Femmes Fatales Mar 30 2015
MARY TO THE MOB
With husbands like these who needs enemies?

Mary Jo Tarola was born in Portland, Oregon in 1928 and by 1952 had established herself in Hollywood, first under the milquetoast moniker Linda Douglas, then under her own far more interesting name. Just two years into her career she married producer Pasquale “Pat” DiCicco. Not well known now, DiCicco was a bootlegger and pimp who became mafia boss Lucky Luciano’s lieutenant in Tinseltown. He was infamously abusive toward women—one dust-up with his first wife Thelma Todd led to her having an emergency appendectomy, and another with his second wife Gloria Vanderbilt involved him slamming her head into a wall. Tarola’s promising film career ended with her marriage to DiCicco, but at least she left behind a few choice artifacts like the above photo by photographer Ernest Bachrach. It dates from 1952 or 1953.

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Vintage Pulp Jun 15 2014
SOAP OPERA
Out of the bath and into the fire.

You can see this poster for the 1966 comedy Boy Did I Get a Wrong Number! around the internet, but we thought we’d share our scan anyway because we like the art and the graphics. Concerning the latter, that isn’t a big 70 in the middle of the poster—those are Japanese characters meaning “flow.” Combined with the rest of the text, the entire title reads “Queen of the Bath.” Maybe Lana Turner would have something to say about that, but in any case the title isn’t as random as you’d think. The movie is about an actress who is famous for her bath scenes but wants to be taken seriously. In a fit of pique she goes AWOL from her latest production and ends up hiding out in Oregon in the cabin of a married real estate agent, who spends the movie trying to keep his wife from finding out. It’s classic, 1960s style romantic slapstick, and the best thing about it is Elke Sommer in the starring role, though Bob Hope is always watchable. We uploaded many production stills below. Why all the imagery? Because Sommer is good for you. Boy Did I Get a Wrong Number! premiered in the U.S. this month in 1966. 

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The Naked City May 26 2011
CRAZY LIKE A FOX
William Edward Hickman was one of the smoothest criminals of his time—at least until the end.

This May 1973 issue of the true crime magazine Master Detective delves back more than four decades to examine one of the most infamous murders committed in early twentieth century America. The victim was a 12-year old Los Angeles girl named Marion Parker, and on December 15, 1927, she was abducted from her school by a man who used to work for her father. The man—nineteen-year-old William Edward Hickman—came to the school and told the registrar that the girl’s father had been in an accident that morning and wished to see his daughter. It was not policy to release children to anyone other than their parents, but swayed by Hickman’s measured urgency and apparent sincerity, the registrar released Marion Parker into his custody.

Hickman was after money. Marion Parker’s father, a banker named Perry Parker, had it in abundance. For the next few days Hickman sweated Perry Parker, sending pleading notes written by Marion, as well as other notes demanding a ransom. Hickman signed the latter with various pseudonyms, but one in particular stuck with the press—“The Fox.” Eventually, Parker and Hickman agreed on a ransom of $1,500, to be paid in $20 gold certificates. The first attempt at an exchange failed when Hickman noticed a cop near the meeting place. It’s unclear whether the policeman was part of a trap, but Hickman was taking no chances. He bailed, and set up a second meeting for a few nights later.

When Parker reached the rendezvous point he saw Hickman sitting in a parked car. Parker approached the driver side window and saw that the kidnapper was aiming a gun, and he also saw his daughter in the passenger seat, bundled up to her neck in a blanket. She couldn’t move—that was clear. She didn’t speak. Hickman took the ransom and drove quickly away, stopping just long enough to push Marion Parker out of the car at the end of the block. When Parker reached his daughter and lifted her into his arms he screamed in anguish. Marion was dead, and had been for twelve hours. Hickman had cut off her arms and legs, flayed the skin from her back, disemboweled her, and stuffed her with rags. She had been bundled up to conceal the fact that she had no limbs. Her eyes had been wired open so that she would, upon cursory inspection, appear to be alive.

Hickman had escaped, but he had left behind a clue that would lead to his capture. Among the rags he had stuffed into Marion Parker’s empty abdomen was a shirt with a laundry mark that police were able to trace to an address in Los Angeles. Twenty cops descended on a residence that turned out to be occupied by a man named Donald Evans, who wascooperative but said he knew nothing about Hickman. In truth Evans was Hickman, but by the time police figured that out he had fled to the Pacific Northwest. But he hadn’t run far enough. Wanted posters reached every corner of the west coast within days, and just one week after Hickman’s disappearance two police officers in the town of Echo, Oregon recognized him and arrested him.

At trial, Hickman claimed to be guided by voices—one of the first times, if not the first, that this type of insanity defense was attempted in an American courtroom. But the jury wasn’t buying any of it and they convicted Hickman of murder and kidnapping. The judge sentenced him to be executed at San Quentin State Prison, and he climbed the stairs to the gallows on October 19, 1928. Hickman had once been smooth enough to talk a school official into sending Marion Parker to her doom, and had calmly lied about his identity to twenty cops who had burst into his house. In prison he had corresponded with and impressed author Ayn Rand so much that she decided to base a character on him because he embodied her mythical “Nietzschean Superman” ideal. But at the end, all of Hickman’s considerable aplomb deserted him. Just before the hangman sprang the trapdoor that would cast him into oblivion, he collapsed babbling in fear. His last words were, “Oh my God! Oh my God!” 

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History Rewind
The headlines that mattered yesteryear.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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