|Vintage Pulp||Jul 2 2017|
Ernest Hemingway is a polarizing writer, but those who call him overrated are wrong. You can't be overrated when you changed the DNA of prose in the English language. There was a style of popular writing that was dominant before Hemingway, and a style that became dominant afterward, with the shift entirely of his doing. The Sun Also Rises originally appeared in hardback in 1926, and this Bantam paperback edition is from 1949. The cover looks a hell of a lot like the work of Ed Paulsen, who painted this cover for Bantam in 1949 featuring a man with a near identical face. But officially, this was painted by Ken Riley, who was also working with Bantam in 1949. It's a pretty nice piece, establishing definitively three main characteristics of Hemingway's writing—booze, women, and anguish, with the latter deriving in this case from the ex-soldier protagonist having had his penis shot off or rendered non-functional, yet being in love with the beautiful Lady Brett Ashley. The problem is infinitely compounded by the fact that she loves him too, but must seek physical pleasures from other men. If you know any iconoclasts who've told you this book isn't worth your time, we suggest you ignore them. The Sun Also Rises is a tough, affecting, unforgettable read.
|Vintage Pulp||Jun 25 2015|
Above, a thoroughly pulped out cover for C.S. Forester’s 1935 adventure tale The African Queen, published in this Bantam paperback edition in 1949. This is a great book with a letdown of an ending, in our opinion, but when John Huston made it into a film in 1951 he greatly improved the last act and the result was an all-time cinema classic. The beefcakey art here is by Ken Riley.