Getting into the place isn't the problem.
In Nikkatsu roman porno the question, as always, is exactly how the script will place the female lead under the control of men determined to use her. In Dan Oniroku kurokami nawa fujin, aka Black Hair Velvet Soul, it's alcoholism and debt. A gambling and philandering husband owes a pile to a slimy financier, so he puts up as collateral the restaurant he owns with his wife. Izumi Shima plays the wife. Because the place was founded by her father and succeeded because of his sweat and struggle, as she notes in a monologue, she sees no other choice but to agree to work off the debt in an S&M club run by the financier. She goes through the usual range of indignities, but in what has to be considered a bit of a twist, she at no point likes it, nor has some inner freak unleashed, nor somehow dies by ironic means. She does her bit, the restaurant is saved, and she leaves her shitty husband. Why watch the movie? Well, because Shima is a shimmering goddess and she's always worth watching. Sixty-six minutes including credits and you're done. Dan Oniroku kurokami nawa fujin premiered today in 1982.
Junko Mabuki gets deflowered.
We just saw Junko Mabuki last week, and here she is again in the roman porno vehicle Dan Oniroku bara jigoku, which is known in English as Hell of Roses. Oniroku Dan was Japan's perv laureate of erotic bondage literature, and he became so famous that his name often appeared on the front of movies adapted from his material. And his material was pretty fringy stuff, at least by our standards. Last week's Oniroku Dan movie was centered around a slimy photographer's bondage obsession. This time there are two photographers, working in tandem to produce bdsm shots of young women who don't have any real idea what they've signed up for. Junko plays a famous singer who gets into their crosshairs. She'd never submit voluntarily, so the two predators subdue her with chloroform and spirit her away to an isolated house. Once she awakens she puts up a real fight and even manages to bloody one of her captors, but she still ends up caged, roped, dildoed, etc., and then there's that roman porno pee thing again. And a snake. And a kinky blood fixation. But you know what this movie doesn't have? Roses. Go figure. Dan Oniroku bara jigoku premiered today in 1980.
Woof woof. Arf arf. I must be barking mad.
High priestess of bondage Naomi Tani is at it again in Shôgorô Nishimura’s roman porno Dan Oniroku: Nawa-geshô aka Rope Cosmetology, aka Rope Makeover. Based on yet another Oniroku Dan story, Tani plays Kanako, a frustrated housewife whose best friend puts her together with a bondage artist keen to introduce her to the fine arts of humiliation and subjugation. It’s all pretty basic stuff that he’s into at first. He lets her watch another woman being disciplined. Then he ties her up and gives her intro level treatment. He tickles her. He makes her pee in a bucket. He makes her crawl around his apartment while wearing a leash. Then this happens:
And that’s pretty hard to get past. At least it is for us. Sometimes we encounter pretty weird shit maintaining this website, and this is one of those times. Most assessments of Shôgorô Nishimura’s oeuvre mention that this film was about as far out as he got, and we suppose the world should be thankful for that. Dan Oniroku: Nawa-geshô premiered in Japan today in 1978.
Naomi Tani gets roped into a weird situation.
Above is a poster for Genso fujin ezu, aka Fascination: Portrait of a Lady, aka Fantasy Portrait of a Wife, one of many S&M movies starring Naomi Tani, aka the Queen of Pink. In this one Tani plays Hisako, a bored housewife married to a conservative art professor. Hisako is beset by bizarre sexual daydreams, including one of being captured like a stray dog and stuck in a cage. Her frustrations soon center on Tachiki, a visionary art student her husband has expelled from school for being too modernist. Hisako and Tachiki soon begin meeting, and Tachiki introduces Hisako to a world of bondage and other dubious delights. The husbanddoesn't really understand the extent of his wife’s straying until she doesn’t come home one night. Not entirely her fault, though, as she’s tied up in Tachiki’s flat. In the morning Tachiki is inspired by lingering rope impressions on Hisako’s flesh to attempt something more permanent—he tattoos her entire body with a rope design. Hisako’s husband, you can be sure, is going to be pissed.
That’s all we’ll say about the plot of Genso fujin ezu. The idea of a person’s transformation taking on psychic then physical dimensions is pretty clear, but daydreams of domination and humiliation just don’t resonate for us. Bondage and rope arts occupy an important place in Japanese culture, so maybe that’s simply the default direction for bored cinema wives, the same way American movies from the period often featured women taking a walk on the wild side with hot-rodders or counterculture types. That’s our best guess, anyway. Oniroku Dan is the mind behind the literary genre that birthed these films, and if we’d read any of his books we’d have a better idea exactly why Hisako veers into S&M, but failing that we’ll just take the movie on its own merits. Genso fujin ezu premiered today in 1977.
Scenes from a marriage.
If there’s one indisputably true statement about Japanese cinema, it’s this: they will try anything. 1974’s Hana to hebi, aka Flower and Snake, is a bondage comedy based on a novel by Oniroku Dan, who specialized in S&M fiction. For the screen version, Nikkatsu Studios recruited reliable sexploitation queen Naomi Tani, who had already appeared in a previous version of the same film entitled Hana to hebi yori: niku no shiiku, aka Flower and Snake: Rearing the Flesh. Where that version was a mere pinku film, this new version would be a Roman porno—which simply meant Nikkatsu would spend more money in an effort to elevate the genre into something mainstream Japanese would accept. In the film, Tani plays an aristocratic wife who asks for a divorce but instead is forced into bondage and submission by a man hired for the task by her husband. She experiences a sexual awakening, the employee forms an emotional bond, and complications ensue from there. We haven’t read the novel, but apparently it’s very different from the film and its adaptation was a source of friction between studio and author. But it didn’t matter—Hana to hebi was a smash. It was the first of Nikkatsu’s many Roman porno flicks, and the first of what would become a Hana to hebi franchise. It premiered in Japan today in 1974.
Just keep reminding yourself it’s only a movie.
The above promo art is for the Japanese sexploitation flick Dan Oniroku nawa to hada, aka Rope and Skin. It’s one of many films based on the work of S&M author Oniroku Dan. This one concerns a card-dealing employee of a yakuza clan who plans to leave her criminal life behind and marry a chef. And that’s all fine and dandy, but when she exposes the leader of a rival clan as a card cheat, his revenge leaves her love murdered. Things get worse when she attempts to free a girl from prostitution, but ends up captured and tortured. But you can’t keep a good avenging angel down, and that means eventually she’s sprung and of course immediately sets about getting a little payback—toplessly, with mucho arterial spray. Rope and Skin would be Tani's last film after a career that included such efforts as Wet Vase, A New Wife’s Hell, and She-Beasts & Warm Bodies. Whenever we watch these gorefests we’re both repelled (there’s a lot of torture) and attracted (there’s a lot of nudity), but mostly just amazed (did we mention that torture thing?). Rope and Skin/Dan Oniroku nawa to hada premiered in Japan today in 1979.
The headlines that mattered yesteryear.
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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