Modern Pulp Aug 28 2018
BODIES, LUST, AND EMOTION
The Florida heat cooks up trouble in Lawrence Kasdan's masterful neo-noir.


Kill your husband for you? Sure, I can make that happen, I guess. Spousal murder is a film noir and pulp fiction plot tentpole, and the motivation for trying something so risky generally revolves around sex. But during the time the film noir and pulp fiction genres were extant their makers could only imply it. The neo-noir thriller Body Heat, which premiered in the U.S. today in 1981, fixed that problem, as not-so-bright lawyer Ned Racine, played by William Hurt, is seduced into a murder plot by whip smart bombshell Matty Walker, played by Kathleen Turner in her cinematic debut.
 
Body Heat is an apt title. The setting is South Florida during a heat wave, with most of the action set in the mythical towns of Pinehaven and Miranda Beach. Every frame of the movie seems to vent steam. There's copious slippery sex and nudity, all of it important to the plot. When the pair have their electric first encounter Hurt pulls off Turner's panties with an expression of pure awe on his face and intones, “So wet.” For just that moment he wonders if it's really him turning on a woman that much. And he's right to wonder, because it isn't him. What's turning her on is money.

Directed and written by Lawrence Kasdan, the film is a reworking of Double Indemnity, but it improves on the original in the sense that we fully understand the visceral reasons why murder has occurred. That moisture between Turner's legs causes an electrical short in Hurt's brain. After subsequent sexual encounters, including an anal session that's implied but clear as day thanks to some clever visuals, he's hooked like a bluegill. For a guy just smart enough to get a law degree, but not bright enough to avoid being known as his town's worst lawyer, bedding Turner makes him feel godlike. Surely he can pull off murder and make it look like an accident.

Body Heat made Turner, Hurt, and Kasdan superstars, and did the same for a few of its below-the-line players. Turner went on to become one of the pre-eminent actresses of her generation; Hurt, who had starred in the brilliant but under appreciated Altered States, became one of Hollywood's top leading men; and Kasdan directed Silverado, The Big Chill, and other hits. Co-star Ted Danson also blew up, and Mickey Rourke parlayed a blazing supporting bit into a career as Hollywood's go-to rebel creep. You know any film that ignites five such careers is top notch, but as a post-noir entry Body Heat is also cinematically important. Not only did it finally lay bare the motivation behind all those noir murders and obsessions, but it did so with a reverent visual style and pitch perfect mood. We can't recommend it strongly enough.

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Modern Pulp Jun 24 2009
EARTH ANGEL
Damned if you do, damned if you don't.

Above is the promo art for the June 24, 1987 Japanese premiere of Alan Parker’s supernatural thriller Angel Heart, a movie that happens to be one of our favorites around here. It’s based upon a novel by William Hjortsberg. That novel, a brilliant channeling of Hammett and Chandler titled Falling Angel, was nominated for an Edgar by the Mystery Writers of America. The film version is dark, violent, sexual, and unflinching. Most of the action was transplanted to New Orleans in place of the book’s New York setting, and that decision gave the film an ominous backdrop of jazz, rain, voodoo, bayou, and shadows, with a desperate protagonist wandering virtually lost in the center of it all.

When the film opened in the U.S. reviewers were impressed with the visual tapestry Alan Parker had constructed, but quite a few were unhappy with both Lisa Bonet’s sexually charged role and the lack of sympathetic characters in the narrative. But this is another of those films that has staying power. Mickey Rourke is brilliant as the rumpled detective Harry Angel, Bonet manages a brave performance in a difficult role, and Robert DeNiro is oily and secretly amused as Louis Cyphre, the client who knows so much more than he’s telling. In fact, if not for an almost ruinous special effects misstep in the final minutes, we’d call this movie a perfect piece of pulp cinema. But even with that one colossal error, this kind of hellride doesn’t come along often, which is why we appreciate it as a rare gem, now twenty-two years old.

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History Rewind
The headlines that mattered yesteryear.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
September 17
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
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