Vintage Pulp Dec 6 2017
ROPE BURN
Fifty shades of Tani.


It's roman porno's runaway mainstream success that keeps us watching the movies. We seek to understand them from the point of view of the millions of Japanese filmgoers that made them box office gold, and we try to do it without being squeamish about the content, which is softcore, yet far beyond the pale by American standards. Made half a decade earlier than the second wave bondage flicks we've been featuring lately, Niizuma Jigoku, aka Newlywed Hell, aka New Wife's Hell stars undisputed bdsm queen Naomi Tani in a hit roman porno made with considerably more artistry than second wave films. It's still the same basic idea though—woman has no idea she's into kinky bondage until forced into it. But a more restrained approach than would be prevalent later elevates the material a bit. It's still weird as hell, but you won't feel permanently filthy after watching it. As a bonus, the amazing Terumi Azuma co-stars. Niizuma Jigoku premiered today in 1975.

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Modern Pulp Dec 5 2017
NO BED OF ROSES
Junko Mabuki gets deflowered.


We just saw Junko Mabuki last week, and here she is again in the roman porno vehicle Dan Oniroku bara jigoku, which is known in English as Hell of Roses. Oniroku Dan was Japan's perv laureate of erotic bondage literature, and he became so famous that his name often appeared on the front of movies adapted from his material. And his material was pretty fringy stuff, at least by our standards. Last week's Oniroku Dan movie was centered around a slimy photographer's bondage obsession. This time there are two photographers, working in tandem to produce bdsm shots of young women who don't have any real idea what they've signed up for. Junko plays a famous singer who gets into their crosshairs. She'd never submit voluntarily, so the two predators subdue her with chloroform and spirit her away to an isolated house. Once she awakens she puts up a real fight and even manages to bloody one of her captors, but she still ends up caged, roped, dildoed, etc., and then there's that roman porno pee thing again. And a snake. And a kinky blood fixation. But you know what this movie doesn't have? Roses. Go figure. Dan Oniroku bara jigoku premiered today in 1980.

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Vintage Pulp Nov 20 2017
HELL TO PAY
Nobody wants to be around when the bill comes due.


We've seen a few posters for the Japanese horror classic Jigoku, but never this one. The title is a Japanese word meaning “hell,” and that idea comes across pretty strongly on this bizarre promo. If you haven't seen the movie, it's about a group of people, all who have committed sins of some sort or another, that find themselves in hell. What's that like? Well, there are lakes of pus, pools of boiling water, fields of spikes, etc., as well as numerous baroque tortures, including people buried alive head first up to their ankles, chopped up, torn apart, de-toothed by various brutal means, and worse. In short, the filmmakers showed everything they had the efx capabilities to depict. It must have scared the bejesus out of people, but the movie was so successful it was remade three times. Real film buffs will want to check out the original, which premiered in Japan today in 1960. 

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Vintage Pulp Sep 21 2017
LONE WOLF
Single fatherhood can be a real challenge.


Below is a collection of Japanese posters for the amazingly entertaining film series Kozure Ōkami, aka Lone Wolf and Cub, starring Tomisaburô Wakayama as a warrior who has to single-handedly care for his child as legions of assassins try to murder him. More info below.

Two posters for Kozure Ōkami: Kowokashi udekashi tsukamatsuru, aka Lone Wolf and Cub: Sword of Vengeance.


Two posters for Kozure Ōkami: Sanzu no kawa no ubaguruma
, aka Lone Wolf and Cub: Baby Cart at the River Styx.
 
Kozure Ōkami: Shinikazeni mukau ubaguruma, aka Lone Wolf and Cub: Baby Cart to Hades.

This is the only poster we don't have the panel length for: Kozure Ōkami: Oya no kokoro ko no kokoro, aka Lone Wolf and Cub: Baby Cart in Peril. To complete the collection we snagged this image off the internet.
 
Kozure Ōkami: Meifumado, aka Lone Wolf and Cub: Baby Cart in the Land of Demons.
 
Kozure Ōkami: Jigoku e ikuzo! Daigoro, aka Lone Wolf and Cub: White Heaven in Hell.

There's one more movie, 1980's Kozure Ōkami, aka Shogun Assassin, mainly put together using footage from the previous films, none of which had really been seen in the West to that point. Shogun Assassin, though not properly part of the series, is easy to find and as a one-off it's fine and entertaining, but we recommend you do yourself a favor and watch the canonical films.

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Vintage Pulp Oct 1 2015
NOBODY'S ANGEL
Life and death at the edge of a razor.

This promo is for Jigoku no tenshi: Akai bakuon, aka Hells Angels: Crimson Roar, one of scores of girl gang movies that deluged Japanese cinema during the 1970s. This one is from Toei Company and concerns a gang member named Yoko, played by Yûko Iruka, who spends three years in prison for assault with a switchblade, and afterward emerges onto the mean, nightclub-lined streets of her coastal hometown. You know Japanese bars are sleazy when their names are English—Bar Lucky, The Apollo, The Happening, Club Ace, New York 3, et al. We especially liked the placard that read: Girls can get so excited and lustful sometimes, as shown in this picture. Why don’t you come in now? The girls working for me are so sexy. You can try to satisfy them. Yes, even sex club signage is polite in Japan.

These places are all geared toward American servicemen, of course, and the distaste for Western decadence, though subtle, is clear. But it isn’t Americans who are a problem for Yoko—it’s a group of pesky Yakuza who make their home at the Lonely Angel bar. After Yoko is drugged into paralysis and raped by two of the slimier specimens she hones that trusty switchblade of hers and goes on a revenge spree that, well, doesn’t end nicely for her enemies. She gets timely help from her boyfriend, and when he ends up on the point of a katana, that makes her even angrier. Turns out she’s deadly with a sniper rifle too. Standard stuff, but with an unusual and effective star in Iruka, and Reiko Ike’s 1973 hit song “Futen Gurashi Part 2” recurring throughout the soundtrack—a bonus.  Jigoku no tenshi: Akai bakuon premiered in Japan today in 1977.

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Modern Pulp Aug 28 2015
WALKING A TIGHTROPE
The makers of Female Teacher: Rope Hell needed to learn a lesson or two.


Based on a bdsm novel written by the acclaimed Oniroku Dan, Onna kyôshi nawa jigoku, aka Female Teacher: Rope Hell, is yet another Japanese exploration of the pleasures, pains, and limits of sexual obsession and bondage. Frankly, this one is a bit tedious. There’s a razor thin line between thoughtful and dangerous when dealing with this kind of material. When Japanese films, in particular, end up on the wrong side of that line, you really have a mess on your hands. We understand, yes, that bad men aren’t always punished in real life. But this isn’t real life. It's just a movie, and punishment is key. In fact, for us it’s the entire point. It’s the only thing that makes these films watchable. But in this case, the abusive male ties up the two objects of his obsession and is tormenting them when one of his candles sets an accidental fire. He and the bound women burn to death. His obsession destroyed them all. That’s the end. Roll credits. Hope we didn’t ruin it for you.

The fixation Japanese film has with sexual abuse is curious. It often occurs for pretty straightforward narrative reasons—rape, or perhaps the murder of husbands and children, or often all three, are the triggers that transform women into terrifying revenants. The mostly thirty-something writers and directors who conceived these plots were taking swipes at Japan’s patriarchal social structure by first explicitly revealing a sexist status quo, then allowing feminine power to demolish it. Or so it seems to us. In that way pinku does not differ from blaxploitation. In those, it’s a racist status quo that is revealed and demolished. However revenge movies represent only a slice of the Japanese whole. Many films feature degradation without revenge, in which case we think it needs to be very carefully done to avoid endorsing such behavior. Major fail on that account here. All respect to Oniroku Dan, but excesses such as a forced enema and subsequent sloppy evacuation onto a man’s face are not things we can get behind, so to speak. Onna kyôshi nawa jigoku premiered in Japan today in 1981.

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Vintage Pulp Oct 31 2014
HELL AND BACK
Amid medieval Japan’s manners and restraint, how can a person tell the difference between love, honor, and duty?


Above is a poster for Teinosuke Kinugasa’s masterwork samurai drama Jigokumon, which was known in English as Gate of Hell. It was the first Japanese film shot in color, via the process Eastmancolor, which was a leap beyond three-strip Technicolor, and one that makes Jigokumon blaze like a supernova. The story, from a play by Kan Kikuchi, concerns a Heian-era samurai named Moritoh whose bravery during a battle is rewarded by his lord granting him anything he desires. What he desires is the Lady Kesa. Problem is she’s married to another samurai. The lord mistakenly grants Moritoh’s wish, which is soon revealed to be impossible, but Moritoh resolves to have Kesa anyway, by any means necessary—trickery, bribery, even all-out murder. What develops is not just a thriller about entitlement and lust, but a meditation on honor, love and, especially, social strictures.

Jigokumon was a sensation. A hit in Japan, it was a revelation to foreign audiences. It took home the Palme d’Or from the 1954 Cannes Film Festival, a 1955 special Academy Award for Best Foreign Language Film, an Oscar for Best Costume Design in a color film, and more prestigious nods. Along with Akira Kurosawa’s Rashomon, Kimisaburo Yoshimura’s Genji Monogatari, Kenji Mizoguchi’s Ugetsu Monogatari, and other films from the early 1950s, it marked the emergence of Japanese cinema onto the international scene. We’ve posted a large group of screen grabs below—perhaps overkill, considering how many—but the film just looks so damn good and the shots are so spectacular that we couldn’t help ourselves. Jigokumon premiered in Japan today in 1953.


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Modern Pulp | Vintage Pulp Sep 26 2013
BETTER THAN FICTION
Hiroyuki Nakano’s sword opera Samurai Fiction challenges festival audience but ultimately leaves it satisfied.


San Sebastian in general and Cinema Caravan in particular are keeping us busy, but we have time for a quick post, so here we go. Last night we attended a screening of Hiroyuki Nakano’s 1998 adventure/comedy SF: Episode One, also known as Samurai Fiction. It’s a quirky movie, imaginatively shot mostly in black and white, and involves a young samurai on a mission to both avenge a friend’s death and retrieve a priceless sword. He encounters an ex-samurai who tries to teach him the wisdom of non-violence, with limited success. The movie is set in 1689 and looks a bit like Kurosawa’s great period pieces, but subverts that similarity with its humor and modern rock 'n’ roll soundtrack. Since it was in Japanese with English subtitles, the mostly Basque audience was perhaps a bit baffled, but even those with language difficulties could enjoy the film’s visual creativity, and ultimately everyone seemed to enjoy it.

Watching Samurai Fiction got us thinking about our many Japanese posters, and because we actually have access to that stuff wherever we go, we decided to share five of the nicer pieces in our collection. In terms of  information on these, time is a little tight to research them carefully, but here’s what we know: poster one—nothing; poster two—Nawa Hada Jigoku: Rope Skin Hell, with Naomi Tani, 1979; poster three—we’re unsure on that one, but that’s definitely Kayoko Honoo in the art; poster four—Kapone no shatei, yamato damashi, aka A Boss with a Samurai Spirit, with Tomisaburô Wakayama, 1971; poster five—nothing. But we'll see if we can find something about that one. See ya soon.


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Femmes Fatales Aug 12 2013
TERUMI TERRIFIC
A perfect day to wear her birthday suit.

Well, it’s been awhile since we shared any 1970s Japanese actress promos, but today seemed like a perfect occasion. Above is roman porno star Terumi Azuma, and it just happens that today is her birthday. Azuma appeared in such films as Niizuma jigoku (Newlywed Hell), Ikenie fujin (Wife To Be Sacrificed), and Ikenie no onna-tachi (Harry and His Geisha Girls). Because it was illegal to show pubic hair in Japan when this photo was made in the mid-1970s, Azuma covers the offending area with her hand. You see this trick over and over in ’70s Japanese promos, and while it never ceases to bemuse, it also makes these shots infinitely better than something more graphic. Not that we’d mind if she moved her hand, but you know what we’re saying. Anyway, Terumi Azuma is fifty-seven years old today.

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Vintage Pulp Mar 5 2010
PRISONER OF LUST
Can’t break free from the things that you do.

Vintage poster for Jitsuroku onna kanbetsusho: sei-jigoku, aka True Story of a Woman Condemned: Sex Hell, directed by Koyu Ohara and starring Hitomi Kozue, who you see below courtesy of a blog called Woman Becomes the Picture (or something like that). Jitsuroku onna kanbetsusho: sei-jigoku premiered in Japan today in 1975. 

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History Rewind
The headlines that mattered yesteryear.
December 13
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe.
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
December 12
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
December 11
1962—Canada Has Last Execution
The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”
1964—Guevara Speaks at U.N.
Ernesto "Che" Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.
2008—Legendary Pin-Up Bettie Page Dies
After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos and film loops, Page is considered one of the most influential beauties who ever lived.
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