Vintage Pulp Nov 10 2017
COUNTER INTELLIGENCE
Sorry losers and haters, but my I.Q. is one of the highest—and you all know it!

You know the aphorism about intelligence, right? The one where smart people never feel smart enough and stupid people never realize they're stupid? The lead character in Jonathan Gant's, aka Clifton Adams' Never Say No to a Killer constantly brags about how smart he is. He even claims to have a genius I.Q. He puts this brainpower to use in escaping prison, setting himself up in Lake City, gaining possession of a million dollars worth of blackmail material, and sparking interest from the most beautiful woman he's ever seen, but you have a sneaking suspicion the entire time he isn't really that smart.

Since the story is told from first person point-of-view you have no evidence he's a blowhard, but for a guy who's allegedly so much smarter than everyone else plenty of things go wrong with his schemes, and the corpses he generates don't inspire confidence in his self assessment. And indeed, later you discover definitively that he isn't bright at all—he just has an enormous ego, one that allows him to bluster his way through problems, but which keeps him from spotting obvious dangers and prevents him from understanding it's he who's being played.

He believes beautiful women are his reward for being so much better than everyone else, which makes it especially satisfying when these women begin giving him trouble. If he was really a genius he'd have known that you never cross a femme fatale. Never Say No to a Killer is not an especially well written book, but the story is great and the character of Roy Surratt is rare. Well, rare in fiction. In real life people like him are everywhere. Recommended stuff from Ace Double Novels, circa 1956, with uncredited cover art, and Louis Trimble's Stab in the Dark on the flipside.

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Vintage Pulp Aug 4 2017
ENGINEERING FEET
It's time you got your hands dirty, tough guy. We'll start with a pedicure.

Above, an Ace double consisting of John Creighton's Trial by Perjury and Louis Trimble's The Smell of Trouble. Cover art is by uncredited and his twin brother unattributed. You can see another Ace double here

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Vintage Pulp May 26 2017
SHE CHOOSES HE LOSES
I'd shoot you in the head or chest, but you're already brainless and heartless. So I think I'll make you dickless too.

It isn't just us, right? The perspective of Olivier Brabbins' art for Stuart Brock's, aka Louis Trimble's Killer's Choice makes it seem as though the woman is aiming dangerously low. At best, her male target will soon be missing his appendix; at worst, he can kiss the royal scepter goodbye. What did he do to deserve this? Well, the novel is a basic parlor murder mystery about the patriarch of a dysfunctional family who believes one of his progeny is trying to kill him. He has a pile of money, but is very stingy with it, giving nearly everyone a motive for murder. A killing eventually occurs, a body disappears, subterfuges take place, and the police are of course not to be involved. Luckily there's a detective on the premises. Everyone in the family thinks he's a secretary, but only because the patriarch hired him to play this role while trying to figure out who's planning to off daddy. Now with an actual murder on the premises, the detective has an even more urgent mystery to solve. And hopefully he can do it without being shot in the gonads. 1956 on this one, from Graphic Publishing Co.

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Vintage Pulp Feb 4 2017
CUTS LIKE A WIFE
I think we should consider a separation. And I have just the body part in mind.

A gringo detective with an agency in Mexico City is hired to locate his crooked ex-partner, who has bailed with the agency's money, and now is causing trouble for the client. The PI takes the job, glad to be paid to track down his betrayer, and starts in the Mexican town of Rio Bravo where the partner immediately turns up dead. From there the hero delves into local corruption, crosses the border to Texas, uncovers a human trafficking ring, meets a cantina dancer named Arden Kennett, deals with a dangerous wife, watches murders pile up and the police begin to suspect him, and learns that knives can be thrown just as effectively as they can be brandished.

The book was published in the U.S. as an Ace Double in 1959 with Paul Rader art and bound with Charles Fritch's Negative of a Nude, but the rare edition above is from Aussie imprint Phantom Books and appeared in 1960. We can't identify the artist, which is an affliction we've been dealing with quite a bit of late. But don't blame us—as we've mentioned once or twice before, including just a few days ago, Phantom didn't credit art, possibly because much of it was copied from U.S. editions. Many of the covers do, however, look like the same hand, so hopefully someone will be able to ID the owner of that hand at some point in the future.

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Vintage Pulp May 2 2015
BLOOD BATHS
They’ve gotten themselves into hot water for the last time.

There’s no safe place in pulp—especially not the bathtub. Above and below is a collection of vintage covers featuring various unfortunates who chose the wrong time to be naked and defenseless. Well, most of them are naked. A few have clothes on for reasons we cannot discern. Art is by Willard Downes, Barye Phillips, Robert Bonfils, Jef de Wulf, and others. See another good example here.

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Vintage Pulp Feb 2 2014
BLIND SIDED
Pull the blinds and turn out the lights.

We’ve explored several cover motifs in pulp art, and another we’ve grown to appreciate is the use of venetian blind shadows or silhouettes. Always a dramatic addition to a cover, we could probably compile fifty of these, at least, but here are twenty examples. The artists—Olivier Brabbins, Emilio Freix, Robert Maguire, James Hodges, and others—use them to greater and lesser degrees, and opt for both literal and stylized renderings. For instance, the above cover from Maguire shows vertical shadows, but the sense of venetian blinds remains. As always, thanks to all the original uploaders, particularly Pulpnivora for the very nice front to La llamada de la muerte

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Vintage Pulp Jan 21 2014
DRIVING AMBITION
Yes, that is a disconcerting sight. Speaking of which, I bet he has no idea he’s about to drive over a cliff.

Above, an excellent take on the Headless Horseman concept for Louis Trimble’s mystery Murder Trouble, eighteenth entry in the Black Cat Detective Series, 1945. Artist unknown. 

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History Rewind
The headlines that mattered yesteryear.
November 13
1971—Mariner Orbits Mars
The NASA space probe Mariner 9 becomes the first spacecraft to orbit another planet successfully when it begins circling Mars. Among the images it transmits back to Earth are photos of Olympus Mons, a volcano three times taller than Mount Everest and so wide at its base that, due to curvature of the planet, its peak would be below the horizon to a person standing on its outer slope.
November 12
1912—Missing Explorer Robert Scott Found
British explorer Robert Falcon Scott and his men are found frozen to death on the Ross Ice Shelf in Antarctica, where they had been pinned down and immobilized by bad weather, hunger and fatigue. Scott's expedition, known as the Terra Nova expedition, had attempted to be the first to reach the South Pole only to be devastated upon finding that Norwegian explorer Roald Amundsen had beaten them there by five weeks. Scott wrote in his diary: "The worst has happened. All the day dreams must go. Great God! This is an awful place."
1933—Nessie Spotted for First Time
Hugh Gray takes the first known photos of the Loch Ness Monster while walking back from church along the shore of the Loch near the town of Foyers. Only one photo came out, but of all the images of the monster, this one is considered the most authentic.
1969—My Lai Massacre Revealed
Investigative journalist Seymour Hersh breaks the story of the My Lai massacre, which had occurred in Vietnam more than a year-and-a-half earlier but been covered up by military officials. That day, U.S. soldiers killed between 350 and 500 unarmed civilians, including women, the elderly, and infants. The event devastated America's image internationally and galvanized the U.S. anti-war effort. For Hersh's efforts he received a Pulitzer Prize.
November 11
1918—The Great War Ends
Germany signs an armistice agreement with the Allies in a railroad car outside of Compiègne in France, ending The Great War, later to be called World War I. About ten million people died, and many millions more were wounded. The conflict officially stops at 11:00 a.m., and today the eleventh hour of the eleventh day of the eleventh month is annually honored in some European nations with two minutes of silence.
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