We’ve now posted eighteen issues of the great Australian men’s magazine Adam. But there was an American Adam too, unaffiliated with the Aussie mag (as far as we know) that published identical content during the same period. There were three major differences, though—the American Adam did not have painted pulp-style covers like Aussie Adam, it had access to more widely known actors and authors, and it showcased nude photography years earlier. For example, the above American Adam, from August 1966, has rising star Raquel Welch, famous glamour babe June Wilkinson, fiction from John Steinbeck and Harlan Ellison, and an extensive and revealing feature on burlesque. It also has a centerfold of Vicky Kennedy, aka Margaret Nolan, who appeared in Goldfinger, among numerous other films, and was one of the more popular nude models of the 1960s. We have thirty scans of all this below, and if you want you can download the issue for free here. 

The other day we posted a note in our history rewind about the giant dust storms that raged across the U.S. during the Great Depression. Those storms—and the dust bowl in general—were a central feature of the pulp age, and after we saw the photos of the eruption of Eyjafjallajokull in Iceland we were reminded yet again, so we thought we’d revisit the subject today. Above and below you see assorted images of the types of Depression-era dust storms that featured prominently in the works of everyone from John Steinbeck to William Wister Haines, and remain an indelible part of American history. They also remind us that our hold over the environment is tenuous at best and, in the end, we’re but guests on a planet that will long outlast us. 

William Wister Haines wrote six screenplays, saw several books adapted to film, and was considered by some to be a literary talent on the level of John Steinbeck. But you’d never know any of that from looking at the cover art for his Depression-era novel Slim, with its shirtless hunk of burnin’ love casually doing a little pole smoking. The novel was mainly a drama about the dangerous working conditions for electrical linemen, but Bantam opted to sex it up a bit for the 1957 re-issue with a cover that looks like a Marlboro ad. We hope Slim remembered his sunblock.