Sportswire Apr 2 2016
NO LAUGHING MOTTA
They didn't call him the Bronx Bull for nothing.

How much beating can a fighter take? National Police Gazette asks that burning question on the front of this issue that hit newsstands this month in 1950. The cover star is Jake LaMotta, the Bronx Bull, who was famous for being able to take a punch—or fifty—and his unseen opponent is French fighter Robert Villemain. The photo was made during their December 1949 bout, a match LaMotta lost by unanimous decision. But his reputation as someone who could take a punch grew even when he lost, and eventually reached legendary proportions. His most serious beating occurred in February 1951 during a bout with Sugar Ray Robinson that was dubbed the Saint Valentine's Day Massacre. By the end the fight had become an epic of human destruction, and almost certainly caused permanent damage to La Motta. But in ninety-five professional matches to that point he had never been knocked to the canvas and he didn't fall that night either, even during a vicious final-round barrage that had LaMotta staggering around the ring. So the answer to Gazette's question—How much beating can a fighter take?—is simple. If you're LaMotta, you can take plenty. 

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Hollywoodland Jul 16 2015
CONFIDENCE GAMES
Liberace experiences tabloid wrath at its most merciless.


It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.  

Here’s a rule you can count on—when a journalist or on-air personality constantly refers to someone by other than his or her name or title, it’s a hit piece. Liberace was horrified and sued Confidential. California Attorney General Pat Brown had already managed to win an indictment of the magazine two months earlier. Owner Robert Harrison was about to spend his entire summer in court. He took these legal threats to heart and publicly promised to stop publishing stories about the private lives of Hollywood stars.
 
Up until then Confidential had been as reckless as a magazine could be. This issue accuses Gary Crosby of punching a woman in the face, and Eartha Kitt of trapping her friend’s boyfriend in her penthouse. An extraordinary story about boxer Jake LaMotta suggests the he got a bumrap in his morals trial. LaMotta was serving time for bedding a 14-year-old. Prosecutors had convinced a jury that the incident with LaMotta was a primary cause of the girl later becoming a prostitute. Confidential rides to the rescue, claiming that the girl’s father had already deflowered her, therefore LaMotta could not have had any influence on the girl’s fate. How’s that for a principled stand?
 
These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.


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Vintage Pulp Jul 31 2011
EAGER TO POLICE
Sommer time and the living is easy.

The above issue of the venerable National Police Gazette from July 1969 stars German bombshell Elke Sommer, who is described as “Hollywood’s No.1 Nudie.” In the interview, Sommer reveals that when she paints on a hilltop outside her Beverly Hills house she does so naked. The reason? "It's the best way to get a tan all over." She also states that she thinks film nudity is fine as long as it isn’t done for purely erotic purposes. Very interesting, considering she had already posed—purely erotically in our opinion—for Playboy magazine, and would appear nude in men's magazines several more times. The photos in panel two (at top) are from Sommer's 1963 war drama The Victors, and as happened often in those days, even though she did not appear completely nude in the finished film, she performed the scenes that way. Which of course means the excised frames ended up in various people's pockets, and soon became public. Whether this was an accident or a publicity technique is impossible to say, but we suspect the latter. In any case, it's clear Gazette editors had an uncensored shot. Back then they had to cover Sommer's naughty bits, but we don't, and you can see the uncovered version, along with another image from the same scene, just below. Elsewhere in this issue you get Aristotle Onassis, Jake LaMotta, Denny McLain, the hidden sex problems of American husbands, and more. 

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History Rewind
The headlines that mattered yesteryear.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
September 22
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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