Reader Pulp Mar 16 2013
SOMETIMES A CRATE NOTION
French painter Jacques Puiseux returns with another batch of pulp influenced contemporary art.



Last year we shared some unusual pulp influenced crate paintings from a French artist named Jacques Puiseux, and this morning we received more scans of his Marxist themed pieces via email. Last time we shared Puiseux’s work, we mentioned that we avoid posting modern art, and that’s true, but we didn’t want to leave you with the impression that we find it inferior to vintage art (if that were true we wouldn't bother to have a "Modern Pulp" category on the website). What we find inferior is modern promotional art—e.g., book covers, movie posters and the like. And obviously we find modern movies inferior, but then who doesn’t? However modern fine art is something we very much like, and more to the point, we like the relationship it has to the viewer. We aren’t art majors or anything, so bear with us while we try to explain ourselves.

When it comes to classic art all the hard work is already done for you by the time you see it. You can go see Picasso’s blue portraits or Monet’s lilies or any run-of-the-mill Diego Rivera and know before you see it that you’re about to experience great art. But with contemporary art the viewer plays a role in deciding its ultimate worth. Certainly gallerists and museum curators have plenty of say, but the public is extremely important, and its influence can cut both ways. Sometimes, the public is wrong, as in the case of artists that never sold anything while alive, but whose flames were kept burning by critics and experts, eventually leading to a reevaluation of the work. Conversely, sometimes art is critically dismissed, but sustained public support brings about a reevaluation. That’s almost a description of the entire field of pulp art.
 
So, while we glorify vintage art on this website, and in the case of promotional art we don’t think there’s any possible doubt that 99% of today’s efforts are just lame (maybe they should try letting actual artists do the work), we do like contemporary art, which means that when Jacques Puiseux sends us something that exhibits such a strong pulp influence we feel like we might as well throw it out there for you to have a gander at. It’s different from looking at a famous artist’s work—in this case, you actually have a say. And that’s the beauty of contemporary art. So at top is a piece featuring Leon Trotsky called “Embrouille à Tijuana,” just below is our favorite, “Fidèle-au-poste,” and under that are four more interesting efforts, including the last—“Tsar bomba.” For some context on that one, go here. Enjoy.

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Politique Diabolique Oct 5 2010
FACE VALUE
Veneer of a clown.

Yes, neo-Nazis can have a laugh too, as George Lincoln Rockwell seems to prove on the cover of this October 1961 National Police Gazette. Rockwell was the founder of the World Union of Free Enterprise National Socialists, which became the American Nazi Party, which then became the National Socialist White People’s Party. Rockwell admired Adolf Hitler to the point of worship, thought the Holocaust was a lie, believed the U.S. was heading toward a race war, and agitated for the hangings of ex-presidents Truman and Eisenhower. Espousing these beliefs, he raised hell on the U.S. political circuit for about fifteen years, until he was assassinated by fellow neo-Nazi John Patler in August 1967. Patler, née Yanacki Christos Patsalos, was feuding with his colleagues because, instead of just using Hitler’s old trick of falsely calling himself socialist, he had actually begun reading Karl Marx and had developed actual socialist leanings that were of course abhorrent to the neo-Nazi leadership. This friction eventually led to Patler’s expulsion from the party. So in retaliation, he put two bullets through Rockwell from the rooftop of a beauty salon. But that came later—on this Gazette cover, Rockwell was on his way up, using a veneer of charm to soften his message. But as Smoky Robinson once memorably sang: “If there’s a smile on my face, it’s only there trying to fool the public…” 

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History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
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porn-paperbacks.blogspot.com/2017/05/24-03.html https://moscasdemantequilla.wordpress.com/2016/03/14/el-traje-de-los-domingos/
lasestrellassonoscuras.blogspot.com.es/2017/08/la-dama-del-legado-de-larry-kent-acme.html https://internationalcrimefiction.org/2015/05/31/art-for-the-millions-the-signet-covers/
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