sure, but with no evidence that she ever stepped into a ring, as well as a very clear understanding of how often the world wide web is world wide wrong, we suspect this is just a very, er, striking publicity photo. It dates from 1931.
|Hollywoodland||Feb 1 2015|
Top Secret packs several top celebs onto the cover of this issue published today in 1958, but gives center position to the relatively unknown Elsa Sorensen, the 1955 Miss Denmark referred to here as “that nude model.” Sorensen was indeed a nude model—she was a 1956 Playboy centerfold under her own name, and afterward continued to model nude as Dane Arden. Top Secret editors claim to know why multi-million-selling pop singer Guy Mitchell married her, but we don’t need their help to figure that out. See below:
And that’s all there is from Top Secret today, except to say that for us the most interesting part of the Kitt saga—aside from the tantalizing allegation by Kanter that she “disported herself onstage in a lewd and suggestive manner”—is the fact that she’s pasted-up on the mag’s cover with Sidney Poitier, when in fact her date at the African Room that night was Canadian actor John Ireland. Poitier was nowhere in sight. We'd love to know why Top Secret tried to drag him in, however obliquely, but we're not counting on ever getting the answer. When you dig through the past, unanswered questions are not the exception, but rather the rule.
|Femmes Fatales||Mar 14 2013|
Above, Irish born actress Angela Greene, who appeared in movies but really made her career as a television actress during the 1950s and 1960s. This image is most likely from around 1947 or 1948.
|Mondo Bizarro||Nov 15 2011|
Every few weeks like clockwork, someone claims they’ve seen an image of Jesus or the Virgin Mary, and if it’s a slow press day and the art is good enough, the sighting goes viral. Our favorite examples of these, by far, are the astounding Griddle Virgin™ of May 2009, which narrowly edges the miraculous Connecticut Calf born in December of the same year. And what the hell, as long as we’re dispensing kudos, let’s not forget the uncanny, two-headed El-ganzoury calf born in Egypt in 2010. However, yesterday’s sighting of Jesus on the side of the Cliffs of Moher in Clare County, Ireland, has all the hallmarks of a frontrunner. After American tourist Sandra Clifford snapped the above image during an aerial sightseeing tour, she declared, “To me it was Jesus Christ straightaway.” Which leads us to ask, rather inconveniently we suspect, “How do you know what he looked like?” In every other Jesus sighting of which we’ve heard, identification was helped by the fact that the image wore robes, or a cowl, or maybe even a crown of thorns. But to declare that the vaguely simian rock formation above is Jesus strikes us as overreaching a bit. And if it is him, we’re worried that he manifested in a place where only people who can afford sightseeing flights can see him. That doesn’t seem like a very Christ-like move. But then we breathed a sigh of relief, because we finally realized the image in the Moher rocks isn’t Jesus—it’s Jesus Christ Superstar, as played by actor Ted Neeley in the 1973 blockbuster musical. It’s all just a run-of-the-mill case of mistaken identity.
|Vintage Pulp||Jan 18 2009|
If this looks like a poster for some sort of gothic lesbian vampire romance, well, you should start up your own psychic friends network, because you’re right. Alternatively, maybe you aren’t psychic, and this is just extremely successful promo art. Directed by Roger Vadim, Il sangue e la rosa is loosely based upon Irish author Sheridan LeFanu’s classic tale Carmilla, which appeared in his 1872 anthology In a Glass Darkly. Vadim’s adaptation was originally released in France under the title Et mourir de plaisir, but later renamed and paired with the fantastic art you see above. It premiered in Italy in… well, if you’re psychic you already know.