|Modern Pulp||Mar 22 2010|
We saw Sonatine a few years ago and were simply stunned by it. It’s a gangster drama that derives inspiration from the same Hong Kong crime films that inspired Quentin Tarantino. We’re talking about classics like Ringo Lam’s City on Fire and John Woo’s A Better Tomorrow. But the difference is Sonatine is doggedly introspective. There’s plenty of violence, but the overall pace is measured, and the film features a long interlude during which hired gun Aniki Murakawa—played by Takeshi “Beat” Kitano—enjoys some idyllic rest and recreation at the beach with his criminal cohorts. This interlude, wedged between the bookends of the film’s main story, was our favorite part by far, because it humanizes Murakawa, shows him to be a man capable of laughter, even dreams. But it also highlights his insatiable appetite for self-destruction, and the utter emptiness of his soul. In the hands of a lesser director these sequences could have been nonsensical, but Kitano, handling the chores himself, constructs the pieces perfectly and you come away with real feeling for his anti-hero Murakawa. When the problems Murakawa avoided finally come to roost, we can’t help but cheer for him to win. But nothing is as simple as it seems in Sonatine, and nothing about it is predictable. Maybe that’s why, after its spring premiere in Japan, it went on to create a sensation at the 1993 Cannes Film Festival and make Kitano an international icon. Watch this one and you’ll see why.
|Modern Pulp||May 25 2009|
Below we have top-notch promo posters from South Korea for Seung-wan Ryoo’s actioner Jjackpae, aka City of Violence. The film is exactly what you’d expect from looking at the art—two men driven by vengeance fight their way through swarms of baddies until finally reaching the evil kingpin who caused all their troubles. But even if it’s the type of tale we’ve seen made by every director from Woo to Tarantino, it’s done with style and delivers a mighty nice kick. Jjackpae premiered in South Korea today in 2006.