Intl. Notebook Jun 23 2017
COMING FULL CIRCLE
Famed movie cemetery rises from the dead.

Spaghetti westerns earned their name because they generally premiered in Italy and the studios that financed them were usually Italian, but the films were often predominantly shot in Spain. The climax of The Good, the Bad and the Ugly, with its unforgettable three-way gunfight between Clint Eastwood, Eli Wallach, and Lee Van Cleef, was shot outside the town of Santo Domingo de Silos, Spain, in the province of Burgos, in a unique circular cemetery put together by set builders. In the script it was called the Sad Hill Cemetery. After the shoot Sad Hill was abandoned, and soon nature began to overtake the set.

That would have been the end of the story, but a group of film fans calling themselves the Sad Hill Cultural Association decided Sad Hill was a historic film treasure deserving of resurrection, and pledged to rescue it from oblivion. Toiling in their spare time, they labored with pick, hoe, and shovel to clear the site. They needed money to accomplish the work, so they set up a crowdfunding campaign with a unique enticement—those who contributed would have their names inscribed on the restored grave markers. The restoration efforts are finally complete, and the famous graveyard has been returned to its former state.

Spanish filmmaker Guillermo de Oliveira shot a documentary about the salvation efforts, and hopes to release a film titled Sad Hill Unearthed. He's now trying to raise money to pay for the rights to clips and music from The Good, the Bad and the Ugly, with the plan to premiere thefinished product at film festivals and share the restorer's unique dedication with the world. Meanwhile Sad Hill will become not only a tourist attraction for people passing through the province of Burgos, but a destination for those who contributed to its renewal. As Oliveira commented, “It’s the only cemetery in the world where you can visit your own grave.”

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Vintage Pulp Jan 21 2017
KANSAS CITY CHIEFS
The best defense is a good offense.

Four robbers knock off a bank in Kansas City with plans to split the money after the heat has cooled. The mastermind behind the job has arranged it so the crooks don't meet before the job, and wear masks during it, thus can't possibly identify each other. But each man has an ace, torn in half to create a unique mate, to match with the second half and confirm his identity when the time comes. It all sounds clever and foolproof, except the mastermind has framed someone for the robbery to throw police off their trail, and when this man is arrested but turned loose from police custody due to lack of evidence, he decides to track down the men who set him up.

This character, played by John Payne, is our anti-hero and looming wrench in theives' works. He quickly picks up the trail of one of the robbers in Mexico, but the police have too. In trying to discover who framed him, Payne could look to these lurking cops as though he's a member of the gang—if they spot him, that is. When Payne sees an opportunity to adopt one of the robber's identities—no difficult task since they've never seen each other—he leaps at it, but this draws him in even deeper. He's now in danger from the men he's playing imposter to, while to the cops he looks like a participant in the robbery.

There are more twists, including a star-crossed romance with Coleen Gray, but we'll stop there. This is a nice, multi-layered film noir, with good performances all around. Considering the risk Payne has to take we aren't sure we fully buy his motivation, but once he's made the decision there's no easy way out, and it's fun to watch him threaten and beat his way up the chain to the top guy. Coleen Gray always adds a nice element to any movie she's in, and Lee Van Cleef is good in a tough guy role. The only serious blemish here may be the silly final minute, but you shouldn't let it ruin the film for you. We recommend giving this one a whirl.

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Vintage Pulp Mar 23 2010
COMBINATION ROCKS
Lesser-known noir The Big Combo is well worth a viewing.

In the old noirs criminal gangs are sometimes the Mafia, sometimes the Mob, and still other times the Syndicate. In this one the gang is the Combination, hence the title The Big Combo. While the film isn’t a big budget noir, it makes up in inventiveness what it lacks for dollars. Example: one thug who wears a hearing aid is about to be rubbed out. He begs for his life, and one of his executioners says, “I’ll do you a favor—you won’t hear the bullets.” He then snatches out the thug’s hearing aid and we see a silent close-up of muzzle flashes. The film is filled with visual treats like that, and as a bonus it has first-rate acting, with the lead Cornel Wilde even pulling off a crying scene. For real. He turns on the waterworks with no help from the make-up department and it’s an exceedingly rare feat for male actors during the 1950s.

Another characteristic of The Big Combo is its sexual undercurrents. One character is a stripper and during a backstage scene we get a surprising flash of her bikini-clad bottom. Meanwhile, Lee Van Cleef and Earl Holliman play two hired thugs who we’re supposed to suspect are gay. We’ve seen the great documentary The Celluloid Closet about the many gay characters hidden in old films, so we’re familiar with the hints screenwriters like to drop. In this case the relationship between Van Cleef and Holliman is clearer than usual, which makes us wonder if it was an accident or a deliberate attempt to push the envelope when Holliman utters the line, “I’m sick of swallowing sausage.” Shortly thereafter the two are dispatched via hand grenade, so unfortunately we don’t get to know any more about these two great characters.
 
We’ve already given away too much, so we’ll quit while we’re ahead. If you like film noir, definitely give this one a spin. It’ll be a good expenditure of time, we promise. Above you see the great Spanish language promo art for this underrated classic. It was released with the title Agente Especial in most Spanish speaking countries, but for Argentina the producers went with Gangsters in Fuga, which translates rather poetically as “Gangsters in Flight.” It first flew in the U.S. in 1955, and migrated to Argentina in the spring of 1956.

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History Rewind
The headlines that mattered yesteryear.
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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