So this robot and the doctor have kind of a co-dependent thing going on, don't they?
Above, an Italian promo poster for Il pianeta proibito, aka Forbidden Planet, which premiered in Italy today in 1956 with future comedy icon Leslie Nielsen in the lead role. There are a few Italian promos. On this poster you see an unconscious Walter Pidgeon being carried by Robby the Robot. This is what happens in the movie, but on most other posters, including the U.S., Spanish, and French iterations, the robot carries a female figure—which doesn't happen at any point in the film. All the posters are great, but the fact that only the Italian version showed what actually happened in the film instead of going for the damsel in distress motif is interesting. Check out the Spanish and French promos here.
The one on the grassy knoll got away, so let's tell everyone the only assassin was this guy.
Above is a poster for the spaghetti western Il prezzo del potere, aka The Price of Power, which opened in Italy today in 1969 and deals with real life events—the assassination of U.S. president James Garfield, who was shot in July 1881 and died eleven weeks later. In real life Garfield was shot in a train station, but in the movie the shooting is set up exactly like JFK's killing, with the exception that Garfield takes a single bullet in the side of the neck. Interesting flick, with Norma Jordan in a bit role, though not one we can call good, precisely. But as a curiosity, you may find it worth your time. The promo poster was painted by Aller, aka Carlo Alessandrini. As we mentioned last month, someone wrote a book that finally identified the guy and we're happy to funnel that info into the online universe. Now that we know more about Alessandrini we plan to post more of his work, and today is yet another great example.
I'll run for help! Have you seen my red slingback pumps?
Our ongoing showcase of Italian artist Benedetto Caroselli continues with the above cover for Crise Pounds' novel Faust “61,” a horror update of the classic German folk legend. It was published in 1961 by Grandi Edizioni Internazionali for its series I Capolavori della Serie KKK Classici dell’Orrore. Pounds was a pseudonym used by Maria Luisa Piazza, who wrote three other novels for Grandi Edizioni Internazionali. Caroselli's cover work here shows his command of both subject matter and color. And fashion, as his stylish bystander looks on in terror.
It's a big gun, but she's hunting big game.
Italian actress Luciana Paluzzi looks convincingly lethal sporting a Remington 1000 shotgun in this promo shot from the James Bond thriller Thunderball—though she's so small we suspect if she fired it she'd somersault backward into the ocean. But in the film she handles the gun just fine as Fiona Volpe, a member of the murderous spy cartel S.P.E.C.T.R.E. Most Bond aficionados consider her one of the top femmes fatales of the series, and we agree. The image dates from 1965.
This ought to really blow your skirt up.
Above is an epic Italian poster for the film The Seven Year Itch, which in Italy was called Quando la moglie è in vacanza, or “when the wife is on vacation.” They probably changed the title because Italians don't understand the concept of a seven year itch. They have a seven week itch—it happens about seven weeks before the wedding. The art here is by P. Franco, aka Franco Picchioni, whose work you can find more of by clicking his keywords below. There's also a very interesting West German poster for the film here.
Even paradise can be improved.
Italian actress Elsa Martinelli makes a beautiful beach look even better in this nice promo image, and we can only assume she didn't go in the water with all those necklaces on, because otherwise she might have sunk and been lost forever. Martinelli was an era spanning star who debuted onscreen in 1953, made numerous excellent films, including The Indian Fighter and Et mourir de plaisir, won the Silver Bear for Best Actress at the 6th Berlin International Film Festival in 1956, and accumulated more than fifty screen and television credits through 2004. The above photo was shot in Brazil around 1970.
Laura Gemser bites off more than she can chew in z-grade zombie epic.
Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.
Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”
So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.
Ever watch a movie that really makes your skin crawl?
The above poster was made to promote the Italian release of the sci-fi movie L'allucinante fine dell'umanità, which was originally made in Japan and called 昆虫大戦争, or Konchû daisensô. The chaotic Japanese poster appears just below. It's a mutant bug movie obviously, an angry bug movie, a swarming bug movie, a planes-crashing-because-of-bugs-ganging-up-on-jet-engines movie. Basically, these insects get into everything, including your sinus cavities. If you know the film at all, it's probably as War of the Insects or possibly Genocide, which were its two English titles. It is, amazingly, part of the Criterion DVD Collection, which consists of “important classic and contemporary films,” but we can't call it anything better than adequate.
It's interesting on one level, though. Japanese creations such as Godzilla are often called a reaction to being the victims of two nuclear bombs. If so, then Konchû daisensô fits that category too, as the rogue insects that turn on humans can only be defeated with a lost but undetonated American atomic bomb. Germany is worked into the plot as well, so with three major World War II powers involved there may be war psychology at work. Entomopohobia is at work too, so if you hate or fear insects, definitely give this one a pass. Konchû daisensô premiered in Japan today in 1968, and began its run in Italy as L'allucinante fine dell'umanità at some unknown date afterward.
Singer elopes with girlfriend and everything falls apartheid.
We'd never heard of African Story, aka The Manipulator, before seeing this Italian promo poster painted by Renato Casaro. We were hoping for another semi-comical romp in the vein of Black Emmanuelle or The African Deal (i.e. lily white visitors are magically driven to get freaky in the bush with locals), but this film goes in a different direction. A famous singer named Rex Maynard runs away to South Africa with a powerful music producer's daughter, prompting the producer to set up a fake kidnapping to scare the crooner and simultaneously generate publicity for his career. Somehow or other a group of actual kidnappers decide to put the bag on Rexie, and mayhem soon follows. Rex may be a soft jazz kind of singer, but he's hard rock with his fists. He even uses judo to whip ass on several of his assailants. Luckily one of them packs a gun or they'd all have ended up in intensive care. Rex is also slippery as an eel, with his escapability aided by the kidnappers' generally lax security.
We'd file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you'd think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we're talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you'll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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