 She was one Man's ray of light. 
This is a fantastic shot. One reason it caught our eye is that we've seen other photos with lacy shadows substituting for lingerie, but this one from 1930 may be the originator of the illusion. The person you see is Lee Miller. She was born in 1907 and became a fashion model in New York City during the late 1920s, before traveling to Paris with the intent of meeting the legendary photographer Man Ray. She succeeded and became his muse, lover, and frequent subject, as evidenced by this photo, which is his work. Miller was widely acknowledged as one of the great beauties of her era, but modeling was not her career goal. Her plan had always been to become a photographer. Thus in addition to the other facets of her relationship with Ray, she also apprenticed for him. After absorbing what he had to share she eventually went on to shoot acclaimed World War II photos, some of them during perilous live combat, and documented the liberation of the Buchenwald and Dachau concentration camps, helping expose Nazi atrocities to the world.
In mid-1945 she was in Munich shooting images of the immediate aftermath of the war and posed for a nude shot in Adolf Hitler's bathtub. Yeah—Hitler. Her son, Antony Penrose, later said of the shot, “I think she was sticking two fingers up at Hitler. On the floor are her boots, covered with the filth of Dachau, which she has trodden all over Hitler’s bathroom floor. She is saying she is the victor.” The photo was of course controversial, but Miller was a pure artist, always willing to make observers see the world in a new way—through her trained eye. So while the shot at top could be seen as reductive of a complex and accomplished personality, it actually reveals an important aspect of who she was—a daring, multi-faceted woman to whom convention was merely a challenge. And it's an overwhelmingly beautiful shot besides.
 Shall I play for you, pa rum pum pum pum? 
We’re at the penultimate page of the Goodtime Weekly Calendar of 1963, and as promised last week here’s a great shot from Ron Vogel of an unidentified model getting her groove on. This just cries out to be repurposed as a 12-inch cover or some kind of concert poster, don’t you think? The image actually brings up lots of humorous possibilities, and we were contemplating something along these lines for a subhead: She’s not the only one who loves beating something between her legs. But then we decided that was just too much. We have some class here. Among the quips this week is one from a person named Barbette. We had no idea who that was, so off to the interwebs we went for an answer. Turns out Barbette was a famous trapeze performer and female impersonator. He was born Vander Clyde Broadway, and in his aerial act performed in full drag only to reveal himself as a man at the end. As his fame grew he worked all over the U.S. and Europe, selling out storied venues like the Casino de Paris, Moulin Rouge, and the Folies Bergère. His renown extended beyond the realm of performance. He was photographed by Man Ray, cast in Jean Cocteau’s experimental film Le sang d'un poete, was the subject of Cocteau’s essay Le numéro Barbette, and choreographed aerial scenes for Hollywood movies. It’s also possible he was the inspiration for Reinhold Schünzel’s musical comedy film Viktor und Viktoria, which was remade as Victor Victoria by Blake Edwards. Quite a legacy. We aren’t sure if his quip is particularly insightful, but even Barbette had his off days. Feb 24: “A college girl who eloped put the heart before the course.”—G.S. Kaufman Feb 25: “Women think about love more than men; that’s because men think more about women.”—Barbette Feb 26: A woman’s strength is her weakness. She fights by yielding and conquers by falling. Feb 27: :One group of people who live on love are the owners of drive-in theaters.”—Jack Herbert Feb 28: “For every man there’s a woman; but the chances are one may get the wrong number.”—He-who Who-he Mar 1: “Alimony: The high cost of guessing wrong.”—Quin Ryan Mar 2: Every girl should have a husband, not necessarily her own—Hollywood Code
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The headlines that mattered yesteryear.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid. 1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison. 1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes. 1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere. 1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
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