If it's there you can bet we'll find it.
Above you see a poster for Aizome Kyôko: G no kaikan, aka Kyôko Aizome's G-spot Pleasure, with Kyôko Aizome (not to be confused with Kyoko Izumi) fronting the art. Aizome goes way back. She appeared in her first film in 1975, but this particular effort premiered in Japan today in 2000, when she was forty-two. Though it's a comparatively recent production we were not able to track down a copy, which when you think about it is apropos, considering science says g-spots don't really exist. We're pro-science guys, but a lot of women say there's a real piece of anatomy in there, and a dedicated search often turns something up—if only the woman's heart rate. Aizome, below, suggests you give it a try.
Last one there is a rotten ama.
If you visit Pulp Intl. regularly you know that ama movies, which focus on the tradition of female free divers who scour bay bottoms for valuable items such as abalone, clams, and pearls, are very popular in Japan. The divers, who in the past traditionally worked topless, occupy a place in Japanese culture similar to that of rollerskating female carhops in U.S. culture. Both are unusual and physical forms of work with mildly sexual components (at least in the male mind), both are steeped in nostalgia for a simpler past, and both are widely appreciated by men even though most have never seen one outside a movie.
The ama tradition is ancient. The first written mention of them dates from the year 927, but ama artifacts have been found on the sea floor and carbon dated to suggest the practice is something like 3,000 years old. It's difficult to know when the tradition peaked, but according to most accounts that would have happened during the early- to mid-20th century. Movies on the subject began appearing frequently from the mid-1960s through the 1980s, with the high water mark—ahem—of western interest occurring with the appearance of an ama (played by Mie Hama) in the 1967 James Bond movie You Only Live Twice.
We've talked about eight different Japanese ama movies on Pulp Intl. over the years, including two earlier this month, so we thought you might be interested in seeing a few historical photos. We have a collection of fifteen above and below, shot between the 1940s and 1980s. Sadly, like so many interesting cultural practices, ama diving is in danger of fading away. Most pratictioners are in their forties and older, with very little likelihood of being succeeded by younger women, who have moved on to less traditional occupations. And people say civilization is making progress.
Follow the links below to read about the ama movies we've discussed, and to see their beautiful promotional posters.
Zoku kindan no suna Ama bune yori: Kindan no suna
Manatsu no joji
Currents and caves are bad enough, but lies can drag you into really dangerous waters.
Last week we talked about the 1959 drama Zoku-zoku-Kindan no suna: Akai pantsu, third film in the Shochiku Co. franchise sometimes referred to as the Underwater Series. You know we're sticklers for talking about movies on their premiere dates, which is why today we're looking at Zoku kindan no suna, which opened in Japan today in 1958. In the west the movie was known as Forbidden Sands or The Prohibited Man's Sand, and like the others in the series deals with the loves and troubles of an ama—a female skin diver. Two bank robbers steal seven million yen, which we think is like forty or fifty bucks, and hide out on an island peopled by amas and their families. The crooks pretend to be a marine biology professor and his assistant, and they don scuba gear and hide the cash in some underwater caves known as the Dragon's Caves—a name which just screams trouble. They're convinced the treasure is inaccessible, but these amas are really good, and one in particular has no trouble at all making especially long dives. One of the crooks takes a shine to her, and warns her to stay out of the caves because they're dangerous, but the shine is mutual, so surprise surprise, as a gift she decides to swim down there to find rare specimens for his phony marine research. Yes, theft is one thing, but lies are a whole other bucket of starfish. Zoku kindan no suna is a recommendable flick, but be forewarned that if you're in the States it might be even harder to find than that loot in the Dragon's Caves. But at least you can enjoy the posters. We aren't done with this series, so keep an eye out for another installment in a bit.
You can't have one without the other.
These two beautiful posters were made for the film Zoku-zoku-Kindan no suna: Akai pantsu, which translates to something about “prohibited man's sands" something or other, but which seems to be known in English as Woman Diver's Beach: Red Pants. The movie is third in a series starring Kyoko Izumi, and as you might guess it deals with an ama—a female diver for clams, treasure, and other valuable submerged items. The plot is a bit convoluted, but basically a villager gets into a fight and accidentally kills a man only to have the man's fiancée show up and, affected by the villager's anguish over his deed, begin to feel sorry for him, then begin to feel affection him. There's much more to the film—for example, both the villager and fiancée are the focus of unrequited love from other quarters, and this will lead to serious complications and even some gunplay, but what you get for the most part is a star-crossed love story. The “red pants” reference, by the way, is for the color of shorts the fiancée wears. We have a poster for a couple of the other films in this franchise and you'll be seeing those soon. This one premiered in Japan today in 1959.
Lovers in a dangerous time.
Above are two posters for Nikutai no mon, aka Gate of Flesh, one of the most famous films to come out of Japan during the post-war period. We talked about the pinku remake of this, which appeared in 1977. The original was directed by Seijun Suzuki and stars Joe Shishido, Satoko Kasai, and Yumiko Nogawa. It closely follows the plot of Tajiro Tamura's novel, in which a group of tough prostitutes survive in bombed out post-World War II Tokyo thanks to camaraderie and a strict code of conduct, of which the most important rule is never to have sex for free. When a wounded ex-soldier takes shelter with them, some of the women find emotional distance difficult to keep, while one finds maintaining physical distance even harder. The novel is a tragedy, and since the film tracks the fiction closely, don't expect to walk away from this one with a smile on your face. It premiered in Japan today in 1964.
It isn't the wind making that howling noise.
Above you see two colorful Japanese posters for The Howling, Joe Dante's 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, though it's right in your face like doggie breath.
But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rule the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they're more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren't as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.
In retrospect, maybe this solo hiking trip wasn't the best idea. Oh well, I'll be fine. But next year: Burning Man.
Hmm. So she disappeared down there in that bizarre nimbus of light? I think it's about time for my donut break.
Okay, okay! Let me just find the leash and we'll go. Geez—sometimes I can't tell who's the owner and who's the pet.
Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?
Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.
I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf. Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o'clock. Bitch got some fucked up teeth but I can work with that.
Likes include fine saki, sunset walks, and light humiliation.
Above, five promo posters featuring Naomi Oka, who appeared in dozens of pinku and roman porno films between 1972 and 1987, with 1979 being her banner year as twelve films hit Japanese screens. As you might imagine based on the above evidence, she was one of the queens of bondage. The posters above are for, top to bottom, Onna keimusho shikei, aka Women's Prison: The Lynching, Hentai shikijô nawa fujin, aka Abnormal Rope Wife, Hitozuma hentai, aka Abnormal Bride, Nihon no rinchi, aka Japanese Lynching, and Kinbalu ijo-ma, aka Distributing agency: Shin-Toho, also sometimes referred to as Disturbing: Rope Master. It's always important to note that restraint and bondage have a special place in Japanese culture, where it's considered—if not quite normal—not outstandingly weird either. Below you see Oka mercifully freed from bondage.
The situation is becoming Seri-ous.
Continuing with our recent theme, we've done a deep search on our site and found every instance where we said we'd get back to a subject later. We can't fulfill all those promises, but we're shortening the list again today. After sharing a couple of promos of an underwear clad Meika Seri from a 1974 photo session, we said we'd reveal whether the Secret Chronicle actress shed any more clothing. Above is your answer. She shed all her clothing.
Cohjizukin creates a modern piece of poster art for two classic films.
You know how we always say we're going to get back to something? Some artist, some subject, some mid-century murder spree? And then we never do? Kind of like when you were eight and your parents kept promising to let you buy a grizzly bear but always put you off until finally telling you they weren't going to buy you one and never planned to? Well, we don't want to be like your lying ass parents, so we've decided we need to be better about actually geting back to stuff we said we'd get back to. Consider it a twelve-step program of sorts, which we already started by keeping that five-year old promise about the naked diaries.
So here's someone else we promised to revisit—Japanese illustrator Cohjizukin, whose poster for an Ed Wood triple bill we shared back in October. He painted the above poster for Federico Fellini's I vitelloni, known in some circles as The Young and the Passionate, and Giulietta degli spiriti, aka Juliet of the Spirits. We knew nothing about Cohjizukin last year, but we've learned a few things. He's actually award winning artist Koju Suzuki, who was born in 1948, has had innumerable exhibitions, live painting events, published many books, and seemingly even has delved into music, releasing four albums in the 1990s.
He also likes creepy eyes. Everybody in this poster looks like they're trying to drain your vital essence. We checked to see if either of these movies involved essence-draining, but they're both comedy/dramas. Not sure Fellini would have approved of psycho faces on a poster for his films, but the art is amazing. Cohjizukin created it for a double-bill sometime during the 1990s, probably for some film festival or other. You can learn more about him by visiting the (also a bit scary) website maintained at this link, but it's text heavy and without Japanese probably useless to you. We'll dig up more pieces from him later. That's a promise we'll keep.
Mari Atsumi shows her stripes.
We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.
Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.
The headlines that mattered yesteryear.
1984—Miss America Resigns
Vanessa Williams, who had been crowned Miss America and was the first African American woman to win the prize, resigns her title after Penthouse magazine purchases and slates for publication a series of lesbian-themed nudes Williams had posed for when she was younger. After resigning she files a $500 million lawsuit against Penthouse publisher Bob Guccione but later drops the suit.
1992—Cocaine Baron Escapes Prison
Pablo Emilio Escobar Gaviria, imprisoned leader of the Medellin drug cartel, escapes from a posh Colombian jail known as La Catedral after he learns authorities intend to move him to a real prison. His taste of freedom doesn't last—he's killed in a shootout a year-and-a-half later.
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.
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