Intl. Notebook Mar 4 2018
WET AND WILD
Rosanna Schiaffino gets a kick out of Venice.


According to Italian actress Rosanna Schiaffino it's easy to tame a wolf. And it probably is—for her—because she looks part wolf herself, based on the expression she's wearing on the cover of this National Enquirer published today in 1962. The photo, which we'd say doesn't capture her true appearance, was made in Venice in 1960, right when her career got very busy. Venice was the site of her cinematic breakthrough in 1958 when La Sfida won two prizes at that year's Venice Film Festival and was nominated for The Golden Lion. During the next two years Schiaffino would make ten films. She continued to be busy until 1977, when she left show business to focus on marriage and children. We have another shot from the Venice session below, and a trio of nice images of her we uploaded of her from Triunfo magazine several years ago here.

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Femmes Fatales Feb 27 2018
DOUBLE DOG DARE
Lockjaw and The Prince of Barkness are like my social secretaries. You wanna to talk to me, you talk to them first.


Italian actress Gianna Maria Canale, seen here in 1958, began her show business career in 1948 and soon became a stalwart in sword and sandal epics, among them Hercules, The Warrior and the Slave Girl, and The Centurion. In the foreign press she was often compared to Ava Gardner, but in Italy she was thought of by some more as a quintessential Italian woman, sort of an aristocratic standard of perfect beauty. And like any aristocrat she has a couple of aristodogs. Release the hounds!

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Vintage Pulp Feb 24 2018
WILD ORCHIDS
Seven ways to die in Rome.


We mentioned a while back we were taking a closer look at vintage giallo flicks, and today you see a Renato Casaro poster for Sette orchidee macchiate di rosso, aka Seven Blood-Stained Orchids. During a train trip a serial killer who's been dispatching women in various diabolical ways tries to make a victim of Uschi Glas. Uschi's man Antonio Sabato is the police's number one suspect, and the only way he can disprove their suspicions is by finding the killer. Uschi plays sidekick for him, which is good, because he looks terribly confused most of the time. This falsely-accused-must-find-real-killer gimmick had already reached perennial status when Antonio arrived on the scene, so you'd hope for a fresh take on it—and be disappointed. This isn't a bad movie, but it's undistinguished, a giallo without the high style of the best entries in the genre. Umberto Lenzi, who had directed numerous films but was making his first giallo here, would do a bit better later. Sette orchidee macchiate di rosso premiered in Italy today in 1972.

It's a self portrait. I don't know why I painted myself bloody and mutilated. Just a weird inspiration.

These are my new strangling gloves. 100% lambskin. Nice, right?

My last victim didn't like gloves so this time I'm going bareback!

Not cutting him down.
Me either.
Wait, what? That's not fair. I didn't even see him until just now.

This mystery is probably far less complicated than we think.

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Femmes Fatales Feb 22 2018
SYLVA BULLETS
I took an oath to first do no harm, but you know what? Oath schmoath.


Sylva Koscina prepares to dispense some bitter pills in this still from the 1970 adventure L'Assaut des jeunes loups, aka Hornet's Nest, a World War II flick set in Italy, starring her and Rock Hudson. She plays a German physician, but sometimes you have to stop healing and start unhealing, at least when Hollywood is calling the shots. The movie came during the second stanza of Koscina's career, which was characterized by a lot of minimally successful mid-budget fare. But there's nothing minimal or mid about Koscina. She's one of the most fondly remembered European actresses of her era.

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Vintage Pulp Feb 19 2018
THE BLUEST BELLE
Annie Belle streaks across Hong Kong and stardom follows.

Above you seen an Aller, aka Carlo Alessandrini, poster for La fine dell'innocenza, which premiered in Italy today in 1976 and was titled in English Annie, after the lead character Annie Belle. The star of the film had acted under her real name Annie Brilland up to this point, but adopted Annie Belle as her stage name for this film and the rest of her career. Yes, technically she acted as Annie Belle in an earlier movie—Laure, which came out about a week before Annie, but we strongly suspect that made-in-Manila sex romp was shot later and simply went through post production more quickly. Another small movie from 1975 is credited to Belle, but we're sure that was done much later. Annie is the film that made her Belle.

It's a coming of age story in which Belle proves to be too independent for all those—male and female—who wish to possess her. She begins the film under the wing of her incest-minded father, travels with him to Hong Kong, where he's arrested for money laundering, forcing her to fend for herself. From there she makes the inevitable sexual splash in upper crust expat circles around the island. And who can fault them for their interest? In real life Belle is a tiny, tomboyish figure, certainly no more than 5' 2”, but onscreen she comes across as even lusher than the Hong Kong hills. There's no disputing it: the camera loves her. She's one of the most striking stars of any era of cinema.

La fine dell'innocenza is remembered for its extended sequence depicting Belle's escape from a brothel. She pulls it off—no body double—by sprinting starkers through the Hong Kong streets, leaping onto the back of a motorcycle driven by an associate, careening through traffic as she wantonly flouts local helmet laws, leaping off the bike and running again, now chased by cops, to a public fountain, where she's finally apprehended. The scene is worth rewinding just to see all the locals gawking from the backgrounds of the shots. They must have thought, watching this platinum blonde boy-woman with the jet back muff running through their city—what the hell do these foreigners smoke?

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Vintage Pulp Feb 1 2018
SLASH DANCE
The world of professional ballet is absolute murder.


Suspiria is a legendary giallo, praised by horror fans and mainstream critics alike, and slated for a splashy 2018 remake. The fact that it's being remade is understandable—from Hollywood's perspective it fits with action and horror movies such as Turistas, Hostel, A Lonely Place To Die, Land of Smiles, Taken, et al that over the last decade or so have warned Americans that horrific things will happen to them if they travel overseas. In Suspiria an American dancer gains admittance to a prestigious West German ballet academy, but arrives just in time for a nightmarish series of murders. Jessica Harper stars as the ingenue trapped in this mostly blood red dance academy, a stranger in the strangest land, beset by unexplained illnesses, hallucinatory events, and vicious nocturnal terrors.

Suspiria piles the horror stylings on—from Dario Argento and his surreal direction, to Luciano Tovoli with his baroque lighting schemes and supersaturated colors, to the maggot wrangler who produced many more maggots than could have been reasonably expected, to the scorers (Argento among them) who came up with a percussive and discordant soundtrack that could rattle a bomb disposal robot. The first murder is nothing short of operatic, complete with a shot of a knife piercing the victim's exposed heart. The only real question going forward is whether Argento can possibly keep reaching such heights. And the answer is Suspiria, its brilliance outshining its flaws, is a classic for a reason. The poster above is a classic too. It was painted by Mario de Berardinis to promote the film's premiere in Italy today in 1977.

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Vintage Pulp Jan 22 2018
HOUSE HARMING PARTY
Come on in. Make yourself uncomfortable.


More bondage? Sure, why not? We don't pick the release dates. We just post according to them. Above are two Italian posters for the infamous nazisploitation flick Casa privata per le SS, which premiered today in 1977. They don't make them like this anymore, for good reason. The top poster isn't signed, but the second one was painted by Aller, aka Carlo Alessandrini, who also painted the very famous French promo for the film. That promo is similar to the unsigned piece above, but without a signature or official attribution we can't credit it to Aller, so into the mystery bin it goes for now. We did a small write-up on this film back in 2011, and if you're curious you can see that here.

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Femmes Fatales Jan 21 2018
AURA BOREALIS
Outer space is a cold, empty, indifferent void. But only in places.


Way back in 2009 we shared a production photo of Italian actress Ornella Muti from the 1980 schlock space opera Flash Gordon. It was a nice shot, but we recently acquired this much better promo image of her in the same crazy costume as Princess Aura and thought we'd bring her back. As celestial bodies go she's one of the best.

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Modern Pulp Jan 20 2018
ROLLING IN THE ISLES
Betty and her friends are ripe and ready.


This Italian poster was made for a film called La porno villeggiante, which was originally released as Griechische Feigen, but which you may know as The Fruit Is Ripe. We already talked about it several years back, and suffice to say it's a breezy little erotic romp set in the Greek Isles starring Betty Verges and Olivia Pascal. Softcore movies set in foreign lands are a particular weakness of ours, and this one helped inspire our amazing trip to Mykonos, Santorini, and Naxos in in 2014. We'd go back if there weren't other islands in other oceans we need to get to, but trust us—it's worth it, even if your trip doesn't resemble the movie. There's no Italian release date on La porno villeggiante, but it had its world premier in West Germany today in 1977. Below are some interesting promo images we located. You can read our original write up on the film here.

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Vintage Pulp Dec 29 2017
THE FEMALE GAZE
She doesn't want to see, and you probably don't want her watching.


This poster of Sophia Loren was made to promote her drama Donna del fiume, aka The River Girl, and as we observed when we watched the movie a couple of years ago, only in cinema could backbreaking labor (harvesting rice by hand) make someone look like Loren. The poster is what we usually call panel length, which means it's about the right size to hang on a door, for instance in your bedroom. And Loren has exactly the facial expression you'd expect after seeing what you do in there. Columbia maybe should have manufactured a poster of her smiling and giving a thumbs up, but we love this promo anyway because even when Loren looks repulsed she looks great. Donna del fiume premiered today in 1954 and you can read what we wrote about it here.

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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