Vintage Pulp Oct 24 2016
DEATH'S DOOR
Spillane thriller gives new meaning to getting in too deep.

This cover for Mickey Spillane's The Deep comes from the UK imprint Corgi Books, which gave Spillane's entire catalog similar minimalist—and uncredited—treatment. Spillane had a couple of gaps in his publishing career, and this book came in 1961 after a nine year break following his indoctrination into the Jehovah's Witnesses in 1952. It has a main character named Deep and he's on a revenge spree, so there's the title for you. Though the cover isn't credited we suspect it was painted by Renato Fratini. It looks like his work, and he did a Spillane series for Corgi during the early 1960s.

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Vintage Pulp Aug 22 2016
CHANGING SPILLANES
Five different covers, one great artist.


Above, a small collection of Mickey Spillane covers illustrated by Barye Phillips in similar style for Signet Books published throughout the 1950s. Spillane had many cover treatments over the decades but these are among the best. Phillips did other art for Signet, including illustrating the fronts of James Bond and Al Wheeler novels. We're also big fans of this piece, and this one too. And you can also see another Spillane collection we put together here.

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Vintage Pulp Jul 9 2016
BEGGING FOR IT
Getting what you want is all in how you ask.


It seems as if no genre of literature features more characters in complete submission to others than mid-century sleaze. And how do these hapless supplicants express their desperation? They break out the kneepads. Above and below are assorted paperback covers of characters making pleas, seeking sympathy, and professing undying devotion. Though some of these folks are likely making the desired impression on their betters, most are being ignored, denied, or generally dumptrucked. You know, psychologists and serial daters say a clean break is best for all involved, so next time you need to go Lili St. Cyr on someone try this line: “I've decided I hate your face now.” That should get the job done. Art is by Harry Barton, Barye Philips, Paul Rader, et al.

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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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Vintage Pulp Jun 2 2015
DEATH BECOMES THEM
Spillane decides to kill everybody.

Mickey Spillane’s Dites-le avec des tueurs was published by Presses de la Cité in 1961, and comprised four stories translated into French by G. Morris-Dumoulin—“Stand Up and Die!,” “Tomorrow I Die,” “I'll Die Tomorrow,” and, just for variety, “Me, Hood!” Don’t worry, though—lots of people die in that one too. All four tales originally appeared in the American men’s magazine Cavalier, a publication that embraced writers such as Thomas Pynchon, John D. MacDonald, and Theodore Sturgeon, and was instrumental in helping launch the career of Stephen King. We really like the cover art on the above collection, but we don’t know who did it. We’ll dig into that and maybe report back later. 
 
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Modern Pulp | Vintage Pulp Mar 20 2015
GETTING HAMMERED
Three Italian covers offer three visions of Mickey Spillane’s hard-boiled Mike Hammer classic.

The top cover for Mickey Spillane’s Ti ucciderò was painted by the excellent Giovanni Benvenuti for Garzanti in 1957. You can see the artist’s signature more or less in the middle of the cover. The title Ti ucciderò means “I will kill you,” which is considerably less evocative than the original title I, the Jury, but maybe that just doesn’t translate well in Italy for some reason. The second cover is also from Garzanti and dates from 1972. The shifty eyes at top were a design element on all the Spillane covers from Garzanti during the period. Last you see a 1990 edition of I, the Jury published by Oscar Mondadori, and though we don’t know the artist, it’s interesting to see a book appear so late with a painted cover. The detective on that one, if you take a close look, is the actor Stacy Keach. He was starring as Mike Hammer on an American television show called The New Mike Hammer, from which you see a still at right, and the Mondadori book was a tie-in for when the show hit Italian television. All three covers are nice, but Benvenuti is tops, as always.

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Vintage Pulp Jul 3 2014
LADY KILLERS
Sexiness is a warm gun (on a book cover anyway).

This cover of Peter O’Donnell’s Sabre Tooth, part of his popular Modesty Blaise series, shows Italian actress Monica Vitti as the title character, and it got us thinking about all the paperback covers that feature photos of women with guns. Of course, we realize that, as far as the gun-crazed U.S. is concerned, thinking of armed people as enticing or artistic may seem a little tone deaf, but we're talking about book covers, that's all. So we decided to put together a collection. We should mention that the Blaise series is worth reading if you’re looking for something along the lines of light thrills. It’s breezy and sexy as only 1960s spy literature can be, and Blaise herself is an interesting character, born in Greece, raised by a Hungarian scholar, trained in martial arts, and proficient in piracy, theft, and all around sneakiness. In Sabre Tooth she finds herself trying to thwart an invasion of Kuwait by an Afghan warlord. Below we have a dozen more photo covers featuring heat-packing women. As always with these collections, thanks to the original uploaders, most from Flickr, but particularly Muller-Fokker and Existential Ennui.

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Vintage Pulp Jun 1 2014
FAST SPILLANE

Below, four evocative covers from the French imprint Editions Les Presses de la Cité for, top to bottom, Mickey Spillane’s En quatrième vitesse (Kiss Me Deadly), Dans un fauteuil (The Big Kill), Charmante soirée (One Lonely Night), and Nettoyage par le vide (The Long Wait). Does that last one sound familiar? Look here. Artist or photographer unknown on these. You can see more excellent Presses de la Cité Spillane covers on Müller-Fokker’s blog.

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Vintage Pulp Mar 29 2012
STARING DOWN THE BARREL
Stop whining. You deserve this bullet and you know it.

We love pulp covers featuring armed women. But we especially love them when the women are directing their attention toward the viewer. Since pulp is read primarily by men, such illustrations speak implicitly about a man’s thwarted expectations, and conversely of threatened women turning the tables to become empowered. We see this above, where a beleaguered woman defends her helpless man against an enemy we can't see because we're living inside his body. Below are thirteen more examples of women menacing you the viewer, with art by James Avanti, Robert Maguire, Harry Schaare, Rudolph Belaski, Harry Barton, and others. Thanks to flickr.com for some of these. 

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Vintage Pulp Aug 9 2010
FRAGMENTS OF FEAR
Be afraid... be very afraid.

Below, fifteen pieces of pulp art with terror as their central theme. The cover in panel three from Erle Stanley Gardner is the German version of 1948's Perry Mason and the Case of the Vagabond Virgin, retitled Perry Mason und die Unschuld vom Lande, or Perry Mason and the Innocence of the Country.

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Next Page
History Rewind
The headlines that mattered yesteryear.
June 26
1936—First Helicopter Flight
In Berlin, Germany, in a sports stadium, Ewald Rohlfs takes the Focke-Wulf Fw 61 on its first flight. It is the first fully-controllable helicopter, featuring two counter rotating rotors mounted on the chassis of a training aircraft. Only two are ever produced, and neither survive today.
1963—John F. Kennedy Visits Berlin
22 months after East Germany erects the Berlin Wall as a barrier to prevent movement between East and West Berlin, John F. Kennedy visits West Berlin and speaks the famous words "Ich bin ein Berliner." Suggestions that Kennedy misspoke and in reality called himself a jelly donut are untrue.
June 25
2009—Farrah Fawcett Dies
American actress Farrah Fawcett, who started as a model but became famous after one season playing detective Jill Munroe on the television show Charlie's Angels, dies after a long battle with cancer.
June 24
1938—Chicora Meteor Lands
In the U.S., above Chicora, Pennsylvania, a meteor estimated to have weighed 450 metric tons explodes in the upper atmosphere and scatters fragments across the sky. Only four small pieces are ever discovered, but scientists estimate that the meteor, with an explosive power of about three kilotons of TNT, would have killed everyone for miles around if it had detonated in the city.
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