Seems like she gets tougher to work for every year.
The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.
You have the right to remain dead.
We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.
Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.
One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.
Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.
Okay! Please, enough! How about we just admit we're both wrong and leave it at that!
So, after all these years the consensus among experts finally is that cover artist Jacques Thibésart's stylized signature should be read Mik instead of Nik, so we've shared this cover today to call attention to the change we've made to all his previous mentions on Pulp Intl. The man has caused no end of trouble. But he's worth it, because just look at this piece above, with a femme fatale Harveying the living daylights out of a problematic male. This fronts Bevis Winter's Quand elles se mettent à cogner... which was published by Éditions Le Trotteur in 1953 for its series Le Roman de Choc, or Shock Novel. Winter was an English author active during the 1950s who published as Hyman Zoré, Al Bocca, Gordon Shayne, Peter Cagney, and other pseudonyms. It's possible—but not certain—that Quand elles se mettent à cogner... is actually a translation of Larry O'Brien's 1950 thriller Angels Bruise Easy. But don't quote us on that, because French mid-century popular literature is a constant mystery and not even the experts seem able to unravel it.
Need a little help around the house?
Above is a poster for Dorei keiyakushu, yet another entry in Nikkatsu's roman porno pantheon, and one that gets viewers to the usual place by a slightly different route. The film opens with Nami Matsukawa having her pubic hair shaved off by a man. She isn't too thrilled about it. Then he gives her an enema, and it's us who aren't too thrilled. Then he binds her in rope kinbaku-bi style, basically wrapping her like a gift, carefully places her in a crate with some packing material, closes it up and has some delivery guys take the container away. The parcel ends up in the house of Hidekazu Mikami, who's surprised as hell when he opens it, as is his wife, played by Izumi Shima. Imagine explaining that. A sheaf of legal documents around Nami's neck says that she's a slave and will serve as payment of a debt. And just like that it's straight to the kinky sex and domination. You can always count on Nikkatsu—they never fail to get you to bondage land, if indeed that's where you want to go. Us, we can take or leave it. Even though we have many more roman porno posters we'd like to share, we may shift more toward Toei's pinky violence action movies for a while. They're harder to find, but worth the effort—and we can only watch so many enemas. Dorei keiyakushu premiered in Japan today in 1982.
It says she'll do anything you ask. Laundry, dishes, handjobs, whatever.
Baby, I swear I didn't order a slave.
But as long as we have one...
If you think this is painful wait until I tell you all the kinky things I did with your husband.
T'as triché marquise was written by the pseudonymous author George Maxwell and published in 1953 as part of Editions le Condor's collection La Môme Double-Shot. This is of the more violent entries in the series and the cover art reflects that. What we like best about it is how effortless the blonde makes her submission hold on the brunette look. Not a single golden hair has moved. Many of these Double Shot covers were painted by Jean Salvetti, but this one is by Jacques Thibésart, also known as Nik, or more likely Mik (we're still avoiding changing all those old posts but we'll get around to it). In any case, fine work.
She may be a bald mouse but you're about to be a dead rat, buster.
This beautiful cover was painted for Éditions le Trotteur's popular collection Espions et Agents Secrets by Nik, aka Jacques Thibésart, and illustrates Yannick Williams', aka Jacques-Henri Juillet's 1953 thriller Mademoiselle “Chauve Souris”, aka Miss “Bat”. That's a lot of aka's, and here comes one more. In French souris means “mouse,” chauve means bald, and the two words together mean “bat”—literally “bald mouse.” French paperback titles can get a little slangy, though. Souris by itself—a mouse—is also a word for a pretty woman. So there could be another aka happening here in the form of a pun. We don't know. Jo, where are you? We need you on this one.
Oh, and there's one more thing, also aka related. Thibésart has an unusual signature—not visible on this cover but viewable here—in which the “N” could be read as a stylized “M.” Just lately, online experts are beginning to wonder if his signature should be read “Mik” instead of “Nik.” Thibésart is still around, but in classic French fashion refuses to discuss any of this despite several queries being floated his way. So for now we'll stick with Nik. Also, we don't want to change all our previous posts on this guy. We will update later if needed.
Update: it was needed.
Bad dog! Drop it! Daddy doesn't wanna play! Stay the hell back!
We've had a couple of found body parts stories on Pulp Intl., such as the Ohio heart and the Michigan heart. Today we have the Vancouver foot. Earlier this month Canadian hiker Mike Johns was walking along the southern coast of Vancouver Island when his dog became highly interested in something tangled up in a patch of sea kelp. Everyone who owns a dog dreads these finds, which nearly always turn out to be something no right-minded human would ever normally touch, but which dogs—loveable creatures that they are—immediately want to play fetch with. In this case the discovery was especially unpleasant, as it turned out to be a human foot. The subsequent game of fetch would have looked a lot like a man running desperately away, with his dog in eager pursuit. At least if it had been us.
But what makes the story extra curious is that the foot is the thirteenth found in British Columbia in ten years. Speculation online has of course focused on the sinister, such as serial killers, but medical experts say simply that when bodies in the water decompose, a sneaker will prevent rot and provide buoyancy, allowing easterly currents to reunite foot with terra firma in western Canada. Investigators ruled out foul play in the other foot cases, and results are pending on unlucky thirteen. Every good story needs art, and Johns provided that above, snapping a photo after taking the leg/foot home with him because he feared the tide might claim it before police arrived. We're just hoping he made the dog carry it for him. It's the least the hound could do after screwing up a perfectly good walk.
Japanese society is very formal, but around here I keep things pretty laid back.
Above, a provocative promo photo of Japanese pinku icon Miki Sugimoto, one of dozens she made, all of which are rare. If you don't know her work we suggest adding it to your life. You can start with this film, this one, and this one.
Uh, guys? Remember when you said don't worry she always makes it home in one piece?
The art on this Handi-Book edition of Edward Ronn's, née Edward S. Aarons' 1950 thriller Dark Memory isn't what you'd call masterfully executed (we've never see a foot that had a straight little toe), but it sure makes you look twice, and that's really the point. It was painted by Mike Privitello. The art on the other editions is interesting too, and we've uploaded those for the sake of comparison.
Also published as The Art Studio Murders, the novel opens with a man pushed in front of a subway train. He survives only to endure a blow to his art career when the paintings he's been toiling over for years are destroyed days in advance of a big exhibition. This atrocity is followed by the murder of a friend. At that point he flees to a bucolic island, but quickly learns that whoever is after him is not someone he can shake with a mere change of area code.
Aarons authored more than 80 novels during a long career spanning the 1930s through 1970s. Six more novels appeared after he died in 1975, but these were built from partial manuscripts and were ghost written by Lawrence Hall. We haven't actually read any Aarons, but considering his output we'll almost certainly run across him in our local used paperback outlet at some point. When we do we'll report back.
The headlines that mattered yesteryear.
2009—Farrah Fawcett Dies
American actress Farrah Fawcett, who started as a model but became famous after one season playing detective Jill Munroe on the television show Charlie's Angels
after a long battle with cancer.
1938—Chicora Meteor Lands
In the U.S., above Chicora, Pennsylvania, a meteor estimated to have weighed 450 metric tons explodes in the upper atmosphere and scatters fragments across the sky. Only four small pieces are ever discovered, but scientists estimate that the meteor, with an explosive power of about three kilotons of TNT, would have killed everyone for miles around if it had detonated in the city.
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
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