Vintage Pulp Feb 8 2017
DIFFERENT BUTT FAMILIAR
Three great artists try to get the feel of an identical pose.


Today we thought we'd illustrate the imitative nature of commercial art by sharing a nice Italian poster for the comedy Tre femmine in soffitta. Originally released in the U.S. in 1968 as Three in the Attic, and starring Yvette Mimieux and Judy Pace, the movie involves a wacky love triangle, and is notable for its breezy interracial theme, as Mimieux, who is white (and hot), and Pace, who is black (and hot), both get involved with the same inordinately lucky guy.

Turning to the art, the figure at the poster's far right, which represents Pace, is a direct copy of one of our favorite Robert McGinnis femmes fatales, the girl on Carter Brown's 1960 novel The Bombshell, who has an unusual fascination with her own butt. Clearly, some imitation is more blatant than others. The poster was painted by Ezio Tarantelli, who had a nice career as an illustrator, particularly in the spaghetti western genre, and whose work on the poster for L’Amore Scotta a Yokohama we lavishly praised several years back. We may have to downgrade the genius label we slapped on him, but obviously he still shows great skill, copied butt grabber or not.

As if Tarantelli's pass at a McGinnis ass wasn't enough, we found another copy of the same pose, executed by another Italian artist, this time the great Mario de Berardinis. His piece promotes the 1975 erotic comedy La nottata, or “The Night,” which starred Sara Sperati and Susanna Javicoli. Did de Berardinis imitate Tarantelli or McGinnis? We don't know, but he truly was a genius, so copying is officially forgiven. You can see our original write-up on The Bombshell here.

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Vintage Pulp May 27 2015
EASY PICKINGS
Coffin and Gravedigger do the Harlem shake-up.

Numerous web scribes have written about Cotton Comes to Harlem, so another amateur review is not needed, but we decided to post a little something anyway because we found some nice promo images that perhaps haven’t been widely seen. Those appear below (and the poster above is the work of Ronert McGinnis). If you haven’t watched Cotton Comes to Harlem and you appreciate blaxploitation movies check this one out. It was directed by Ossie Davis and hits all the requisite buttons—action, comedy, social commentary, and as a bonus it has two cops nicknamed Coffin Ed and Gravedigger Jones. It premiered in the U.S. today in 1970.

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Vintage Pulp Jul 1 2014
MEDIUM COOL
Is there a Breeze in here?


A little while ago we shared an image of American actress Judy Pace, and that got us thinking about some of her blaxploitation flicks. One we hadn’t seen was Cool Breeze, a reworking of the classic 1950s crime drama The Asphalt Jungle, which was in turn based on W.R. Burnett’s novel. We watched it last night and enjoyed it, though like many movies of the genre it’s the grittiness and other intangibles that make it good, as opposed to the acting and directing, which aren’t great.

But one bonus was the brief appearance of Pam Grier, who you see below in a totally nude still image you won’t find on any other website (at least not yet). We found it interesting that the scene in question did not actually show Grier nude. Instead, her entire torso was blocked by a character in the foreground. But obviously there was another camera and the still was taken from the alternate angle cinemagoers never got to see. You’re welcome internetgoers. Grier was once described by fellow actress Margaret Markov as fearless, basically up for anything, and here’s proof.

Moving on to the poster, it was made for the movie’s Italian run as I diamanti sono pericolosi, which means “diamonds are dangerous.” This piece of art is rare not just in the real world, but on the internet, which means that, like the Grier photo, you probably won’t find it on any other website (at least not an unwatermarked version). Cool Breeze premiered in the U.S. in 1972. No info on when it debuted in Italy.

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Femmes Fatales Apr 27 2014
PACE HERSELF
Free to be who she wants any old time.

Above, American actress Judy Pace, who appeared in such films as Cool Breeze and Cotton Comes to Harlem, and on television shows like Kung Fu, Mod Squad, and Shaft, seen here expressing herself circa 1968.   

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History Rewind
The headlines that mattered yesteryear.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
September 22
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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