Vintage Pulp May 18 2018
NATSU FAST
When she's bad, she's really bad.


Above is a poster in tateken size for Nikkatsu Studios' pre-roman porno action flick Furyô shôjô Mako, aka Bad Girl Mako, a film for which we showed you a standard sized promo a while back. We didn't really talk about the movie back then, but we've seen it. There's lots of fighting, lots of music, and lots of guys in suits getting roughed up. Junko Natsu plays Mako, a tough party girl who meets a boy named Hideo, lets him stick his honeydripper in her jar of manuka, and decides she's in love. It's amazing that she reaches this conclusion after one quick throw in the back seat of a convertible, but whatever. Unfortunately, before their relationship progresses much farther loverboy is killed and Mako, like any good pinku revenant, gets stabby on the bad guys. There's nothing unexpected here, but in the end you still have a reasonably entertaining entry in the girl gang genre, and the many club scenes and nice exterior cinematography add extra value. Furyô shôjô Mako premiered in Japan today in 1971.

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Vintage Pulp Apr 26 2018
PITS OF DESPAIR
Mine grows faster than yours, but based on length I'd say we've been trapped down here at least three weeks.


We don't know who painted this promo poster but we think it's pretty nice. Looking around the internet we noticed that no good scans of it existed. Until now. Our pleasure. The poster was made for the roman porno flick Dan Oniroku ikenie shimai, aka Sisters To Be Sacrificed, which was based on a book by award winning erotic author Oniroku Dan and starred Minako Ogawa and Miyuki Matsumoto. The two play siblings who inherit their grandfather's inn but are held captive and tortured by the employees. Conveniently, the place has a torture pit underneath with—among other diabolical devices—a seesaw with dildos attached that... Well, just have a gander below. Dan Oniroku ikenie shimai premiered in Japan today in 1987.

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Vintage Pulp Apr 14 2018
LOOSE LIPS
If you're lucky she'll let you kiss her there.


Above is a poster we first noticed some years back at the blog Sangre Yakuza for the Nikkatsu Studios roman porno flick Inranna kankei, aka Nasty Relationship, which starred pinku icon Hitomi Kozue, and— Wait, what is she holding? Inflatable plastic lips? A novelty sized cherry gummi? Whatever it is, it's supposed to look vaginal. Pinku movies in general are not subtle, and roman pornos are even less so. But this is not a flick we were able to track down, which is sad, because we'd like to know what's going on here. Not finding films has happened a lot this month but it's just one of those random dry spells that occur when you watch nothing but rare classics. The worm will turn, the yin shall yang, and the cloud shall burst. In the meantime we thought we'd share this promo anyway, weird lips and all, because Kozue is a Pulp Intl. favorite. Inranna kankei premiered in Japan today in 1976.

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Modern Pulp Mar 12 2018
VELVET UNDERGROUND
Getting into the place isn't the problem.


In Nikkatsu roman porno the question, as always, is exactly how the script will place the female lead under the control of men determined to use her. In Dan Oniroku kurokami nawa fujin, aka Black Hair Velvet Soul, it's alcoholism and debt. A gambling and philandering husband owes a pile to a slimy financier, so he puts up as collateral the restaurant he owns with his wife. Izumi Shima plays the wife. Because the place was founded by her father and succeeded because of his sweat and struggle, as she notes in a monologue, she sees no other choice but to agree to work off the debt in an S&M club run by the financier. She goes through the usual range of indignities, but in what has to be considered a bit of a twist, she at no point likes it, nor has some inner freak unleashed, nor somehow dies by ironic means. She does her bit, the restaurant is saved, and she leaves her shitty husband. Why watch the movie? Well, because Shima is a shimmering goddess and she's always worth watching. Sixty-six minutes including credits and you're done. Dan Oniroku kurokami nawa fujin premiered today in 1982.

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Vintage Pulp Feb 18 2018
BRUTE FORCE
Erina Miyai's world is turned upside down.

Above is a poster for the Nikkatsu roman porno flick Hatachi no sei hakusho: Nokezoru, which premiered in Japan today in 1978. The literal translation of the Japanese title for this is so convoluted and crazy it's useless to even repeat it, but for its international release it was called Brute's Desire, which doesn't bode well. But we love the poster art, and we love Erina Miyai. If the concept of roman porno is new to you just click the keywords below to have all our posts on the subject at your fingertips. Hatachi no sei hakusho: Nokezoru premiered in Japan today in 1978.

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Intl. Notebook Feb 17 2018
PEACE THROUGH POWER
Ban the bomb! The other side's bomb, we mean.


Soviet painter Nikolai Litvinov was a prolific producer of political art during the Cold War. Above you see one of his efforts—an anti-nuclear poster from printers Sovetsky Khudozhnik with text that reads: “May There Be Peace!” This is from 1959, but we've seen some purported to be from 1961, so if that's the case these were probably made throughout the early Cold War. Blaming the other side for the nuclear arms race was of course the same strategy employed by the U.S. We're going to get back to Litvinov shortly. In the meantime, you can see more Soviet propaganda here, some U.S. propaganda here, and a mixture from several countries here.

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Vintage Pulp Feb 7 2018
MOVING VIOLATIONS
Nikkatsu pushes the envelope of taste—and social responsibility—with Okasu!


Above, a poster for the roman porno flick Okasu!, which premiered in Japan today in 1976. The title here, in a rare occurrence and complete contrast to the above film, translates directly—Rape! Considering that hundreds of roman porno (short for “romantic porno”) movies were made by Nikkatsu Studios during the ’70s and ’80s we take them seriously and seek to understand them. So we watched this and... we don't understand. Starring Natsuko Yashiro, who you may remember from her female diver movies, and co-starring Naomi Tani and Yuri Yamashina, Okasu! is the story of a rape victim who develops an obsession for her attacker and searches the city for him, constantly exposing herself to similar dangers.
 
To be clear, we make no cultural judgments here—around the same time in the U.S. on the soap opera General Hospital, Luke raped Laura and became the number one hunk on daytime television. So we're not failing to understand Okasu! from a cultural vantage point, but from a generational vantage point. We don't find non-consensual anything sexy. From our perspective this dubious flick has only two plusses: there's a highly ironic, even grimly comical, ending; and Yashiro masturbates with a walnut, which we never knew was possible. Wanna try it? Follow her lead below. But when you're making your way through vintage Japanese movies give this one a pass.

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Vintage Pulp Jan 27 2018
DEATH ON A RIVAL
Even in Japan payback is a bitch


Above, a nice but slightly damaged poster (it had a strip of tape across the top) for Joshigakuen Yabai Sotsugyô, aka Girls' School: Wild Graduation Song, starring Junko Natsu and Yoshiko Ikebo in a movie about students at two girls schools—White Rose Academy and Harbor Junior High—and how their rivalry turns into open conflict. There's a really funny scene in this where the two schools' volleyball teams get into a massive brawl after one of the girls is hit in the crotch. We knew serves could be underhanded, but that's just plain evil. Joshigakuen Yabai Sotsugyô premiered in Japan today in 1971.

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Vintage Pulp Jan 24 2018
CELL SERVICE
You only get partial coverage, and that's if you're lucky.


Let it be known—if you cheat on Hitomi Kozue she'll come after you with a samurai sword. At least, that's what happens in the intro of Shin jitsuroku onna kanbetsusho: Rengoku, aka New True Story of a Woman Condemned to Hell. After Kozue slices her cheating man and his mistress, we smash cut to her chained in a prison van headed toward the rest of the movie. Jail time starts with a complimentary cavity search, and from there the amenities continue to disappoint. No pillow mints. No DSL. There's cell service, though, which comes in quite strongly after dark. But in general Kozue finds incarceration to be a bummer. Oh well. These deprivations are nobody's fault but hers—you've gotta keep a level head even when your partner is dicking a local tramp.
 
Kozue is lonely, but she soon learns that a man can easily be replaced by a piece of polished wood, or a religious figurine, or an inflated condom, or a willing finger or two. If she'd known all those possibilities before she kebabed her boyfriend she might have avoided imprisonment. But maybe not—we learn in flashback that what seemed like a straightforward case of catching her man cheating is more complicated. We won't say more. You'll just have to watch the film, which is a better-than-average women-in-prison entry, with that unique pinku flair, and a special beauty in the lead role, plus Yuri Yamashina in support. Shin jitsuroku onna kanbetsusho: Rengoku premiered in Japan today in 1976.



Below: a nice promo image of Hitomi. Why? Be-Kozue we had it. More from her later.

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Modern Pulp Jan 22 2018
THE OLD BALL AND CHAIN
Need a little help around the house?


Above is a poster for Dorei keiyakushu, yet another entry in Nikkatsu's roman porno pantheon, and one that gets viewers to the usual place by a slightly different route. The film opens with Nami Matsukawa having her pubic hair shaved off by a man. She isn't too thrilled about it. Then he gives her an enema, and it's us who aren't too thrilled. Then he binds her in rope kinbaku-bi style, basically wrapping her like a gift, carefully places her in a crate with some packing material, closes it up and has some delivery guys take the container away. The parcel ends up in the house of Hidekazu Mikami, who's surprised as hell when he opens it, as is his wife, played by Izumi Shima. Imagine explaining that. A sheaf of legal documents around Nami's neck says that she's a slave and will serve as payment of a debt. And just like that it's straight to the kinky sex and domination. You can always count on Nikkatsu—they never fail to get you to bondage land, if indeed that's where you want to go. Us, we can take or leave it. Even though we have many more roman porno posters we'd like to share, we may shift more toward Toei's pinky violence action movies for a while. They're harder to find, but worth the effort—and we can only watch so many enemas. Dorei keiyakushu premiered in Japan today in 1982.

It says she'll do anything you ask. Laundry, dishes, handjobs, whatever.

Baby, I swear I didn't order a slave.

But as long as we have one...

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History Rewind
The headlines that mattered yesteryear.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
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