Vintage Pulp Nov 11 2018
THE LADY IN RED
That's no lady—that's Brigitte Bardot.


Above, an iconic poster painted by Giorgio Olivetti for the 1957 Brigitte Bardot comedy Una parigina, originally released as La Parisienne. The Bardot figure here was the first femme fatale graphic ever used as the symbol of Pulp Intl., which some of you may remember. Olivetti painted two promos for the film. The second one, just below, is less famous, but still beautiful. We talked about this movie over the summer, and in short it's Bardot running around Paris creating Monroesque chaos among the male population, though with a winkingly more adult subtext than in your average Monroe romp. In other words, there's a hint here and there that Bardot actually gets laid. We don't think that ever happened in Marilyn's comedies. If you're curious about the movie, or interested in seeing the nice U.S. poster—which also features Bardot in her famous red dress—have a look here.

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Vintage Pulp Jul 30 2018
INTERNATIONAL INCIDENT
Being diplomatic is one way to get what you want. And then there's Bardot's way.


This is one of the most classic of Brigitte Bardot's movie posters, with the smiling superstar holding an Eiffel Tower in her hands, implying that all France is her plaything. That much is undeniable. It was originally titled Une parisenne, but for its English language release it was given the slightly different title La Parisienne, and in it Bardot does what Bardot always does—stops traffic, generates previously undiscovered quantum states of chaos, and flips reality upside down. This time around she plays Brigitte Laurier, the prime minister's stubborn daughter, in love her father's assistant, who tries as hard as he can not to get involved with her. Why would he resist Bardot? Because she's too young, and he already has a (married) girlfriend. He finally marries Bardot through a set of crazy circumstances, but refuses to give up his mistress, which of course leads to a jealous Brigitte taking matters into her own hands. This is a classic French style sex comedy, with confusion, mistaken assumptions, and people sneaking into each other's beds, all in service of teaching the lesson that what's good for the goose is good for the gander.

Focusing on the poster for a moment, you can see it's a high quality piece of art, but it's attributed to nobody. We checked around and came up with zip. You'll notice it says La Parisienne was Bardot's first big picture. We doubt that—it was her eighteenth movie. We can find no evidence anywhere that this one was different budgetwise than her other headlining efforts. Possibly, “big” is a reference to the plot's focus on international politics and diplomacy. The film does seem to have a larger scope, and take place against a larger backdrop than usual. So maybe that's it. Or maybe the American distributors meant that it was the first of Bardot's films to receive a big promotional push in the U.S. We just don't know. But here's what we're sure about: after a successful run in Europe beginning in late 1957, La Parisienne premiered in New York City today in 1958. 
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History Rewind
The headlines that mattered yesteryear.
December 18
1912—Piltdown Man Discovered
A hominid fossil known as Piltdown Man is found in England's Piltdown Gravel Pit by paleontologist Charles Dawson. The fragments are thought by many experts of the day to be the fossilized remains of a hitherto unknown form of early man, but in 1953 it is discovered to be a hoax composed of a human skeleton and an orangutan's jawbone. The identity of the Piltdown forger remains unknown, but suspects have included Dawson, Pierre Teilhard de Chardin, Arthur Conan Doyle and others.
December 17
1967—Australian Prime Minister Disappears
The Prime Minister of Australia, Harold Holt, who was best known for expanding Australia's role in the Vietnam War, disappears while swimming at Cheviot Beach near Portsea, Victoria and is presumed drowned.
1969—Project Blue Book Ends
The United States Air Force completes its study of UFOs, stating that sightings are generated as a result of a mild form of mass hysteria, and that individuals who fabricate such reports do so to perpetrate a hoax or seek publicity, or are psychopathological persons, or simply misidentify various conventional objects.
December 16
1985—Gotti Ascends to Mafia Throne
In New York City, mafiosi Paul Castellano and Thomas Bilotti are shot dead on the orders of John Gotti, paving the way for Gotti to assume leadership of the powerful Gambino crime family. Gotti is eventually arrested by federal authorities in 1990, and dies of throat cancer in 2002 in a federal prison hospital.
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