This looks nothing like you two, does it? Well, truthfully I’m not an artist—I just wanted to see you both naked.
“Mother. Daughter. They Both Wanted Him!” That sums up Myron Brinig’s 1950 novel No Marriage in Paradise about as neatly as possible. The mother, whose unlikely name is Alix, and the daughter, whose even more unlikely name is Duff, end up rivals for the mother’s latest younger boyfriend, an artist named Pete. When the daughter steals Pete and runs away to marry him that throws Alix, who had never had trouble attracting men, into an existential crisis. Best way to solve that? Another man. Despite the seeming sleaze elements here, Brinig was a serious writer, often discussed as part of a cohort of pre-World War II Jewish writers born in the U.S. who mined their parents’ or grandparents’ immigrant experiences for fiction. Brinig, who worked between 1929 and 1958, was also among the first to explore gay characters in American novels. The uncredited cover art for No Marriage in Paradise almost—but not quite—fits into our themed collection of artists and models. You can see that amusing group here.
This is the pleasure department, sir. Pain was consolidated here after last month’s corporate downsizing.
More fun sleaze today, a cover for Myron Kosloff’s 1964 opus Dial “P” for Pleasure, from First Niter, a subsidiary of Connoisseur Publications, with Eric Stanton cover art. You get sexual hijinks at the Hotel Park-Ritz, with swapping, bondage, lesbianism, and all the other fun things in life. This was, if you can believe, made into a porn movie of the same name in 1978 starring Susan Wong and Sharon Mitchell.
Despite best efforts the perpetrator remains unknown.
We’re sharing this hyperviolent true crime magazine front because the art resembles that from yesterday’s post of Tom Palmer covers for The Crime Machine. Crime Does Not Pay has no art credits, so we can’t be sure who painted the covers, but we doubt it’s Tom Palmer because, while similar in mood, Crime Does Not Pay is more cartoonish. Artists' styles evolve, of course, and a couple of years separate the two magazines, but we still doubt it's the same guy. We checked every site online that deals in these sorts of publications and none of them had a name. We also have two full issues of Crime Does Not Pay and there are definitely no art credits anywhere inside, and the pieces are unsigned to boot, so we don’t even have a pair of initials or some illegible scrawl to work from. So the above cover art—brilliant and ingenious—remains uncredited. See the other three examples of Crime Does Not Pay here, here, and here.
Cruel and unusual punishment.
We’ve already shared a couple of issues of Myron Fass’s true crime magazine Crime Does Not Pay. You can see those here and here. This issue is from October 1970 and features yet another hapless victim of diabolical torture. This is probably the most extreme piece we’ve seen from this magazine (notice the two women in the rear awaiting the same treatment) and of course it’s uncredited, but it does resemble Fass’s own work, actually. Crime Does Not Pay had featured regular tabloid-style covers since its launch in 1968, but sometime in late 1969 Fass decided to use the same sort of violent, painted covers that had been appearing on his other imprints like Weird and Terror Tales. These painted issues of Crime Does Not Pay are incredibly rare—so far we’ve seen four. But we’ll keep looking.
Tabloid journalism is all about finding the quickest way from A to B.
We’ve never seen this one before. It’s the American tabloid Limelight, published today in 1966, with someone who looks quite a bit like famed nude model Margaret Nolan on the cover posing as the title story’s jilted lover. This is an example of what we like to think of as editorial economy—i.e., the process of getting from raw material to end story in the most concise way possible. You have a photo of a woman wearing a man’s suit jacket and—voilà!—you write a story that the jacket is all she has left of a boyfriend who (this is where “tabloid” comes in) changed his sex. Ingenious, really. Actually, it might have been even more economical to write that the woman used to be a man and wears the jacket out of sadness and nostalgia: Woman Who Was Once Man Says Sex Change Was a Mistake. We have a feeling sleaze publisher nonpareil Myron Fass was behind this newspaper. Limelight is not listed anywhere as one of his publications, but we doubt those lists are complete. We’ll dig for more info.
Hey, Boss, am I the only one this is putting in the mood for crème brûlée flambé?
Today we have another copy of Myron Fass’s true crime magazine Crime Does Not Pay, with one of its infamous torture covers. We thought the last one was bad, but this time the uncredited artist opts to depict the dreaded blowtorch treatment. This issue is from September 1969, and inside you get stories on Vito Genovese, Elliot Ness, Bugsy Siegel, Abe Hummel, Charles Ponzi, and various other crooks, cops, feds, crooked cops, and crooked feds. Twenty-one scans below, and you can see more gory goodness from Crime Does Not Pay here.
Once upon a crime in America.
Myron Fass knew how to sell magazines, especially violent, lurid, depraved magazines. Crime Does Not Pay (not the same as the identically named comic book) is a perfect example. Basically it was just a true crime magazine, but with a focus on iconic American crimes and criminals, with a liberal dose of splatter thrown in. Some of the covers were crime scene photos, but examples we’ve seen from 1969 featured beautiful (if extremely gory) paintings that we suspect appealed to readers younger than those who normally bought crime mags. Above, for example, you see the cover of the December 1969 issue (no artist info appears in the masthead, sadly). Below are twenty-five images, including shots of Charles Starkweather, John Dillinger, Al Capone, Bonnie Parker, Lester Gillis on a slab, and more. You can read a bit more about Myron Fass here.
And the wiener is…
Above, a cover of Myron Fass’s over-the-top tabloid National Mirror, published today in 1969. Our choice for best story: “Crazed Firemen Put Out Fire Naturally.” How much you wanna bet the phrase “weenie roast” pops up in there somewhere? See more National Mirror here and here.
The sixties were largely about sexual liberation, but National Mirror was the other reflection of the times.
Here’s yet another mid-century tabloid, the low-rent National Mirror. This one was published today in 1969, and the paper as a whole was part of the Myron Fass stable, running from 1965 to 1973. Its editorial niche was forced sex, which is to say we’ve never seen a cover that didn’t feature the words “rape,” “molest,” or “assault.” There’s even a well-known cover about an actress being raped by a gorilla. If every good outcome accidentally creates an opposite consequence, then it's easy to see how the long overdue sexual liberation of the sixties that freed women to make their own choices unleashed a backlash of male resentment personified by the audience for these tabloids. If women couldn’t be kept in their place in the real world, at least they could be controlled—indeed abused—in print. Is that assumption about Mirror readers too big of a leap to make? It might seem so, looking at just one cover. But if we posted fifteen, and you saw the rape theme repeated on each one, you’d probably say, “Ah, okay, they’ve got a point there.” The good news is these types of tabloids have all disappeared, which gives us the freedom to enjoy them as historical curiosities. The bad news is today’s sales figures for violent porn teach us that only the medium has changed, not the message. That said, we’re well aware that many people see any reproduction of female nudity as a form of sexual violence, but that’s overreaching, in our opinion. Our rule is simple: Nudity and sex good, nonconsensual nudity and sex bad. Unless you’re crazy, it’s impossible to get confused.
The headlines that mattered yesteryear.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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