Vintage Pulp Aug 31 2017
INTO THE FRAULEIN'S DEN
Hey solider—ever made it in a smoking ruin with the stench of death in your nostrils?

We don't know if there were enough prostitution-in-the-ruins novels written during the postwar period to qualify as a sub-genre, but it seems to us we've seen quite a few of them. We highlighted Scott Graham Williamson's Torment around this time last year, and now we have another—Erika, aka Fräulein, by James McGovern. The book revolves around a woman who is tricked into becoming a prostitute in divided Berlin before finally finding Mr. Right and escaping. She's named Erika Angermann, a symbolic name if ever there was one, hinting at what the men in her life put her through. Erika aka Fräulein was a hit when published in 1956, and became a 1958 movie with Dana Wynter and Mel Ferrer. The book is bit obscure today, but was well regarded in its time. We'll look into how many novels like this are out there and if there are enough maybe we'll put together a group post. 

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Vintage Pulp Jan 18 2016
WUTHERING BITES
Carmilla’s in the mist.


When we shared a poster for Roger Vadim’s Il sangue e la rosa way back in 2009 we didn’t talk about the movie. But since we found this beautiful alternate promo to show you, we thought we’d watch the film again to refresh our memories. It’s an ethereal gothic drama about a woman caught in a love triangle who is subsequently possessed by a vampire after an accidental explosion opens the monster’s centuries buried tomb. It feels like a supernatural version of Emily Brontë, but the source material was actually from Sheridan le Fanu, whose vampire story Carmilla predates Bram Stoker’s Dracula by more than twenty years. Long on lustful gazes, lingering fog, and lilting harp music, short on chills and thrills, Il sangue e la rosa is more of a Vadim art piece than a conventional film, but it has some charms, personified by Elsa Martinelli and Annette Vadim, aka Annette Stroyberg. Il sangue e la rosa premiered in Italy today in 1961. See the other poster here.

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Vintage Pulp Jan 1 2013
THREE TIMES AS NICE
Ringing in the New Year in style.


Survived another year. And so have you. So let’s open 2013 by catching up with the Goodtime Weekly Calendar. We missed two weeks while we were in Morocco, and those pages are below. Above you see the January 1 page of this great publication, which also happens to be the cover, and it features model/actress/centerfold June Wilkinson shot by film director Russ Meyer. The photo is a variation of another Wilkinson image that appears inside the calendar later in the year. The images below are credited to Ron Vogel and L.W., whoever he is. Obviously, there's a three week backlog of jokes, but by now we’ve established that most of them are not in any way amusing, so rather than transcribe the entire collection, we’ve selected what we hope are the most interesting. Enjoy.

“A pedestrian: The man who didn’t believe his wife when she said the family needed two cars.”—Cannonball Adderley
 
“Many a man who would never think of gambling goes out and gets married.”—Sig Sakowicz
 
At Christmas time, every girl likes her past forgotten and her presents remembered.
 
Women are like modern paintings: you’ll never enjoy them if you try to understand them.
 
“Better a witty fool than a foolish wit.”—William Shakespeare
 
“People Who throw kisses are mighty near hopelessly lazy.”—Bob Hope
 
“Short skirts have a tendency to make men polite. Have you ever seen a man get on a bus ahead of one?”—Mel Ferrer 

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Hollywoodland Aug 26 2012
BURNING HEPBURN
The magazine that whispered rape.


Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?

In light of all the discussion about rape lately, it’s instructive to go back in time and read such an incendiary insinuation presented so casually in a national magazine, probably by some pseudonymous male editor, if tradition holds true. Looking for corroboration, we found only stories about Hepburn living in constant fear of being kidnapped, but that’s all. In no place we looked did we find any reference to her actually being taken, let alone violated. So we don’t know where Inside Story got its information. That being the case, we have to call bullshit. Inside Story goes on to wrap its dubious claim in the truth by telling readers how Hepburn’s uncle was executed by Nazis—true; how she gave secret ballet performances to generate funds for the Dutch resistance—true; and how she used tulip bulbs to make the flour needed for cakes and biscuits, but went through the war malnourished and underweight—true and true. As for the other claim—if untrue, it’s pretty low, and if true, it’s both low and irresponsible. Even by the standards of mid-century scandal sheets.
 

 
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Vintage Pulp Jan 18 2009
BLOOD & ROSES
Vadim explores the dark in his gothic vampire flick.

If this looks like a poster for some sort of gothic lesbian vampire romance, well, you should start up your own psychic friends network, because you’re right. Alternatively, maybe you aren’t psychic, and this is just extremely successful promo art. Directed by Roger Vadim, Il sangue e la rosa is loosely based upon Irish author Sheridan LeFanu’s classic tale Carmilla, which appeared in his 1872 anthology In a Glass Darkly. Vadim’s adaptation was originally released in France under the title Et mourir de plaisir, but later renamed and paired with the fantastic art you see above. It premiered in Italy in… well, if you’re psychic you already know.

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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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